Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 32 teost Gaspare Traversi meie kataloogis
Lühidalt
Self-portrait (1750) on Gaspare Traversi maalide kõige silmapaistvam teos; originaal kuulub museumi Art Museum, Seattle. Pärast seda suunatakse pilk The Seduction (1752) ja Portrait of a cardinal (1750) suunas. Meie kataloogis olevatest Gaspare Traversi 32 teosest on need 30 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
The Seduction is an oil on canvas by the Italian Rococo painter Gaspare Traversi. This work emerged around 1752, a period when the artist was active in Naples and throughout the Italian peninsula. The physical presence of the painting is defined by its rectangular scale, measuring 88.1 x 107.5cm.
A single figure emerges from a deep, shadow-filled void. The cardinal, identified as Gian Giacomo Millo, occupies the center of the canvas with a quiet, heavy presence. He is caught in a moment of transition, his hand lifting a red biretta as if acknowledging a guest or preparing for prayer. The light falls from the upper left, catching the silvered texture of his hair and the delicate, translucent folds of…
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
The Portrait of cardinal Giovanni Giacomo Millo is an oil on canvas work by the Neapolitan painter Gaspare Traversi. Created about 1753, this portrait captures a man of significant ecclesiastical influence. The subject, Cardinal Gian Giacomo Millo, held the important position of trustee to Pope Benedict XIV. Traversi’s approach to this commission moves away from the rigid formality often expected of such high-ranking clerics, opting instead for a sense of…
is an oil on canvas by Gaspare Traversi, executed about 1752. The work emerged during the artist's period of activity in Naples, a city that shaped his dramatic approach to genre painting and social observation.
The Merry Company is an oil on canvas painting by the Italian Rococo painter Gaspare Traversi. This work dates to about 1760. The piece is a genre painting that captures a specific moment of social interaction among a group of figures.
In this work, titled Die operation, we encounter the hand of Gaspare Traversi. The artist, who lived from 1722 to 1770, possessed a particular ability to capture the weight of a specific moment. This particular piece is rendered as a black and white painting, a choice that strips away the distraction of color to focus the eye on the essential forms and the gravity of the scene. It is a…
To stand before La Rixe is to be immediately drawn into the vibrant heart of human interaction—a moment suspended between jest and genuine discord. The title itself, translating simply as 'The Quarrel,' suggests a volatile energy barely contained within the canvas. Yet, what captivates the modern viewer is not merely the conflict, but the exquisite refinement with which it is rendered. This scene pulses with the characteristic spirit of the…
In the soft, amber glow of an eighteenth-century interior, a single moment of shared focus suspends time. Gaspare Traversi’s 1741 masterpiece, “Reading a Letter,” is far more than a mere genre painting; it is a window into the soul of the Rococo era, capturing a profound sense of domestic intimacy and intellectual curiosity. As we gaze upon the central figure—a woman draped in elegant blue, her eyes anchored to the…
An old beggar, lying down, his hand reaching out
12
A concert
13
Portrait of a lady, half-length, in a golden dress with a blue fur-lined wrap
14
Peasant womanNational Museum of Medieval and Modern Art of Basilicata
15
Le concert
16
La Dérision de Noé
17
Job mocked by his wife.Varssavi Rahvusmuuseum
18
LA SEANCE DE POSELouvre'i muuseum
19
The Sitting1754 · Louvre'i muuseum
20
Untitled (D2X8MC)1760 · Metropolitan Museum of Art
21
The Drawing Lesson1750 · Nelson-Atkins Museum of Art
22
Margherita da Cortona
23
the Fortune Teller
24
Salome with the Head of John the BaptistUniversity of Michigan Museum of Art
25
Portrait of Fra Raffaello da Lugagnano
26
Die Ermordung Amnons beim Gastmahl Absaloms
27
Old Man and a ChildMuseum of Fine Arts
28
Gian Lorenzo Berti1750 · Musée des Beaux-Arts de Strasbourg
29
Saint Margaret of Cortona1758 · Metropolitan Museum of Art
30
The concert 'A voce sola'
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Gaspare Traversi teosid | Selle nimekirja maalid |
|---|---|---|---|
 Louvre'i muuseum |
Pariis | 3 | LA RIXE, LA SEANCE DE POSE, The Sitting |
 Metropolitan Museum of Art |
New York | 2 | Untitled (D2X8MC), Saint Margaret of Cortona |
 Art Museum |
Seattle | 1 | Self-portrait |
 Museo de Arte de Ponce |
Ponce | 1 | The Seduction |
 Labirinto della Masone |
Fontanellato | 1 | Portrait of a cardinal |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Beggar curled up |
 Legion of Honor |
San Francisco | 1 | The Merry Company |
 Staatsgalerie Stuttgart |
Stuttgardi | 1 | Die operation |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
The Merry Company is an oil on canvas painting by the Italian Rococo painter Gaspare Traversi. This work dates to about 1760. The piece is a genre painting that captures a specific moment of social interaction among a group of figures.
Self-portrait (1750), Art Museum, Seattle. Järgnevad The Seduction (1752) ja Portrait of a cardinal (1750).
28 aastat vanus: teos Self-portrait on pärinev aastast 1750 ning Gaspare Traversi sündis aastal 1722.
Self-portrait, The Seduction, Portrait of a cardinal, Women lace-working, 8 figures, Portrait of cardinal Giovanni Giacomo Millo, Beggar curled up, The Merry Company, Die operation, LA RIXE ja Reading a Letter. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 32 teost kunstnikult Gaspare Traversi, mis on pärinevad ajastust 1741 kuni 1760.
Peamiselt Louvre'i muuseum (Pariis), Metropolitan Museum of Art (New York) ja Art Museum (Seattle) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1750s: 9 30 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Self-portrait.
Sellel lehel on kõige vanem teos Reading a Letter (1741) ja kõige värskeim The Merry Company (1760).
Man (7), Woman (4) ja Table (3), kogu selle lehekülje 30 teose kohta.
Oil On Canvas, 12 teoseks 30 töödelt sellel lehel.
Rococo ja Baroque, seda lähtudes selle lehe originaalteostest.
LA RIXE, LA SEANCE DE POSE ja The Sitting: Louvre'i muuseum, Pariis säilitab 3 selle lehel olevat teost.
Gaspare Traversi (1722–1770) seisab on ainula igas Napolii eluvilis kunstilikeskujamas Rookoose ajastiku, kuid tema stiililised sidemed ulatuvad palju kauemalt Campania piiridest. Sündinud Genoose kaubandusperel Napolii, alustas ta kunstlikku teekonda, mis oli täidetud hoolikate õppimist Francesco Solimenalta – keeruline kohtumine, mis kinnitas tema lojaalsuse Caravaggist printsipeendetele – ja aretades koostööd teiste Solimena õpilastega nagu Giuseppe Bonito ja Francesco de Mura. Tegevusajastool on peamiselt 1732–1769 aastatel, ning Traversi teosegalem viitab piirkondlikest piiridest üle, hõlmas encomenda Parma kolendes ja paigutades teda samade ajaperioodi kunstnikuga Giovanni Lorenzo Berti.
Traversi kunstlik tundlikkus on tihedalt seotud Veneetsi barokipärandaga, mis on eriti nähtav tema hoolika tähelepanu detailide ja valgu ning varjenda mestripärase manipuleerimisega – tehnikaid, mida on täiuslikust teinud kunstnikud nagu Pietro Pellegrino Paladino ja Giovanni Battista Tiepolo. Tema kanvaadid värisevad dünaamilisusega, peegeldades teatrilist grandioosi, mille Veneetsi maalijad eelistasid oma kullakaaluvajal. Caravaggio'ga mõju on ei küll kaasaegne, ilmnev Traversi simpatias dramaatiliste komposteerimisega ja tema vääriliku emotsionaalse väljendamise abil.
Traversi žanripainikud ületavad pelgalt kuvamisest; nad toimivad teravana sotsiaalanalüüsi kui kaitsna, paljastades aristokraatliku eliitse hullumised ja pretentsionaalsused nüvikuga ja vääriliku aususega. Tema kanvaadid kuvavad sageli eluvillseid buržuaardeliku protagonaadide rühmi tihedalt pakutud ruumis – stiililine seadistus, mis rõhutab sotsiaalsete hierarhiatega kaasnevaid psühholoogilisi rõhku. Traversi teosed kõlab moraaliliste lugude kaudu – palju nagu Caravaggio'de "Arusaaja" – pakkudes vaatajatele pilgu oma aja eesistujuse ja vastandete ahastustesse.
Kuigi tema ei olnud õpilasi, mõovis Gaspare Traversi olulist mõju Napolii kunstnike järgmetele põlvkondadele, eriti Lorenzo de Caro ja Giuseppe Bonito. Tema ainula stiil – iseloomustatud dramaatilise kiaroscuro'ga, psühholoogilise sügavusega ja moraaliliste narratiividega – jätkab inspireerima imestus ja akadeemlikku debatti. Robert Longhi kogumik kinnitas Traversi mainet kui keerulist figure Veneetsi barokikunstis, tagades tema püsiva pärandi Itaalia maaliku ajalugu kronikast.
