Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 215 teost Frederick Goodall meie kataloogis
Lühidalt
Hunt the Slipper (1860) on Frederick Goodall maalide kõige silmapaistvam teos; originaal kuulub museumi Sheffield City Art Galleries, Sheffield. Pärast seda suunatakse pilk The Holy Well (1843) ja The Village Holiday (1847) suunas. Meie kataloogis olevatest Frederick Goodall 215 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
The Village Holiday by Frederick Goodall captures a lively moment of communal celebration. This 1847 oil painting presents a genre scene where the rhythms of rural life take center stage. Within the frame, traditional festivities unfold in an English village, looking back to a time of simple, shared joy. The atmosphere feels thick with the energy of a community gathered together, momentarily stepping away from the toil of daily existence…
In Market People of Brittany in a Boat, Frederick Goodall centers the composition around a wooden boat that occupies most of the frame's central area. This vessel is filled with various people and goods. To the left of the boat, a shoreline featuring reeds and vegetation is visible. On the right side, a distant bank or coastline is suggested, providing a sense of scale to the water. The horizon line…
A Halt at a Brittany Well is an oil on canvas by Frederick Goodall. Painted about 1844, the work captures a quiet moment of rest in the rural landscape of Brittany, France. The scene focuses on a man, a woman, and a child pausing by an old stone well, accompanied by a horse and cart. It is a study of stillness amidst the daily rhythms of provincial life.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
An Episode in the Happier Days of Charles I is an oil on canvas history painting by the British artist Frederick Goodall. Executed in 1853, the work represents a significant contribution to the mid-Victorian interest in historical narrative and royal portraiture. The piece reflects the technical precision Goodall developed through his early training and his subsequent reputation for large-scale figure subjects.
The Heath Cart by Frederick Goodall, created about 1850, centers its composition on a wooden cart and its occupants. A donkey pulls the vehicle across a rugged, uneven landscape, establishing a focal point amidst the surrounding terrain. The figures within the cart are positioned to suggest family unity and the shared nature of their labor. This arrangement emphasizes the human element within a vast, pastoral setting.
A mother sits upon a patterned rug, her body curved around the small, pale weight of her infant. The scene is set within a room that breathes the air of the Middle East or North Africa, a space defined by soft shadows and the stillness of a private moment. Light spills from an unseen source to the left, catching the smooth curve of a baby's cheek and the gentle slope…
In High Society Couple, Frederick Goodall presents a quiet, composed scene from the height of Victorian social life. Painted about 1861, the work captures a man and woman positioned within an arched doorway, their presence framed by the architecture of a refined urban setting. They are accompanied by servants, a detail that subtly acknowledges the social hierarchies and domestic structures of the era. A small dog sits at the bottom…
Rachel1867 · National Gallery of Victoria
12
the marriage procession1870
13
A Helping Hand, Cairo1870
14
Interior of a Coffee Shop, Cairo1870
15
The Marriage Procession1870 · Touchstones Rochdale Arts And Heritage Centre
16
Getting in the Sugar Cane, River Nile1875 · Grundy Art Gallery
17
Mother and Child1875 · Petit Palais
18
The Flight into Egypt1884 · Te Whare O Rehua Sarjeant Gallery
19
Memphis1882
20
Egyptian Woman and Child1879 · Russell
21
Leading the Flock1889
22
Davids Promise to Bathsheba
23
Egyptian nomad
24
Early Morning in the Wilderness of Shur
25
La Porte du Desert
26
Puritan and Cavalier1886 · Walker Art Gallery
27
Old and Young Come Forth To Play1847
28
Leaving a Church, Brittany1840 · Wolverhampton Art Gallery
29
Gypsy Encampment1848 · Towner Gallery
30
Entering a Church, Britanny1840 · Wolverhampton Art Gallery
31
Ruins of Egypt1849
32
the swing1853
33
tired gleaners1855
34
William Edward Dighton (1822–1853) in Middle Eastern Dress1852 · Metropolitan Museum of Art
35
William Edward Dighton (1822 1853) in Middle Eastern Dress1852
36
A Letter from Papa1855
37
summer song1863
38
arab boy resting1858
39
Portrait of a Middle Eastern Girl1859
40
Felice Ballarin Reciting Tasso to the People of Chioggia1858 · Sheffield City Art Galleries
41
Highland Jessie (also known as The Campbells are Coming)1858
42
The Drinking Trough A Scene in Brittany1857
43
The Rising of the Nile1865
44
rebekah
45
Widow of Nain1874
46
the water bearers1878
47
The Distaff Worker1878 · Nottingham Castle Museum And Art Gallery
48
A New Light in the Harem - Oil on Canvas -1885
49
A View of Eton from Windsor Castle1889 · Royal Collection
50
the young arab outpost - oil on canvas -1889
51
Puritan and Cavalier1886
52
portrait1891
53
Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum1890 · National Portrait Gallery
54
Spinners and weavers1894
55
Rica his daughter1894
56
The Ploughman and the Shepherdess Time of the Evening Prayer1897
57
Female Riding Camel1893
58
Landscape Near Folkestone, Kent1900
59
Rachel
60
fruit woman
61
Thomas Cranmer At The Traitor's Gate
62
The homely meal
63
the flight into egypt
64
A woman of Cairo
65
untitled
66
a fairy scene
67
flower girls
68
jessies dream
69
miranda frederick goodall
70
an arabian dealerPetit Palais
71
a letter from papa
72
the irish piper
73
sheik distributing alms
74
the grand bazaar
75
A Dream of Paradise
76
an eygptian flower girl
77
Figures and Goats by an Oasis
78
The Song of the Nubian Slave
79
Musicians
80
Bazaar scene
81
Leaving the Village
82
Market Day
83
Femme à la cruche
84
The Light of the Rising Sun upon the Pyramids of Ghizeh
85
Irish Cabin Interior
86
Maternal Affection
87
The Irish Piper
88
The children of Charles I illustration from Hutchinsons Story of the British Nation1923
89
An Arab home1893 · Art Gallery of New South Wales
90
Trespassers
91
travellers in the desert
92
Arab travellers at sunset a town beyond
93
Scen at a well
94
Arabs in the Desert
95
driving ducks
96
At the well
97
an eastern shepherdess
98
Overflow of the Nile
99
By the Nile
100
the pipe smoker
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Frederick Goodall teosid | Selle nimekirja maalid |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | Hunt the Slipper, The First Born, Felice Ballarin Reciting Tasso to the People of Chioggia |
 Petit Palais |
Pariis | 2 | Mother and Child, an arabian dealer |
 Wolverhampton Art Gallery |
Wolverhampton | 2 | Leaving a Church, Brittany, Entering a Church, Britanny |
 National Gallery of Ireland |
Dublin | 1 | The Holy Well |
 Fitzwilliam Museum |
1 | The Heath Cart | |
 National Gallery of Victoria |
Melbourne | 1 | Rachel |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | The Marriage Procession |
 Grundy Art Gallery |
Blackpool | 1 | Getting in the Sugar Cane, River Nile |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
In the marriage procession, Frederick Goodall presents a scene of Middle Eastern travelers and a camel caravan. The composition is vertically oriented, directing the viewer's gaze upward from the foreground figures toward distant buildings and palm trees. A group of men occupies the center, riding atop a richly decorated camel. Among them, one man prominently carries drums while another plays a pipe, establishing a sense of movement and ritual. Several…
In this work, titled The Flight into Egypt, Frederick Goodall presents a quiet moment of biblical history. Painted about 1884, the scene captures a period of profound transition. The subject matter focuses on the necessity of movement, touching upon themes of migration, refuge, and endurance as the figures navigate a landscape of uncertainty.
Hunt the Slipper (1860), Sheffield City Art Galleries, Sheffield. Järgnevad The Holy Well (1843) ja The Village Holiday (1847).
38 aastat vanus: teos Hunt the Slipper on pärinev aastast 1860 ning Frederick Goodall sündis aastal 1822.
Hunt the Slipper, The Holy Well, The Village Holiday, Market People of Brittany in a Boat, A Halt at a Brittany Well, Mother and Children, The Happier Days of Charles I, The Heath Cart, The First Born ja High Society Couple. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 215 teost kunstnikult Frederick Goodall, mis on pärinevad ajastust 1840 kuni 1900.
Peamiselt Sheffield City Art Galleries (Sheffield), Petit Palais (Pariis) ja Wolverhampton Art Gallery (Wolverhampton) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 13 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Mother and Children.
Sellel lehel on kõige vanem teos Leaving a Church, Brittany (1840) ja kõige värskeim Landscape Near Folkestone, Kent (1900).
Landscape (8), Woman (8) ja Victorian art (8), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 16 teoseks 100 töödelt sellel lehel.
Hunt the Slipper, The First Born ja Felice Ballarin Reciting Tasso to the People of Chioggia: Sheffield City Art Galleries, Sheffield säilitab 3 selle lehel olevat teost.
London, 1822. Frederick Goodall astub täpsete joonide ja tehnilise meistriennu maailma kui teraslinja graveerija Edward Goodalli teine poeg. See perepõhi ongi tema sügava detailidehuvide vundament, kuna graveerimise mehaanika on olnud tema elus alati lähedal. Tema ametlik haridus sai alguse Wellington Road Academees – õppimisaeg, mis valmistas ta ette professionaalse esitlustöö ranguseks ja nõudluseks.
Üleminek õpilasest professionaaliks toimus hämmastavasti kiiresti. Ainavene 16-aastasena kindlustas Goodall endale olulise tellimuse Isambard Brunelilt. Ülesanne oli dokumenteerida Rotherhithe tunneli ehitust kuue akvarellimaaliga. Need teosed ei olnud pelgalt insinööritegevuse üleskirjeldus; need tõid tema kasvava talendi avalikku valgust. Neli neist akvarellidest jõudis Kuninglikku Kunstikoda, tähistades tema esimest suure kohtumist institutsiooniga, mis määrkas tema tulevikulise karjääri.
Frederick Goodalli karjääri täiskasvanuliseks muutumine algas hämmastavast varajastest eduast.
Järgades vaid kuuelt aastaga, loodid ta kuus akvarelmaalut, mis dokumenteerisid Isambard Kingdom Bruneli Thamesi tunnelis ehitustöid – teosed, mis jõudisid juba 1838. aastal Royal Academy's. See varane impulss sürjus edasi ka tema õliõlkade maailma, kus tema esimene töö selles meediumis pälvis Kunstide Seltsi hõbedase medali. Ta kehtistas kiiresti oma positsiooni Londoni kunstielus, esindades end Royal Academy's kokku 27 korda aastatepinduni 1838 kuni 1859.
Tema kasvav maine tõi kaasa institutsionaalse tunnustuse. aastal 1852 valiti ta Royal Academy assotsiiaatiks (ARA). See tõusjärras jätkus kuni 1863. aastani, mil ta saavutas täieliku Royal Academician (RA) staatuse. Tema mõju Akadeemias püsis stabiilne kümnendite kaupa; 46 aasta jooksul näitas ta institutsioonis kokku 170 maali. Tema looming keskendus sageli suurepärsetele figuraalsetele teemadele, ulatudes ajaloolistest narratiividest kuni Egiptuse elu igapäevaste stseenideni.
Egiptuse teema on Goodalli loomingutava kunstianu vundamendiks, ulatudes läbi tema kogu laia loovluse. Tema esimene visiit 1858. aastal Kaifros tõid talle uue maailma, kus ta jagas maja ja stuudioid kunstniku Carl Haag-iga. Koos rändasid nad läbi linna tänavate ja mööduvate asulaid, püüdes kinni hetke ja atmosfääri. See periood tähistas murdpunkti tema kunstis, suunates tähelepanu etnograafilisele detailile, mis hiljem tema loomingulist identiteeti määrkas. Goodall ei olnud pelgalt kauguse pealt vaatlev tänavaline turist; ta läks nii sügavale, et telk siiski koos beduiinide trüvidega, et vangutada nende elu autentset tekstuuri ja elavust.
1870. aastal naasid tema juured Egiptuses uuesti, seekord elades Saqqara piirkonnas, koosnedenid pidavates püramiididega. Tema pühendumus täpsusele oli niin võimas, et ta tõi Inglisse isegi sheep ja kartsid, et veenduda, et ta suudaks oma maalidil on täpselt ja elusalt looda need loomad. Ta ei otsinud vaid maastikku, vaid rannikuäärset valgust ja hiirelise liikumist kõrgelt liivast, liikudes kaugemale oma nooreuse tuttavast maastikust, et dokumenteerida kultuuri, mida ta vaatas äärmiselt tähelepanelikult ja sügavalt.
1846. aastal astus Frederick Goodall abielusse, mis seostis ta uuesti graafika tehnilistele traditsioonidele. Ta abiellus Anne Thomsoniga, kes oli graveerija James Thomsoni tütar. Ühikuna lõid nad luu, mis kujunes kunstilise talendi oluliseks keskpunktiks. Nende viis last kasvas keskkonnas, mida isvestas visuaalne uurimine; nende hulgas olid Frederick Trevelyan ja Howard Goodall, kes mõlemad valisid oma eluks professionaalsete kunstnike tee.
See familiiaelu stabiilsus muutus 1869. aastal, mil Anne suri. Matuseaeg jäi järglale teine abielu aastal 1872. Tema uus abikaas, Alice May Tarry, oli ise kunstnik. See liit jätkas mustrit, kus kodune elu on tihedalt sisse pukkunud nii maaliuuringute kui ka professionaalsete kunstiringide sissepukkumisega.
Frederick Goodall'i sotsiaalse staatuse tipppunkt on tähistatud Grims Dyke ehitamisega Harrow Wealdis. See maja, mis pärsti üles aastatel 1870 kuni 1872, muutis tema sotsiaalkonnas keskpunktiks, olles külalisteks näiteks Walesi printsi, mis peegeldas tema elurütmi kulminust. See periood kujutab tema kodase ja professionaalse stabiilsuse kõrgeimat punkti, luues dramaatilise vastanduse sellele finantsilisele swingsile, mis tema elu lõpus tegelikkuseks sai.
Siirvumine majandusliku kukkumise alla oli aga äärmiselt karjumeer.
Pärast seda jäid viimased aastad talle raskeks ajaks, kuna 1902. aastal pidi kunstnik seisma kurikuulsuse ja püsivuse asemel pangakrahvi ees. Prosperiteet, mis oli kunagi tema karjääri vundamendiks olnud, kadus, jättes jätkud, mis on tähistatud nii suurepäraste saavutuste kui ka ägeda finantsilise ebastabiilsusega. Frederick Goodall suris 29. juilis 1904. Tema reliie on peidetud pereväli Highgate kalmistri lääneküljes.
