Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 59 teost Gerhard Munthe meie kataloogis
Lühidalt
The poor Man's Field (1877) on Gerhard Munthe maalide kõige silmapaistvam teos; originaal kuulub museumi National Museum of Art, Architecture and Design, Oslo. Pärast seda suunatakse pilk The Apple Cart (1876) ja Pigs in Moonlight (1880) suunas. Meie kataloogis olevatest Gerhard Munthe 59 teosest on need 58 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
The Apple Cart by Gerhard Munthe, created about 1876, features a horizontally oriented composition that captures a mundane, everyday moment of rural life. The scene is viewed from a slight side angle, establishing a straightforward perspective of the subjects. At the center of the arrangement, a group of figures is gathered around a wooden cart. A brown horse is positioned to pull the cart, forming a primary focal point within…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
Throwing Snowballs by Gerhard Munthe is a landscape oil painting created about 1885. The work depicts a lively winter scene set within a village. In the foreground and midground, a group of children is engaged in playing in the snow. These figures are scattered across the white landscape, creating a sense of movement throughout the village square. The scene captures a moment of communal activity during the winter season.
The sun hangs high over the valley of Vik at Stange, bathing the landscape in a bright, natural light that feels heavy with the warmth of midday. In this wide, panoramic view, the air seems to hum with the quiet industry of rural life. A vast, cerulean blue sky stretches overhead, dotted with soft white clouds that drift lazily above the rolling hills. Below, the meadow unfolds in a lush…
In this oil on canvas, Gerhard Munthe presents us with Farm, Vik at Stange. Painted about 1884, the work captures a quiet moment within a rural farm scene located in Vik at Stange, Norway. It is a piece that reflects the artist's early engagement with naturalism, focusing on the specificities of the Norwegian landscape during a period of significant development in his career.
This landscape painting, titled High Mountains, was created by the Norwegian artist Gerhard Munthe. Dating to about 1885, the work offers a glimpse into the artist's evolving approach to the natural world. This specific piece is a reproduction of the original painting, capturing the particularities of Munthe's vision from that period.
In this oil on canvas, titled The Artist's Wife in the Arbour, the Norwegian painter Gerhard Munthe captures a quiet, private moment of domesticity. Created about 1889, the work presents a scene of stillness and focus. The subject is a solitary woman, seated at a white wooden table, deeply engaged in her needlework. She is framed by the lush, green architecture of a shaded garden arbour, which creates a natural…
Åsmund in the King's Hall1900 · National Museum of Art, Architecture and Design
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Åsmund at the Gate in the Mountain1900 · National Museum of Art, Architecture and Design
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Åsmund and the Princess riding Home1904 · National Museum of Art, Architecture and Design
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Portrait of Johannes Flintoe1920 · Oslo Museum
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Saga1926 · National Museum of Art, Architecture and Design
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Pigs at the Barn Bridge1876 · National Museum of Art, Architecture and Design
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Fields at Hedmark in Summer1875 · National Museum of Art, Architecture and Design
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View of the Rhine near Düsseldorf1875 · National Museum of Art, Architecture and Design
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Sheaves of Grain1876 · National Museum of Art, Architecture and Design
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Autumn1876 · National Museum of Art, Architecture and Design
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Old Barn, Hedmark1876 · National Museum of Art, Architecture and Design
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Country Courtyard1875 · National Museum of Art, Architecture and Design
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Farm at Hedmark1876 · National Museum of Art, Architecture and Design
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View of Nevlunghavn1880 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Evening at the Farm, Øylo1879 · National Museum of Art, Architecture and Design
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Boys taring a Boat, Nevlunghavn1880 · National Museum of Art, Architecture and Design
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From the Suburb1879 · National Museum of Art, Architecture and Design
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Landscape at Øylo in Mist1879 · National Museum of Art, Architecture and Design
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The Sledge1879 · National Museum of Art, Architecture and Design
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Farm in Valdres1879 · National Museum of Art, Architecture and Design
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Birch Trees in Autumn1880 · National Museum of Art, Architecture and Design
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Brook at Øylo1879 · National Museum of Art, Architecture and Design
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Evening in the Forest1880 · National Museum of Art, Architecture and Design
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After the Rain, motif from Eidsvold1883 · Statens Museum For Kunst
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In The Garden1885
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At the Well1886 · National Museum of Art, Architecture and Design
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Wooded Landscape1891 · National Museum of Art, Architecture and Design
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In March1890 · National Museum of Art, Architecture and Design
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Cotters' farms1889 · National Museum of Art, Architecture and Design
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View from Bærum1886 · National Museum of Art, Architecture and Design
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Waterfall at Stange in Hedmark1886 · National Museum of Art, Architecture and Design
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The Apple Tree1887 · National Museum of Art, Architecture and Design
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At the Farm, Ulvin1889 · National Museum of Art, Architecture and Design
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Evening in Eggedal1888 · National Museum of Art, Architecture and Design
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The Courtyard at Kongsvoll1895 · National Museum of Art, Architecture and Design
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Early in the Morning1897 · National Museum of Art, Architecture and Design
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The River Driva1895 · National Museum of Art, Architecture and Design
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Åsmund bringing Home Silver and Gold1900 · National Museum of Art, Architecture and Design
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View from Vågå1905 · National Museum of Art, Architecture and Design
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Winter in Nittedal1905 · National Museum of Art, Architecture and Design
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The first Hall1900 · National Museum of Art, Architecture and Design
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The fourth Hall1900 · National Museum of Art, Architecture and Design
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The fifth Hall1904 · National Museum of Art, Architecture and Design
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The second Hall1904 · National Museum of Art, Architecture and Design
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Early Spring1922 · National Museum of Art, Architecture and Design
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Ecstacy1895 · Nordnorsk Kunstmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Gerhard Munthe teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 53 | The poor Man's Field, The Apple Cart, Pigs in Moonlight |
 Statens Museum For Kunst |
Kooberemaa | 2 | High Mountains, After the Rain, motif from Eidsvold |
 Oslo Museum |
Oslo | 1 | Portrait of Johannes Flintoe |
 Nordnorsk Kunstmuseum |
Tromsø | 1 | Ecstacy |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
The poor Man's Field (1877), National Museum of Art, Architecture and Design, Oslo. Järgnevad The Apple Cart (1876) ja Pigs in Moonlight (1880).
28 aastat vanus: teos The poor Man's Field on pärinev aastast 1877 ning Gerhard Munthe sündis aastal 1849.
The poor Man's Field, The Apple Cart, Pigs in Moonlight, Throwing Snowballs, Haymaking, Vik at Stange, Farm, Vik at Stange, High Mountains, The Artist's Wife in the Arbour, Åsmund and his Brothers on the Sea ja The third Hall. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 59 teost kunstnikult Gerhard Munthe, mis on pärinevad ajastust 1875 kuni 1926.
Peamiselt National Museum of Art, Architecture and Design (Oslo), Statens Museum For Kunst (Kooberemaa) ja Oslo Museum (Oslo) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 19 58 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Pigs in Moonlight.
Sellel lehel on kõige vanem teos Fields at Hedmark in Summer (1875) ja kõige värskeim Saga (1926).
Grass (3), Landscape (3) ja Woman (2), kogu selle lehekülje 58 teose kohta.
Oil On Canvas, 6 teoseks 58 töödelt sellel lehel.
The poor Man's Field, The Apple Cart ja Pigs in Moonlight: National Museum of Art, Architecture and Design, Oslo säilitab 53 selle lehel olevat teost.
Gerhard Munthe karjääri murdepunkt oli tema koostöö Erik Werenskioldiga Snorri Sturlussoni Prose Edda illustratsioonide loomisel. See ambitsiooslik projekt, mida teostati aastatel 1896 kuni 1899, kinnitas tema famaatsust visuaalse lugulaadiga jutustamise meistrina ning demonstreeris tema võimet vangustada Skandinaavia müütoloogia eepilist ulatust ja sügavat sümbolikat. Need illustratsioonid ei olnud pelgalt kopeeritud kujendid; need olid uuenenud tõlgendused, mis olid täidetud Munthe'i oma kunstilise visiooni ja sügavalt juurdunud tema aramiyaamustest Norra kultuurist. Tema täpne tähelepanek detailidele, koos meisterliku värvi- ja kompositsioonikasutusega, muuts need iidsed jutud elavaks ja kättesaadavaks kunstiteoseks.
