Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 55 teost Frank Stella meie kataloogis
Lühidalt
Hyena Stomp (1962) on Frank Stella maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk Die Fahne Hoch! (1959) ja Gran Cairo (1962) suunas. Meie kataloogis olevatest Frank Stella 55 teosest on need 42 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the hypnotic allure of pure form as effectively as Frank Stella’s Gran Cairo. Created in 1962, this masterpiece serves as a profound exploration of visual perception, where the boundaries between color and shape begin to dissolve into a mesmerizing dance. At first glance, the viewer is met with a striking interplay of concentric squares, each layer pulsating with a spectrum…
To stand before Basra Gate III is to encounter a moment of pure, structured contemplation. This large-scale composition does not whisper; it declares with the confident precision of mathematical certainty. It presents itself as a magnificent semi-circular expanse, immediately drawing the eye into its vibrant, organized complexity. The dominant field of deep purple acts less as a background and more as a resonant void against which color can finally breathe…
Manteneia II – Frank Stella: A Geometric Echo of Ancient Persia Frank Stella’s *Manteneia II*, completed in 1968, stands as a cornerstone of Minimalism and Post-Painterly Abstraction—a bold departure from the expressive fervor of Abstract Expressionism that irrevocably altered the landscape of American art. The painting isn't merely pigment on canvas; it’s an intellectual exercise rendered visually arresting through deceptively simple geometric forms. Stella deliberately rejected the conventions of his…
Marrakech is a painting by the American artist Frank Stella. Created in 1964, this work belongs to a specific body of work known as Stella’s Morocco series, which the artist produced between 1964 and 1965. The composition of this piece is informed by the geometric patterns found in Arabic tiles.
The Darabjerd III painting by Frank Stella is a seminal work in the realm of geometric abstraction. Created in 1967, this acrylic on canvas piece measures 305 x 458 cm and is housed at the National Portrait Gallery in the United States. As a prominent artist of his time, Frank Stella was known for pushing the boundaries of traditional art forms, and Darabjerd III is a testament to his innovative…
To stand before a work like Harran II is not merely to observe paint on canvas; it is to engage in an optical dialogue with the artist’s intellect. This piece, dating from 1967, captures a pivotal moment in modern art—a decisive pivot away from gestural excess toward rigorous, almost architectural clarity. Frank Stella, whose career was defined by his refusal to accept established boundaries, presents here a vision built entirely…
Six Mile Bottom1960
12
Them Apples1958
13
Arundel Castle1959
14
Pagosa Springs1960
15
Haines City1963
16
Line Up1962
17
Concentric Squares1966
18
Damascus Gate1969 · Israel Muuseum
19
Untitled (AQZTY3)1967
20
Tahkt-I-Sulayman Variation II1969 · Minneapolis Institute of Art
21
Flin Flon IV1969
22
Michapol I1971
23
Chyrow II1972
24
Chodorow II1971
25
Maquette for Sāt bhāi1977
26
Maquette for Shoubeegi1977
27
Maquette for Thirthira1977
28
Maquette for Pachanak1977
29
Maquette for Jungli kowwa, Maquette for Jungli kowwa1977
30
Sacramento Mall Proposal #41978
31
Giufà, la luna, i ladri e le guardie1984
32
Quaqua Attaccati La1985
33
Prinz Friedrich von Homburg, Ein Schauspiel, 3X2001
34
The Marriage of Reason and Squalor1959 · MoMA - Museum of Modern Art
35
Untitled (Kufa Gate Shape)1967
36
Empress of India
37
Pergusa Three from Circuits
38
Double gray scramble
39
Fez
40
Shoubeegi1978 · San Francisco Museum of Modern Art
41
Louisiana Lottery Co1962
42
Wolfeboro IV1966
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Frank Stella teosed | Selle nimekirja maalid |
|---|---|---|---|
 Whitney Museum of American Art |
New York | 2 | Die Fahne Hoch!, Gran Cairo |
 Museum Folkwang |
Essen | 1 | Basra Gate III |
 Chrysler Museum of Art |
Norfolk | 1 | Manteneia II |
 National Gallery of Australia |
Canberra | 1 | The Fountain |
 Solomon R. Guggenheimi muuseum |
New York | 1 | Harran II |
 Israel Muuseum |
Jeruusalemma | 1 | Damascus Gate |
 Minneapolis Institute of Art |
Minneapolis | 1 | Tahkt-I-Sulayman Variation II |
 MoMA - Museum of Modern Art |
New York | 1 | The Marriage of Reason and Squalor |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Hyena Stomp (1962). Järgnevad Die Fahne Hoch! (1959) ja Gran Cairo (1962).
26 aastat vanus: teos Hyena Stomp on pärinev aastast 1962 ning Frank Stella sündis aastal 1936.
Hyena Stomp, Die Fahne Hoch!, Gran Cairo, Basra Gate III, Manteneia II, Marrakech, The Fountain, Darabjerd III, Coxuria from The Geldzahler Portfolio ja Harran II. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 55 teost kunstnikult Frank Stella, mis on pärinevad ajastust 1958 kuni 2001.
Peamiselt Whitney Museum of American Art (New York), Museum Folkwang (Essen) ja Chrysler Museum of Art (Norfolk) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1960s: 17 42 sellel lehel olevat teost on sellel perioodil loodud, sellest Hyena Stomp.
Sellel lehel on kõige vanem teos Them Apples (1958) ja kõige värskeim Prinz Friedrich von Homburg, Ein Schauspiel, 3X (2001).
Geometric (5), Abstract (4) ja Abstract art (4), kogu selle lehekülje 42 teose kohta.
Acrylic On Canvas, 4 teoseks 42 töödelt sellel lehel.
Post-painterly abstraction, seda lähtudes selle lehe originaalteostest.
Die Fahne Hoch! ja Gran Cairo: Whitney Museum of American Art, New York säilitab 2 selle lehel olevat teost.
