Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 18 teost Giuseppe Abbati meie kataloogis
Lühidalt
Oration (The prayer) (1866) on Giuseppe Abbati maalide kõige silmapaistvam teos; originaal kuulub museumi Palazzo Pitti, Firenze. Pärast seda suunatakse pilk Horse in the Sunlight (1866) ja Marina in Castiglioncello (1863) suunas. Meie kataloogis olevatest Giuseppe Abbati 18 teosest on need 18 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
The sunlight washes over the scene in Horse in the Sunlight, a work that captures a quiet moment of care between a man and his animal. Giuseppe Abbati, the artist behind this piece, brings a sense of warmth to the subject through his specific handling of light. The painting, created in 1866, finds its origins in the life of an artist born in Naples, Italy, on January 13, 1836. Here,…
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
In the quietude of 1865, Giuseppe Abbati captured more than just a figure in repose; he bottled a fleeting fragment of human existence. "A Man Seated and Asleep" serves as a profound window into the heart of the Macchiaioli movement, an Italian avant-garde that sought to strip away the artifice of academic tradition in favor of raw, unadorned truth. The painting presents us with a solitary figure, his head resting…
The Arno river near Casaccia1863
12
Landscape at Castiglioncello1863 · Kaasaegse kunsti galerii
13
Country Road with Cypresses1860 · Kaasaegse kunsti galerii
14
The Tower of the Palazzo Del Podestà1865
15
Gallery with Armor Bearer1864
16
Portrait of a Woman1865 · Kaasaegse kunsti galerii
17
The milkman in Piagentina1864
18
The Artist Stanislao Pointeau1863 · Musée des impressionnismes Giverny
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 5 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Giuseppe Abbati teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kaasaegse kunsti galerii |
Firenze | 4 | Cloister, Landscape at Castiglioncello, Country Road with Cypresses |
 Palazzo Pitti |
Firenze | 2 | Oration (The prayer), The Cloister of Santa Croce |
 Galleria d'arte moderna Ricci Oddi |
Piacenza | 1 | Portrait of a man |
 Metropolitan Museum of Art |
New York | 1 | A Man Seated and Asleep |
 Musée des impressionnismes Giverny |
Giverny | 1 | The Artist Stanislao Pointeau |
Siin esitatud Giuseppe Abbati originaalte teosed on aastatest 1860 kuni 1867 vahemikku, võimaldades silmal neid aasta-aastalt jälgida.
Vali aasta, et näha originaale.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Veel 1861 teoseid
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
Veel 1863 teoseid
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
Veel 1865 teoseid
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
Veel 1866 teoseid
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
Oration (The prayer) (1866), Palazzo Pitti, Firenze. Järgnevad Horse in the Sunlight (1866) ja Marina in Castiglioncello (1863).
30 aastat vanus: teos Oration (The prayer) on pärinev aastast 1866 ning Giuseppe Abbati sündis aastal 1836.
Oration (The prayer), Horse in the Sunlight, Marina in Castiglioncello, Cloister, Portrait of a man, Interior of a cloister (San Marco), A Man Seated and Asleep, Beach at Caletta, The Cloister of Santa Croce ja House at the River. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 18 teost kunstnikult Giuseppe Abbati, mis on pärinevad ajastust 1860 kuni 1867.
Peamiselt Kaasaegse kunsti galerii (Firenze), Palazzo Pitti (Firenze) ja Galleria d'arte moderna Ricci Oddi (Piacenza) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1863: 6 18 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Marina in Castiglioncello.
Sellel lehel on kõige vanem teos Country Road with Cypresses (1860) ja kõige värskeim Portrait of a man (1867).
Man (2), Landscape (2) ja Italian art (2), kogu selle lehekülje 18 teose kohta.
Oil On Canvas, 5 teoseks 18 töödelt sellel lehel.
Cloister, Landscape at Castiglioncello ja Country Road with Cypresses: Kaasaegse kunsti galerii, Firenze säilitab 4 selle lehel olevat teost.
Giuseppe Abbati'i kunstiline teekond sai alguse Giuseppe Abbati sünniga Neaplis, Itaalias, 13. jaanuaril 1836. Tema esmane kunstiline harjutus sai alguse tema isalt, Vincenzo Abbatilt, kes oli spetsialiseerunud arhitektuursete siseக்குvaadete maalimidele. See varajane mõju on kättesaav läbi tema esimesed teosed, mis keskendusid just sise- ja arhitektuursete kohtade atmosfäärile.
Abbati elu tegi dramaatilise pöörde, kui ta osales Garibaldi 1860. aasta kampaanias Itaalia ühendamiseks. Capua lahingus sai ta traagiliselt kaotada oma parema silma. See kogemus viis ta Firentesse, mis kujendas tema kunstilist suunsumust määravaks hetkeks. Firentes, kuulsas Caffè Michelangiolo kohvikus, leidis ta üles uue kunstilise ringkonna, mis sai tuntud kui Macchiaioli – seal kohtus ta selliste nimeka kunstikatega nagu Giovanni Fattori ja Silvestro Lega.
Algselt tunnustati teda tema sisevaadete poolest – tema eest pidi ta sai isegi tunnustuse 1861. aasta Firentes toimunud Rahvusvahelisel näitusel, kuid ta keeldus medali vastu protestina žürii vastu. Seejärel leidis Abbati tee plein air ehk õuesmaalimise juurde, mis oli tema uue kunstiringkonna mõjul.
Tema stiil sai oma eripärase valo- ja varjuliiduse poolest tuntavaks, kus peamine tähelepanu pöörati maastike luminöossetele efektidele. Ta kirjastas sageli stseene, mida vaatati läbi uksade või aknade, luues nii sügavuse ja atmosfääri tunde. Tema loomingut iseloomustasid julged valokeefed, loodusliku valguse püülemine õues, horisontaalne kompositsioon (nagu näiteks teos "View of Castiglioncello") ning dramatilised kontrastid, kus päikeseline väljend on kokkupanud pimedate sisekeskkondadega.
Abbati kunstiline tegevus sai uuesti katkendatuna 1866. aastal, kui ta kutsuti teenistusse kolmanda iseseisvussõja ajal. Kroatias lõukus Austriate vägede poolt, ta naasid sivileeritud elu juurde aasta lõpus. Tema viimased kunstilised uurimised viisid ta Castelnuovo della Misericordia lähedasse maastikku, kus ta viis oma viimase aasta maalidega veetades. Tragööna suri Abbati 21. veebruaril 1868 Firentes, pärast seda, kui tema koer tegelikulttavs teda ja ta sai rabassi.
Abbati tegelaskond oli tugevalt mõjutatud Macchiaioli liikumuse ideaalidest, mis püüdisid murda akadeemilistest traditsioonidest ja pakkuda Itaalia elu realistlikumat esitlust. Ta aitas Risorgimento perioodi kunstilisele väljendusele oma maastike ja igapäevaste stseenide kaudu. Kuigi tema karjäär sai ealult lõppeda, on Abbati teosed tänapäevani olulised oma innovaatilise valguskasutuse, Macchiaioli esteetika ja Itaalia ajaloo piirve perioodi peegeldaja tõttu.
