Frederic Marlett Bell-Smith portree

6 kulubumatamatumat Frederic Marlett Bell-Smith maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 8 teost Frederic Marlett Bell-Smith meie kataloogis

Lühidalt

The Artist Painting Queen Victoria (1895) on Frederic Marlett Bell-Smith maalide kõige silmapaistvam teos; originaal kuulub museumi Kanada Rahvusgalerii, Ottawa. Pärast seda suunatakse pilk Daybreak (1886) ja Mists and Glaciers of the Selkirks (1911) suunas. Meie kataloogis olevatest Frederic Marlett Bell-Smith 8 teosest on need 6 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1846 – 1923, London Enamama teoseid: Kanada Rahvusgalerii

Frederic Marlett Bell-Smith top 10 maalist galeriist vaatenurgast

Muuseumid, kus on säilitatud Frederic Marlett Bell-Smith originaalteosed

Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

Muuseumid Linn Frederic Marlett Bell-Smith teosid Selle nimekirja maalid
Kanada Rahvusgalerii, OttawaKanada Rahvusgalerii Ottawa 6 The Artist Painting Queen Victoria, Daybreak, Mists and Glaciers of the Selkirks

Frederic Marlett Bell-Smith aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Frederic Marlett Bell-Smith maalid: küsimused galeriile

Mis on Frederic Marlett Bell-Smith kõige kuulsam teos?Paljasta vastus

The Artist Painting Queen Victoria (1895), Kanada Rahvusgalerii, Ottawa. Järgnevad Daybreak (1886) ja Mists and Glaciers of the Selkirks (1911).

Mis vanuses luunud Frederic Marlett Bell-Smith teos The Artist Painting Queen Victoria?Paljasta vastus

49 aastat vanus: teos The Artist Painting Queen Victoria on pärinev aastast 1895 ning Frederic Marlett Bell-Smith sündis aastal 1846.

Kui palju teoseid kunstniku Frederic Marlett Bell-Smith kohta on teada?Paljasta vastus

Meie kataloogist leiate 8 teost kunstnikult Frederic Marlett Bell-Smith, mis on pärinevad ajastust 1886 kuni 1916.

Kust saab näha kõige kuulsamaid Frederic Marlett Bell-Smith originaalteoseid?Paljasta vastus

Peamiselt Kanada Rahvusgalerii (Ottawa) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Frederic Marlett Bell-Smith oma tuntumad maalid?Paljasta vastus

Ajal 1900s: 2 6 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Sunny Sandown, Isle of Wight.

Milline kuuls Frederic Marlett Bell-Smith maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Daybreak (1886) ja kõige värskeim St. Mary-le-Strand (1916).

Mida Frederic Marlett Bell-Smith originaalte ma näen Kanada Rahvusgalerii muuseumis?Paljasta vastus

The Artist Painting Queen Victoria, Daybreak ja Mists and Glaciers of the Selkirks: Kanada Rahvusgalerii, Ottawa säilitab 6 selle lehel olevat teost.

Frederic Marlett Bell-Smith: kunstniku portree

A Life in Canadian Landscapes

Frederic Marlett Bell-Smith was a Canadian landscape painter who emigrated from England to British North America in 1866. After studying at the South Kensington School of Art, he worked as an artist and photographer in Montreal, where he helped his father, John Bell-Smith, found the Society of Canadian Artists in 1867. His career saw him move through Hamilton, Ontario, and Toronto, and he spent time teaching art classes at various institutions, including the Ontario College of Art and the Toronto Art School. In 1896, he traveled to Paris to study at the Académie Colarossi.

Bell-Smith became well known for his depictions of the Canadian Rockies and the Selkirk Range, as well as works featuring Quebec and Maine. In 1886, he traveled to the Canadian west to paint vistas of the area, frequently returning to work near Lake Louise. He was a founding member of several prestigious organizations, including the Royal Canadian Academy of Arts and the Ontario Society of Artists.

Notable Works and Portraits

Beyond his landscapes, Bell-Smith captured scenes of late Victorian and Edwardian life. One of his most famous paintings, Lights of a City Street, portrays the intersection of Yonge and King Streets in Toronto in 1894. This work features the artist himself as a man buying a newspaper, his son as a man raising his hat, and a local constable named Bill Redford as the policeman.

Bell-Smith also achieved distinction in portraiture. He secured a sitting with Queen Victoria, who permitted him to position her as he wished during a cordial session that lasted over an hour. This achievement followed his ability to obtain sittings with Princesses Beatrice and Louise. His later work was characterized by warm accents and a sensitivity to French Impressionism.