Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 51 teost François Lemoyne meie kataloogis
Lühidalt
Galleriist vaadatuna on François Lemoyne kõige kuulsam teos The Apotheosis of Hercules (1736), mille originaal ripub Château de Versailles-is, Versailles. Cleopatra (1725) ja Messengers of Godfrey of Bouillon in Gardens of Armida (1735) täidavad kolmikut, mille iga silm tunnistab. Kunstnii François Lemoyne 51 teose põhjal esitleb galeriis allpool 49 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
François Lemoyne’s “The Apotheosis of Hercules,” completed in 1736 for Louis XV’s opulent Salon d'Hercule at Versailles, stands as a monumental testament to the zenith of Rococo artistic ambition. More than just decoration—though undeniably lavish—it embodies a profound engagement with religious allegory and imperial aspiration, reflecting the transformative influence of Enlightenment ideals on French aristocratic culture.
The portrait titled Cleopatra is a work by the French painter François Lemoyne. Created about 1725, the image captures a moment of calculated excess. The subject is depicted in a gesture of profound extravagance, dissolving a single pearl into a cup of wine. This act serves as a silent demonstration of wealth intended for Mark Antony.
In Messengers of Godfrey of Bouillon in Gardens of Armida, François Lemoyne captures a sudden meeting between armored soldiers and ethereal women. The scene unfolds across a wide horizontal format, a stage set within a lush, sprawling landscape. On the left, a group of messengers in military attire breaks the stillness of the garden. Their presence introduces a sharp contrast of color against the natural world; bright cerulean blue and…
François Lemoyne's "Hercules and Omphale," painted in 1724, isn’t merely a depiction of a mythological tale; it’s an exquisitely rendered exploration of desire, power, and the blurring lines between masculine and feminine. This captivating work, housed within the opulent confines of the Louvre Museum in Paris, offers a glimpse into the heart of the Rococo era – a period defined by its embrace of sensuality, playful extravagance, and a deliberate…
François Lemoyne's "Hercules Assommant Cacus," a monumental painting housed within the hallowed halls of the Louvre, isn’t merely a depiction of a mythological struggle; it’s a vibrant testament to the burgeoning Rococo style and a profound exploration of heroism, power, and the subjugation of primal chaos. Completed in 1717, this artwork transcends its narrative roots, offering a glimpse into the artistic sensibilities of a pivotal era – a time when…
The canvas captures a violent confrontation between Hercules and the giant Cacus, set against a rugged, mountainous landscape. The composition relies on a triangular arrangement, anchoring the muscular form of Hercules at the apex while the prostrate Cacus occupies the base. This structural choice creates an immediate sense of tension and movement. The scene unfolds with a palpable urgency, depicting the clash between divine strength and monstrous resistance through a…
The scene unfolds within the "Design for a Ceiling Painting" by François Lemoyne. This preparatory study captures a swirling, upward motion, as if the viewer is looking directly through an opening in a ceiling into the heavens. Figures of deities and cherubs ascend toward a central light, their forms caught in a graceful, curvilinear dance. The composition draws the eye upward, creating an illusion of infinite space through billowing clouds…
In the oil painting Latona and the Peasants of Lycia, created by François Lemoyne about 1721, the scene captures a specific mythological confrontation. The subject matter focuses on the goddess Latona, the mother of Apollo and Diana, as she interacts with a group of Lycian peasants. The figures are positioned in a state of active dispute, centered around the tension between the divine figure and the local inhabitants.
In this 1716 oil on canvas, a group of figures gathers within a dark, shadowed stable. The scene is organized in a pyramidal structure, directing the viewer's gaze toward the infant Jesus and the Virgin Mary on the right side of the frame. A celestial light emanates from a star in the upper left corner, casting sharp highlights across the faces and the heavy folds of the drapery. This light…
is an oil on linen canvas created by the French artist François Lemoyne. Executed in 1728, the work originates from a period when Lemoyne was establishing his reputation within the Parisian art scene. The artist, who lived from 1688 to 1737, was a significant figure in the Rococo movement, eventually serving as the Premier peintre du roi under Louis XV.
Diana Returning from the Hunt1729 · Musée Rodin
12
Adam and Eve1730
13
Saint John the Baptist1726
14
A Vestal Virgin Tending Fire1726 · Minneapolis Institute of Art
15
Amor and Psyche.1730 · Czartoryski muuseum
16
The Amorous Proposal1725
17
Louis XV offrant la Paix à l'Europe1737 · Musée des Beaux-Arts de Strasbourg
18
Christ Restoring Sight to a Blind Man1850
19
Time Saving Truth from Falsehood and Envy1737 · Wallace Collection
20
Time Saving Truth from Falsehood and Envy1737 · Wallace Collection
21
Venus and AdonisNationalmuseum
22
HERCULE ET OMPHALELouvre'i muuseum
23
Hunting Picnic1723 · Museu de Arte
24
A Muse
25
Phaeton Driving the Chariot of Apollo, also called SummerMusee des Beaux-Arts
26
Elymas the Sorcerer Struck with Blindness, sketchNational Gallery of Ireland
27
Putti with the Accoutrements of MarsHarvard Art Museums
28
The Love of Fishing
29
L'APOTHEOSE D'HERCULE
30
Esquisse du plafond du salon d'Hercule
31
LOUIS XV DONNANT LA PAIX A L'EUROPE
32
Persée délivrant Andromède
33
Bain de DianeDallas Museum of Art
34
Le Temps délivrant la Vérité
35
Head of King Louis XV
36
L'OlympeLouvre'i muuseum
37
Junon, Iris et FloreLouvre'i muuseum
38
The Apotheosis of Hercules1736 · Château de Versailles
39
Four muses
40
The Toilet of Venus
41
Pygmalion Seeing His Statue Come to LifeMusée Des Beaux
42
Diana and CallistoLos Angeles County Museum of Art
43
Andromeda on rocks
44
Diana and Actaeon
45
The BatherHermitage muuseum
46
LA GLORIFICATION DE LA VIERGELouvre'i muuseum
47
Perseus and Andromeda1723 · Wallace Collection
48
Narcissus1728 · Musée des Beaux-Arts de Lyon
49
Continence of Scipio by François Lemoyne1726 · Nancy Fine Arts Museum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | François Lemoyne teosid | Selle nimekirja maalid |
|---|---|---|---|
 Louvre'i muuseum |
Pariis | 6 | Hercules and Omphale, HERCULE ASSOMMANT CACUS, HERCULE ET OMPHALE |
 Wallace Collection |
London | 3 | Time Saving Truth from Falsehood and Envy, Time Saving Truth from Falsehood and Envy, Perseus and Andromeda |
 Château de Versailles |
Versailles | 2 | The Apotheosis of Hercules, The Apotheosis of Hercules |
 Minneapolis Institute of Art |
Minneapolis | 2 | Cleopatra, A Vestal Virgin Tending Fire |
 Hermitage muuseum |
Stiiitlinburg | 2 | Messengers of Godfrey of Bouillon in Gardens of Armida, The Bather |
 Portland Art Museum |
Portland | 1 | Latona and the Peasants of Lycia |
 Museum of Fine Arts |
Houston | 1 | The Adoration of the Magi |
 Hamburger Kunsthalle |
Hamburg | 1 | Narcissus. |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The canvas captures a violent confrontation between Hercules and the giant Cacus, set against a rugged, mountainous landscape. The composition relies on a triangular arrangement, anchoring the muscular form of Hercules at the apex while the prostrate Cacus occupies the base. This structural choice creates an immediate sense of tension and movement. The scene unfolds with a palpable urgency, depicting the clash between divine strength and monstrous resistance through a…
The portrait titled Cleopatra is a work by the French painter François Lemoyne. Created about 1725, the image captures a moment of calculated excess. The subject is depicted in a gesture of profound extravagance, dissolving a single pearl into a cup of wine. This act serves as a silent demonstration of wealth intended for Mark Antony.
François Lemoyne’s “The Apotheosis of Hercules,” completed in 1736 for Louis XV’s opulent Salon d'Hercule at Versailles, stands as a monumental testament to the zenith of Rococo artistic ambition. More than just decoration—though undeniably lavish—it embodies a profound engagement with religious allegory and imperial aspiration, reflecting the transformative influence of Enlightenment ideals on French aristocratic culture.
The Apotheosis of Hercules (1736), Château de Versailles, Versailles. Järgnevad Cleopatra (1725) ja Messengers of Godfrey of Bouillon in Gardens of Armida (1735).
48 aastat vanus: teos The Apotheosis of Hercules on pärinev aastast 1736 ning François Lemoyne sündis aastal 1688.
The Apotheosis of Hercules, Cleopatra, Messengers of Godfrey of Bouillon in Gardens of Armida, Hercules and Omphale, HERCULE ASSOMMANT CACUS, Hercules Killing Cacus, Design for a Ceiling Painting, Latona and the Peasants of Lycia, The Adoration of the Magi ja Narcissus.. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 51 teost kunstnikult François Lemoyne, mis on pärinevad ajastust 1713 kuni 1737.
Peamiselt Louvre'i muuseum (Pariis), Wallace Collection (London) ja Château de Versailles (Versailles) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1720s: 12 49 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Cleopatra.
Sellel lehel on kõige vanem teos Design for a Ceiling Painting (1713) ja kõige värskeim Louis XV offrant la Paix à l'Europe (1737).
Woman (11), Man (9) ja Mythology (7), kogu selle lehekülje 49 teose kohta.
Oil On Canvas, 18 teoseks 49 töödelt sellel lehel.
Rococo, seda lähtudes selle lehe originaalteostest.
Hercules and Omphale, HERCULE ASSOMMANT CACUS ja HERCULE ET OMPHALE: Louvre'i muuseum, Pariis säilitab 6 selle lehel olevat teost.
