Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 194 teost Hans Thoma meie kataloogis
Lühidalt
Apollo and Marsyas (1888) on Hans Thoma maalide kõige silmapaistvam teos; originaal kuulub museumi Art Institute of Chicago, Chicago. Pärast seda suunatakse pilk Mother and Child in a Garden (1906) ja The Artist (1866) suunas. Meie kataloogis olevatest Hans Thoma 194 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In a quiet, wooded glade, two figures sit amidst the vertical shadows of cypress trees. The air feels heavy with the scent of damp earth and sun-warmed pine. On the left, Apollo holds his lyre, the instrument a delicate extension of his frame. To the right, Marsyas breathes life into the aulos, the double flute requiring a deep, rhythmic lung capacity. They are nude, their musculature rendered with a soft,…
The garden is held in the blue shadows of dusk. An older woman sits as a stable, triangular anchor against the dark, organic curves of tree trunks and reaching branches. She wears a garment of muted crimson, a single pulse of color amidst the deep indigos and earthy browns of the night. In her arms, she cradles an infant wrapped in pale swaddling. The light is low and directional, catching…
In the tender embrace of The Artist, Hans Thoma invites us into a private, domestic moment that feels both timeless and deeply personal. The painting presents a poignant portrait of two women—one older, one younger—caught in a shared instance of quiet contemplation. The elder woman, her features softened by wisdom and framed by spectacles, holds an open book, her focus anchored to the written word. Beside her, the younger woman…
The Art Author Conrad Fiedler is a portrait painted by Hans Thoma in 1884. The subject, Conrad Fiedler, was a German art historian, philosopher, collector, patron, and author of art theoretical writings. He lived from 1841 to 1895. The brush captures a man of thought, a figure defined by his intellectual weight and his deep connection to the study of art.
This 1876 portrait presents a medium close-up of a bearded man in profile, facing toward the right. The composition is rendered in a grayscale palette, utilizing a range of tones from deep blacks in the subject's formal attire to pale, luminous highlights on the forehead, cheek, and white shirt. The subject's face is defined by subtle lines that trace the contours of the skin and the voluminous, thick texture of…
The air thickens with the heat of an unfolding allegory in The War. Painted by Hans Thoma in 1907, this oil on canvas captures a moment of intense, fiery upheaval. The work exists within the permanent collection of the Städel Museum, where it remains a powerful presence. Every brushstroke contributes to a scene that feels caught in the middle of a sudden, violent transformation.
The artwork titled Portrait of Mrs. Cella Thoma is a painting by the artist Hans Thoma. Created in 1883, this work belongs to the portrait genre. The subject of the piece is Cella Thoma.
In this oil painting from 1897, we find ourselves in a landscape that feels heavy with the weight of what is about to happen. The scene is set during the quiet, golden hours of twilight, where the warmth of the sunset sky meets the deepening shadows of a dense, lush forest. At the center of this composition, a tree trunk draped in a stark white cloth acts as a vertical…
is an oil painting by Hans Thoma. Created in 1878, the work belongs to a period in the artist's career that reflects his engagement with the spiritual and the natural world. Thoma, who lived from 1839 to 1924, developed a distinct visual language that often bridged the gap between academic tradition and a more personal, imaginative vision.
The composition centers on a sunlit shoreline where a muscular male figure meets a group of women. This man, Hercules, is depicted with a powerful physique and holds a heavy club in his hand. He stands on the sand, his body positioned to face Hesione, the daughter of King Laomedon of Troy. Hesione is draped in a white garment that flows around her form, and her expression carries a mixture…
Feeding chickens1867 · Staatliche Kunsthalle Karlsruhe
12
Portrait of Ida Müller, née Scholderer1877 · Städel Museum
13
Portrait of Ela with a basket1883 · Varssavi Rahvusmuuseum
14
Woman portrait1882 · Kunsthalle Mannheim
15
Christ and Saint PeterVarssavi Rahvusmuuseum
16
Forest Interior with Reading Boy1860 · Staatliche Kunsthalle Karlsruhe
17
Peasant Boy at the Edge of the Forest1862 · Staatliche Kunsthalle Karlsruhe
18
Stony Path at the Forest Edge with Seated Man1860 · Staatliche Kunsthalle Karlsruhe
19
Bouquet of wild flowers1872 · Alte Nationalgalerie
20
The bee friend1863 · Alte Nationalgalerie
21
Summer Morning in the Bernau Valley1863 · Augustiner Museum
22
The bee friend1863 · Staatliche Kunsthalle Karlsruhe
23
Young farmer at the grain field1862 · Staatliche Kunsthalle Karlsruhe
24
The Village Fiddler1871 · Staatliche Kunsthalle Karlsruhe
25
The Shepherd with goat1869 · Landesmuseum Mainz
26
Girl feeding chicken1870 · Bavaria riiklikud maalidema kogumikud
27
Agathe Thoma, sister of the artist1868
28
Agathe with a white dog1869 · Staatliche Kunsthalle Karlsruhe
29
Artist's Mother in a Little Room1870 · Kunst Museum Winterthur | Reinhart am Stadtgarten
30
Portrait of the painter Wilhelm Steinhausen1869 · Staatliche Kunsthalle Karlsruhe
31
In the sunshine1867 · Staatliche Kunsthalle Karlsruhe
32
Sewing girl1868 · Staatliche Kunsthalle Karlsruhe
33
Forester Kollmann1872 · Bavaria riiklikud maalidema kogumikud
34
Otto Frölicher1875 · Bavaria riiklikud maalidema kogumikud
35
Barbara Kollmann1876 · Bavaria riiklikud maalidema kogumikud
36
Angel Concert1876
37
Scuffling Boys1872 · Staatliche Kunsthalle Karlsruhe
38
Hamlet and Horatio at Ophelia's Grave1872 · Staatliche Kunsthalle Karlsruhe
39
Spring in the mountains, Children dancing in a ring1874
40
In the Hammock1876 · Städel Museum
41
The siblings1873 · Staatliche Kunsthalle Karlsruhe
42
On the field1876 · Rijksmuseum Twenthe
43
Summer1872 · Alte Nationalgalerie
44
A Peaceful Sunday1876 · Hamburger Kunsthalle
45
children + chickens1873
46
Dance of Faun + puttos1874
47
Diana under the tree1878 · National Museum in Wrocław
48
Portrait of Agathe, artist’s sister1873 · Varssavi Rahvusmuuseum
49
Stream Landscape with Bathing Boys1879
50
Boy by the Brook1880
51
Haymaking1883
52
Riding on a Bird1885 · Städel Museum
53
Self portrait1880 · Staatliche Kunstsammlungen Dresden
54
Portrait of a woman1884 · Bavaria riiklikud maalidema kogumikud
55
Tritonenzug1882 · Staatliche Kunsthalle Karlsruhe
56
Lemon seller1880
57
Grandmother and Granddaughter with a Vegetable Basket1883
58
Girl with amoret Flora1881
59
Spring-landscape with young girl and 4 angels1879
60
young woman with child1880
61
The gardener1881 · Staatliche Kunsthalle Karlsruhe
62
The Sculptor Erwin Kurz1887 · Lenbachhaus
63
Through the Floods1889
64
In Paradise1891 · Staatliche Kunsthalle Karlsruhe
65
Såmannen1888 · National Museum of Art, Architecture and Design
66
Knight Saint George1889 · Alte Nationalgalerie
67
Archers1887 · Alte Nationalgalerie
68
Guardian in front of the Garden of Love1890 · Alte Nationalgalerie
69
Girl Portrait (Ella with straw hat)1888 · Alte Nationalgalerie
70
Still life with a hare, pheasants and a lobster.1889 · Varssavi Rahvusmuuseum
71
Portrait of the Artist’s Sister Agathe1886 · Augustiner Museum
72
Approaching thunderstorm1889 · Von der Heydt Museum
73
Female centaur near a cascade1886
74
Hercules, liberating the king's daughter1890
75
Uphill1886
76
Market scene1889 · Kunsthalle Mannheim
77
Temptation of Christ1890 · Varssavi Rahvusmuuseum
78
Satyr's family (bringing up of Zeus)1886 · Varssavi Rahvusmuuseum
79
Angel with the star of Bethlehem1887 · Varssavi Rahvusmuuseum
80
The Norns1889 · Staatliche Kunsthalle Karlsruhe
81
Olive Grove at Lake Garda1897 · Dallas Museum of Art
82
group of young shepherds in landscape1894
83
Young faun and singing boy1895
84
Paradise1901 · Staatliche Kunsthalle Karlsruhe
85
Christ as Gardener1901 · Staatliche Kunsthalle Karlsruhe
86
Fairy tale - Knight1904 · Varssavi Rahvusmuuseum
87
Portrait of the artist's adopted daughter - Elli Blaue.1903 · Varssavi Rahvusmuuseum
88
Grainfield near Oberursel1902 · Von der Heydt Museum
89
Easter Triptych: Hell1907 · Staatliche Kunsthalle Karlsruhe
90
Easter Triptych: Fields of the Blessed (Paradise)1907 · Staatliche Kunsthalle Karlsruhe
91
Easter Triptych: Resurrection of Christ1907 · Staatliche Kunsthalle Karlsruhe
92
Triptych: the Source1910 · Staatliche Kunsthalle Karlsruhe
93
Angels – Annunciation1906 · Varssavi Rahvusmuuseum
94
Annunciation to the Shepherds1906 · Varssavi Rahvusmuuseum
95
God the Father above the shed1906 · Varssavi Rahvusmuuseum
96
Virgin Mary's adoration of the Child in the shed1906 · Varssavi Rahvusmuuseum
97
Frederick I, Grand Duke of Baden1909 · Staatliche Kunsthalle Karlsruhe
98
The Flight into Egypt1876 · Alte Nationalgalerie
99
Lowland at the Rhine1869 · Alte Nationalgalerie
100
Firs by the Forest Stream1861 · Staatliche Kunsthalle Karlsruhe
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Hans Thoma teosid | Selle nimekirja maalid |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 59 | The Artist, Portrait of Mrs. Cella Thoma, Feeding chickens |
 Varssavi Rahvusmuuseum |
Varssavi | 19 | Portrait of Ela with a basket, Christ and Saint Peter, Portrait of Agathe, artist’s sister |
 Alte Nationalgalerie |
Berliin | 16 | The Art Author Conrad Fiedler, Cloud of Angels, Bouquet of wild flowers |
 Bavaria riiklikud maalidema kogumikud |
München | 11 | Firmin Straub, Girl feeding chicken, Forester Kollmann |
 Städel Museum |
Frankfurt | 6 | The War, Portrait of Ida Müller, née Scholderer, In the Hammock |
 Kunsthalle Mannheim |
Mannheim | 3 | Woman portrait, Market scene |
 Augustiner Museum |
Freiburg | 3 | Summer Morning in the Bernau Valley, Portrait of the Artist’s Sister Agathe |
 Von der Heydt Museum |
Wuppertal | 2 | Approaching thunderstorm, Grainfield near Oberursel |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the tender embrace of The Artist, Hans Thoma invites us into a private, domestic moment that feels both timeless and deeply personal. The painting presents a poignant portrait of two women—one older, one younger—caught in a shared instance of quiet contemplation. The elder woman, her features softened by wisdom and framed by spectacles, holds an open book, her focus anchored to the written word. Beside her, the younger woman…
This 1876 portrait presents a medium close-up of a bearded man in profile, facing toward the right. The composition is rendered in a grayscale palette, utilizing a range of tones from deep blacks in the subject's formal attire to pale, luminous highlights on the forehead, cheek, and white shirt. The subject's face is defined by subtle lines that trace the contours of the skin and the voluminous, thick texture of…
In a quiet, wooded glade, two figures sit amidst the vertical shadows of cypress trees. The air feels heavy with the scent of damp earth and sun-warmed pine. On the left, Apollo holds his lyre, the instrument a delicate extension of his frame. To the right, Marsyas breathes life into the aulos, the double flute requiring a deep, rhythmic lung capacity. They are nude, their musculature rendered with a soft,…
In this oil painting from 1897, we find ourselves in a landscape that feels heavy with the weight of what is about to happen. The scene is set during the quiet, golden hours of twilight, where the warmth of the sunset sky meets the deepening shadows of a dense, lush forest. At the center of this composition, a tree trunk draped in a stark white cloth acts as a vertical…
The garden is held in the blue shadows of dusk. An older woman sits as a stable, triangular anchor against the dark, organic curves of tree trunks and reaching branches. She wears a garment of muted crimson, a single pulse of color amidst the deep indigos and earthy browns of the night. In her arms, she cradles an infant wrapped in pale swaddling. The light is low and directional, catching…
Three vertical panels hold a quiet, allegorical world. In the left section, a nude male figure leans toward a small waterfall, his hands reaching for the moving water. The center panel presents a woman in a flowing lavender robe, her fingers plucking a lute while a small child sits at her feet. To the right, a young man rests upon a rock, his gaze turned back toward the center, a…
Apollo and Marsyas (1888), Art Institute of Chicago, Chicago. Järgnevad Mother and Child in a Garden (1906) ja The Artist (1866).
49 aastat vanus: teos Apollo and Marsyas on pärinev aastast 1888 ning Hans Thoma sündis aastal 1839.
Apollo and Marsyas, Mother and Child in a Garden, The Artist, The Art Author Conrad Fiedler, Firmin Straub, The War, Portrait of Mrs. Cella Thoma, Adam and Eve, Cloud of Angels ja Hercules delivering Hesione. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 194 teost kunstnikult Hans Thoma, mis on pärinevad ajastust 1860 kuni 1910.
Peamiselt Staatliche Kunsthalle Karlsruhe (Karlsruhe), Varssavi Rahvusmuuseum (Varssavi) ja Alte Nationalgalerie (Berliin) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 31 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Apollo and Marsyas.
Sellel lehel on kõige vanem teos Forest Interior with Reading Boy (1860) ja kõige värskeim Triptych: the Source (1910).
Woman (35), Trees (31) ja Sky (25), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 55 teoseks 100 töödelt sellel lehel.
Romanticism, seda lähtudes selle lehe originaalteostest.
The Artist, Portrait of Mrs. Cella Thoma ja Feeding chickens: Staatliche Kunsthalle Karlsruhe, Karlsruhe säilitab 28 selle lehel olevat teost.
Hans Thoma seisab saksa kunstihistorias eraldina, olles kuulus oma kõnetavate maastikude ja portreetide poolest, mis vangistavad Musta Metsa piirkonna vaimu — paika, mis on sügavalt juurdunud tema kunstilises visioonis. Sündides Bernau bei Berlinis aastal 1839, alustas ta kunstilist teeklust, mida isutas vankumatu pühendumus oma kodumaa traditsioonidele ja folklorile. Tema elu oli õrn tasakaal täpsel tähelepanul ja sügava romantilise idealismi tunde vahel, luues teoseid, mis tunduvad korraga nii maapinnaga seotud kui ka unistuslikult kõvetatud.
Thoma kujustumisvuasaad olid vormitud maaelu lihtsad rütmid; tema isa amet kellameistrina sisaldas temasse täpsust ja erakordset detailide tähelepanu, mis hiljem tungis igasse pintooni. 1859. aastal õppis ta Karlsruhe akadeemias, kus teda juhendasid meistrid nagu Johann Wilhelm Schirmer ja Ludwig Des Coulbres. See periood kinnistas tema aluslikku meisterlikkust maastikumaaluse tehnikatest. Kuigi tema hiljutatud reisid läbi Düsseldorfi, Pariisi, Itaalia, Müncheni ja Frankfurti eksponeerisid teda erinevate kunstiliste suundumuste keerulisele võrgustikule, said need rahvusvahelised kohtumised vaid tugevdada tema pühendumust saksa maaelu olemuse ja looduse ajatuse väärtuse vangitamisele.
Thoma eripärane stiil ei allu kergesti klassifikatsioonile, kuid sellel on kordumatult sarnaseid omadusi Pre-Raphaelite liikumisega. Sarnaselt Dante Gabriel Rossetti või John Everett Millais töödele, prioriteetsust andis Thoma atmosfääri vangitamisele ning sügava emotsiooni edule läbi peente toonivariatsioonide ja luminentssete väripalettide. Tema fassinatsioon looduse väikeste detailide vastu — lehe tekstuur, puustiku läthroughav valgus või murul söövad lehmad — peegeldab realismi pühendumust, mida sageli leevendab kujutlik, peaaegu müstiline visioon.
Saksa meistrite pärand mängis samuti otsustaval rollil tema esteetika kujundamisel. Albrecht Düreri ja Lucas Cranach noorem ehk vanem töö olid sügavad mõjud, mis suunasid tema kompositsioonivalikuid ning võimeid luua täpseid jooni ja hoolikat varjustamist. See klassikalise täpsuse ja romantilise tunnetuse kooslus võimaldas tal luua stsène, mis tundusid nii ajalooliselt juurdunud kui emotsionaalselt vahetu. Olgu see siis mustvalge joonistus nagu tema Nooruslik eneseportret või värviline, värviga kastetud maastik nagu Sügispuu Wiesentali ees, Thoma tehniline võimekus püüdles alati tõe leidmise järele looduses.
Kogu oma karjääri jooksul saavutas Thoma tunnustuse taseme, mis tõi ta saksa kunstimaailma südamesse. Tema võime tekitada rahu lopsaka rohelise ja pilvist taeva kaudu — nagu nähtav on teoses Maastik pilvega — demonstreerib peaaegu impressionistlikku tundlikkust valguse ja õhu vastu. Ta ei maalinud pelgalt vaadet; ta maalis kultuuri ja maastiku atmosfääri, muutes Musta Metsa püsiva rahu ja pastoraalse ilu sümboliks.
Hans Thoma ajalooline tähendus peitub tema võimes ühendada 19. sajandi rangus akadembrilistest traditsioonidest modernse kunsti kasvava emotsionaalsusega. Tema saavutuste hulka kuuluvad:
Tänapäeval jätkub Thoma töö resoneerima vaatajategas, kes otsivad lohutust idyllilises ja igessuses. Tema maalid jäävad aken maailma, kus loodus ja inimkonda eksisteerivad ühes harmoonikus, kaunilt detaileritud tantsus.
