Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 27 teost Grigori Mjassojedov meie kataloogis
Lühidalt
Galleriile on Grigori Mjassojedov kõige kuulsam teos The road in the rye (1881). The burning of Archpriest Avvakum (1897) ja Autumn Morning (1893) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Grigori Mjassojedov 27 teose põhjal esitleb galeriis allpool 27 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In this 1881 composition, we find ourselves standing amidst the tall, swaying grasses of a Russian field. A solitary man occupies the center of the frame, his gaze fixed upon something distant, perhaps lost in thought or observing the movement of the clouds above. The scene captures a specific, unhurried moment of rural existence. Around him, the landscape feels vast, yet it is populated by smaller, subtle figures scattered throughout…
In this 1897 work, Grigoriy Myasoyedov captures a harrowing scene from 1682, centered on the execution of Archpriest Avvakum. The composition is crowded, filled with the heavy presence of a large assembly gathered to witness a moment of profound religious and social upheaval. A massive fire dominates the center of the canvas, its heat almost palpable through the visual depiction of flames engulfing the man at the heart of the…
In this 1893 work, we find ourselves standing at the edge of a Russian woodland during the transition of seasons. The scene captures a specific, fleeting moment where the warmth of the sun meets the cooling air of the season. Trees dominate the composition, their foliage rendered in a palette of reds, oranges, and yellows that contrast against the lingering green of the leaves. It is a study of light…
The painting titled Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border . was executed by the Russian artist Grigoriy Myasoyedov. This work was created about 1862. The subject matter of the canvas is a specific scene derived from the play Boris Godunov by Pushkin.
A three-quarter pose defines this study of the artist, captured in a moment of quiet introspection. The composition is dominated by the head and shoulders, emerging from a void of deep, near-black shadow. Light descends from above and to the right, carving the features of the face through a sharp chiaroscuro effect. This focused illumination highlights the forehead, the bridge of the nose, and the cheekbones, while leaving the lower…
The oil painting depicts two women seated at a round table in a dimly lit room. A large, ornate lamp with a pleated red shade sits upon the table, acting as the primary light source. This lamp casts a concentrated glow onto the subjects, illuminating the pale skin of their faces and the white fabric of a blouse worn by the younger woman. The older woman leans her head against…
The painting depicts a small stream flowing through a dense woodland. A creek occupies the center of the composition, its surface appearing calm and still. Surrounding the water, a collection of at least twelve trees is positioned at varying distances from the viewer. Some trees stand in the foreground, their leaves rendered with distinct detail, while others recede into the background to create a sense of depth. The foliage is…
The Enbarkement in Yalta is a stunning oil on canvas painting created by the renowned Russian artist Grigoriy Myasoyedov in 1890. This beautiful piece of art is a testament to the artist's skill and attention to detail, showcasing a bustling harbor scene with several boats docked in the water. The painting measures 47 x 64 cm and is a prime example of Realism, a style that Myasoyedov was known for.…
Portrait of I. Repin (study)1883
12
Autumn landscape in Crimea1884
13
People burning themselves1884
14
Sower1888
15
Portrait of Shishkin1891
16
Portrait of fiddler V. G. Walter1902
17
Reaper
18
In the salon of Zenaida Volkonskaya1907
19
By happiness of others (Two fates)
20
Prayer in time of droughtVarssavi Rahvusmuuseum
21
Portrait of old woman
22
Spaniard
23
Grandfather of the Russian Fleet1871
24
The Zemstvo Dines1872 · Tretyakovi kunstgalerii
25
Time of harvesting (Mowers)1887 · Venemaa Riiklik Muuseum
26
Portrait of chess player A. D. Petrova
27
Reading of the 1861 Manifesto1873 · Tretyakovi kunstgalerii
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Grigori Mjassojedov teosid | Selle nimekirja maalid |
|---|---|---|---|
 Tretyakovi kunstgalerii |
Moskva | 2 | The Zemstvo Dines, Reading of the 1861 Manifesto |
 Jekaterinburgi bildkunste muuseum |
Jekaterinburg | 1 | Candlelight |
 Varssavi Rahvusmuuseum |
Varssavi | 1 | Prayer in time of drought |
 Venemaa Riiklik Muuseum |
Stiiitlinburg | 1 | Time of harvesting (Mowers) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The painting titled Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border . was executed by the Russian artist Grigoriy Myasoyedov. This work was created about 1862. The subject matter of the canvas is a specific scene derived from the play Boris Godunov by Pushkin.
A three-quarter pose defines this study of the artist, captured in a moment of quiet introspection. The composition is dominated by the head and shoulders, emerging from a void of deep, near-black shadow. Light descends from above and to the right, carving the features of the face through a sharp chiaroscuro effect. This focused illumination highlights the forehead, the bridge of the nose, and the cheekbones, while leaving the lower…
In this 1881 composition, we find ourselves standing amidst the tall, swaying grasses of a Russian field. A solitary man occupies the center of the frame, his gaze fixed upon something distant, perhaps lost in thought or observing the movement of the clouds above. The scene captures a specific, unhurried moment of rural existence. Around him, the landscape feels vast, yet it is populated by smaller, subtle figures scattered throughout…
In this 1897 work, Grigoriy Myasoyedov captures a harrowing scene from 1682, centered on the execution of Archpriest Avvakum. The composition is crowded, filled with the heavy presence of a large assembly gathered to witness a moment of profound religious and social upheaval. A massive fire dominates the center of the canvas, its heat almost palpable through the visual depiction of flames engulfing the man at the heart of the…
The oil painting depicts two women seated at a round table in a dimly lit room. A large, ornate lamp with a pleated red shade sits upon the table, acting as the primary light source. This lamp casts a concentrated glow onto the subjects, illuminating the pale skin of their faces and the white fabric of a blouse worn by the younger woman. The older woman leans her head against…
The road in the rye (1881). Järgnevad The burning of Archpriest Avvakum (1897) ja Autumn Morning (1893).
47 aastat vanus: teos The road in the rye on pärinev aastast 1881 ning Grigori Mjassojedov sündis aastal 1834.
The road in the rye, The burning of Archpriest Avvakum, Autumn Morning, Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border ., Self-Portrait, Candlelight, Creek in the forest, Enbarkement in Yalta, Congratulation of betrothed in landlord's house ja Opahivanie. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 27 teost kunstnikult Grigori Mjassojedov, mis on pärinevad ajastust 1861 kuni 1907.
Peamiselt Tretyakovi kunstgalerii (Moskva), Jekaterinburgi bildkunste muuseum (Jekaterinburg) ja Varssavi Rahvusmuuseum (Varssavi) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 6 27 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The road in the rye.
Sellel lehel on kõige vanem teos Congratulation of betrothed in landlord's house (1861) ja kõige värskeim In the salon of Zenaida Volkonskaya (1907).
Countryside (5), Men (5) ja Portraits (5), kogu selle lehekülje 27 teose kohta.
Oil, 4 teoseks 27 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
The Zemstvo Dines ja Reading of the 1861 Manifesto: Tretyakovi kunstgalerii, Moskva säilitab 2 selle lehel olevat teost.
Grigoriy Grigorievich Myasoyedov (1834–1911) on Peredvizhniki liikumuse üks nendest asendamatutest kolonnistidest, kes pühendas oma elu kunstilisele vabadusele ja püüdis igapäevast elu kirjeldada lütaetult ausalt. Venemaal, Pankovos sündinud mees sai oma kasvatusest omakustada tähelepanelikkust ja detailide väärtust – omadusi, mis kujastasid tema eripärase stiili selgeks märksulguks. Tema isa teadlikud uurimised, eriti “Statistical Economic Review of the Southern Part of Tula Guberniya”, sisaldasid kunstis sügava huvi sotsiaalsele kommentaarile, külvestades seemned kareerile, mis oli pühendatud tema kodumaa sotsioekonomiliste realiteetide dokumenteerimisele.
Tema kunstiline haridus algas Oryoli gymnaasiumis, enne kui ta liikus St. Peterburi prestiižsesse Keelemoodi Akadeemia（Imperial Academy of Arts）kunstikoolu. Seal õppis ta mõjuvate mentorite, nagu Timofey Nef ja Alexey Tarasovich Markov, juures, kus tema talent lugulugudeks jutustamiseks hakkas õunema. See akadeemilise ranguse periood culminatsiooniks sai märandav saavutus: kuldmaterjali eest antud preemia tema teose “The Flight of Grigory Otrepyev from the Inn” eest. See dramaatiline teos, mis sai inspiratsiooniks Puškinie opera libretto, demonstreeris mitte ainult tema meisterlikkust teatraatilises kompositsioonis, vaid ka võimet ülalõppetult elustada ajalikke ja kirjandilisi legende sügava realismiga.
Tunnustades reiside transformeerivat potentsiaali, hankis Myasoyedov akadeemiast toetuse laialgaste ekspeditsioonideks üle Euroopa. Tema rötte Pariisis, Florencas, Roomas ja Hispaanias võimaldas tal sukelduda suuremates Euroopa kunstitraditsioonidesse, teravdada oma tähelepanelikkust ja laiendada oma tehnilist repertuaari. Kuid asemel, et omakustada akadeemilise establishmenti eelistatud idealiseeritud maastikke, naasid Myasoyedov 1870. aastal Venemaale uue missiooniga: püüda kinni oma rahva autentiline vaim.
Pärast naasmist liitus ta kiiresti “Association of Travelling Art Exhibitions”-ga, mis on paremini tuntud kui Peredvizhniki. See liit kujundas sügavalt tema kunstilist suunda, suunates ta tähelepanu ruralistliku elu portretteerimisele empaatia ja tundlikkusega. Ta püüdis lükata ebaseesiklikud akadeemilised konventsioonid eemale, eelistades Vene maastiku ja selle elanike rühmitava, tõetava esitust. Tema töö muutus teadlikuks sotsiaalse dokumenteerimise teeks, liinudes möödumas mineviku suurejoonulisusest ning suunas fookuse talupojad elu vaikavatele ja sageli raskedele rütmidele.
Alates 1976. aastast elas Myasoyedov talud Vene kunsti kõige püsivama panuse andnud perioodil Harkovi lähedal. Need aastad dokumenteerisid meticulooselt talupoja eksistentsi rütme, püüdes kinni mitte ainult välimust, vaid ka emotsionaalseid nüansse ja tema subjektide psühholoogilist sügavust. Tema linate kõlab intiimse arusaatusega inimlikku olekut kohta, olgu selleks siis tihedad sadamatsened nagu “Enbarkement in Yalta” või tumedad ajaloolised mõtteleveod nagu “Reading of the 1861 Manifesto.”
Myasoyedovi töö olulisus peitub tema võimes ühendada kõrge kunst ja tavaväe elukogemus. Tema pärand on iseloomustatud järgmist:
Tänu oma pühendumisele Peredvizhniki liikumusele, Grigoriy Myasoyedov tagas, et Vene maapiirkondade hääl jõudis kuulda läbi maali, jättes jätkud sügava visuaalse rekordi Venemaa ajaloo transformatsioonipärale.
