Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 77 teost François Hubert Drouais meie kataloogis
Lühidalt
Kõigist François Hubert Drouais jäetud originaalteostest on kõige kuulsam Madame de Pompadour (1763), mis kuulub National Gallery kogele linnas London. Järgnevad sellest Louise-Marie de France (1763) ja Hubert Drouais, the Artist's father (1760). Meie kataloogist löytyb 77 teost kunstnikult François Hubert Drouais; galeriist on säilitatud 77 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1763 oil on canvas, François Hubert Drouais presents Louise-Marie de France in a three-quarter length composition. The subject is positioned slightly off-center against a muted, dark, and indistinct background, which directs the viewer's attention toward her figure. She is depicted with a calm expression and a direct gaze. Her attire consists of heavy, patterned silk and intricate lace sleeves, featuring multi-colored floral motifs in shades of blue, orange,…
In this intimate portrait from 1760, we find Hubert Drouais seated within the quiet confines of his studio. He is captured in a moment of quiet focus, his gaze meeting ours as if we have just stepped into his private workspace. There is a profound sense of professional dignity in his posture, a man settled into his vocation. He holds a sheet of paper in his hands, poised to begin…
In this 1761 portrait, we encounter Marie Rinteau, known as Mademoiselle de Verrières, presented with a poise that defines the Rococo era. She is seated in a three-quarter length pose, her gaze meeting ours with a gentle, steady expression. The composition follows a stable pyramidal structure, centering her within an atmospheric, dark background that allows her figure to emerge through a soft chiaroscuro effect. There is a quiet dignity in…
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
In this intimate bust portrait from 1750, we encounter a young woman who embodies the quiet refinement of the French court. She is positioned slightly off-center, her gaze directed toward the viewer's left, yet her eyes maintain a gentle, direct connection with us. The composition is characterized by a soft, luminous quality that seems to emanate from her skin, set against a dark, undifferentiated background that pushes her presence to…
An elegant portrait of a young woman, likely Mademoiselle de Forges, captures the refined grace of the mid-eighteenth century. She is positioned centrally within an oval frame, depicted from the waist up against a muted, atmospheric landscape. The composition relies on soft, curvilinear lines, seen in the flowing lace of her gown and the gentle curves of her powdered hair. A sense of three-dimensional depth is achieved through diffused lighting…
Lady with girl at a mirror is a portrait by François Hubert Drouais. This work dates to about 1752. The image presented here is a monochrome, grayscale reproduction of the original 18th-century Rococo portrait. It captures a quiet, intimate moment between two figures, rendered in shades of black, white, and gray.
François-Hubert Drouais’s “Madame Sophie de France” (1762) is more than simply a portrait; it's a meticulously crafted window into the opulent world of 18th-century French aristocracy. Painted during a period of significant social and political change, this work captures not just the likeness of a young woman but also embodies the grandeur, formality, and subtle anxieties of the era. The painting’s enduring appeal lies in its exquisite detail, masterful use…
The Prince Dmitry Mikhaylovich Golitsyn1762 · Pushkini riiklik kunstimuuseum
12
Portrait of the Marquise d'Aguirandes1759 · Cleveland Museum of Art
13
The Sourches family1756 · Versailles'i kuninglik ooperimaja
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Drouais - Adélaïde of France1763 · Versailles'i kuninglik ooperimaja
15
Mlle. Marguerite Catherine Haynault, later the Marquise de Montmelas in Turkish Costume1757 · Museum of Fine Arts
16
Carlos Fernando FitzJames-Stuart, Marquess of Jamaica1765 · Birminghami kunstimuuseum
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Madame de Pompadour1764 · Montreal Museum of Fine Arts
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A Young Boy Holding a Portfolio1761
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Portrait of Jeanne Antoinette Poisson, the Marquise de Pompadour (1721-1764) in muff1763 · Musée des Beaux-Arts
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Portrait of Countess Darya Petrovna Saltykova (1739-1802)1762 · Pushkini riiklik kunstimuuseum
21
Portrait of Madame du Barry (1743-1793)1770 · Museo del Prado
22
Louis de Bourbon-Condé, Count of Clermont (1709-1771)1771 · Versailles'i kuninglik ooperimaja
23
Portrait de Madame Du Barry en Flore1774 · Musée des Beaux-Arts d'Agen
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Madame Du Barry as Flora1774 · Château de Versailles
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Portrait de madame Du Barry tenant une corbeille de roses1770 · Musée Fabre
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Portait of Count of Provence1772 · Fondazione Accorsi - Ometto - Museo di Arti Decorative
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Marquise de Caumont La Force1767 · David Owsley Museum of Art Ball State University
28
Boy with a Black Spaniel1767 · Metropolitan Museum of Art
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Monsieur Denis-Paul le Pot de la Fontaine1772 · Detroit Institute of Arts
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Boy with a House of CardsMetropolitan Museum of Art
31
Portrait of a Young Woman as a Vestal Virgin1767 · Metropolitan Museum of Art
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Jeanne Bécu, Comtesse du Barry1770 · National Gallery of Art
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Marie Antoinette, Queen of France, in a court dressVarssavi Rahvusmuuseum
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Madame Drouais, Wife of the Artist1758 · Louvre'i muuseum
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PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUTLouvre'i muuseum
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The Children of the Duc de Bouillon1756
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Le Comte de Vaudreuil1758
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Jeanne Bécu, Comtesse du Barry1774 · National Portrait Gallery of Sweden
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Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)1757 · Metropolitan Museum of Art
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Family Portrait1756 · Nationalmuseum
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Portrait of a Little Girl Holding a DollMusée Cognacq-Jay
42
Portrait of a Little Girl in a White Dress, called Alexandrine Lenormant d'EtiollesMusée Cognacq-Jay
43
Portrait of Princess Louise Marie of France (1737-1787)Versailles'i kuninglik ooperimaja
44
Portrait of a young woman
45
LE COMTE D'ARTOIS ET MADAME CLOTILDE
46
Marie-Joséphine-Louise de SavoieChâteau de Versailles
47
LA FAMILLE DE SOURCHES
48
GUILLAUME II COUSTOU (1716 1777)Versailles'i kuninglik ooperimaja
49
The Prince, and PrincessNational Trust Waddesdon Manor
50
LOUIS DE BOURBON, COMTE DE CLERMONT, LIEUTENANT GENERAL DES ARMEES DU ROI (1709 1771)
51
LOUIS STANISLAS XAVIER, COMTE DE PROVENCE (1755 1824)
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MARIE CLOTILDE XAVIERE DE FRANCE, DITE MADAME CLOTILDE, REINE DE SARDAIGNE (1759 1802)Versailles'i kuninglik ooperimaja
53
Portrait de Jeanne Antoinette Poisson, marquise de PompadourMusée Condé
54
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS (1757 1836)
55
Madame la Dauphine Marie Antoinette, en HébéMusée Condé
56
Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog)Birminghami kunstimuuseum
57
Madame Jacques Benoit LoysLouvre'i muuseum
58
ENFANT AU TRICORNELouvre'i muuseum
59
LOUISE ELISABETH DE MAILLE KARMANLouvre'i muuseum
60
EDME BOUCHARDONLouvre'i muuseum
61
Family Portrait1756 · National Gallery of Art
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LE COMTE DE NOGENTLouvre'i muuseum
63
MADAME DROUAISLouvre'i muuseum
64
Miss golden
65
Portrait of a Child
66
A Girl Holding a Canary, Time of Louis XVBowes Museum
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Child with a TambourineFitzwilliam Museum
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The Prince de Guémenée , and Mademoiselle de Soubise Dressed as Grape HarvestersNational Trust Waddesdon Manor
69
Louis Auguste, duc de BerryMuseu de Arte de São Paulo Assis Chateaubriand
70
SOPHIE PHILIPPINE ELISABETH JUSTINE DE FRANCE, DITE MADAME SOPHIE (1744 1782)
71
Portrait du scuplteur Edme Bouchardon (1698 1762)Carnavalet Museum
72
Portrait de Monseigneur Dominique de la Rochefoucauld, archevêque d'Albi, plus tard Cardinal archevêque de Rouen
73
LOUIS XV, ROI DE FRANCE ET DE NAVARRE (1710 1774)Versailles'i kuninglik ooperimaja
74
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS, ET SA SOEUR MADAME CLOTHILDELouvre'i muuseum
75
Madame de Pompadour at her Tambour FrameNational Gallery
76
The Comte and Chevalier de Choiseul as Savoyards1758 · The Frick Collection
77
Le Comte de VaudreuilNational Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | François Hubert Drouais teosid | Selle nimekirja maalid |
|---|---|---|---|
 Louvre'i muuseum |
Pariis | 9 | Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT, Madame Jacques Benoit Loys |
 Versailles'i kuninglik ooperimaja |
Versailles | 7 | The Sourches family, Drouais - Adélaïde of France, Louis de Bourbon-Condé, Count of Clermont (1709-1771) |
 Metropolitan Museum of Art |
New York | 6 | Marie Rinteau, called Mademoiselle de Verrières, Madame Sophie de France (1734–1782), Boy with a Black Spaniel |
 National Gallery |
London | 3 | Madame de Pompadour, Madame de Pompadour at her Tambour Frame, Le Comte de Vaudreuil |
 Nationalmuseum |
Stockholm | 2 | Hubert Drouais, the Artist's father, Family Portrait |
 Pushkini riiklik kunstimuuseum |
Moskva | 2 | The Prince Dmitry Mikhaylovich Golitsyn, Portrait of Countess Darya Petrovna Saltykova (1739-1802) |
 Birminghami kunstimuuseum |
Birmingham | 2 | Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog) |
 Château de Versailles |
Versailles | 2 | Madame Du Barry as Flora, Marie-Joséphine-Louise de Savoie |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1770 portrait, François Hubert Drouais captures the essence of mid-eighteenth-century French aristocratic grace. The subject, Jeanne Bécu, Comtesse du Barry, is presented in an oval-shaped bust-length composition. She is adorned with pink roses in her hair and holds a matching floral garland, symbols of youth and femininity. A soft, diffused light enters from the upper left, casting gentle shadows that define the contours of her face, neck, and…
Madame de Pompadour (1763), National Gallery, London. Järgnevad Louise-Marie de France (1763) ja Hubert Drouais, the Artist's father (1760).
36 aastat vanus: teos Madame de Pompadour on pärinev aastast 1763 ning François Hubert Drouais sündis aastal 1727.
Madame de Pompadour, Louise-Marie de France, Hubert Drouais, the Artist's father, Marie Rinteau, called Mademoiselle de Verrières, Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence., Portrait of a Lady with Lace Headdress and Muff, Portrait of a Young Lady, Portrait of a Lady, said to be Mademoiselle de Forges, Lady with girl at a mirror ja Madame Sophie de France (1734–1782). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 77 teost kunstnikult François Hubert Drouais, mis on pärinevad ajastust 1737 kuni 1774.
Peamiselt Louvre'i muuseum (Pariis), Versailles'i kuninglik ooperimaja (Versailles) ja Metropolitan Museum of Art (New York) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1760s: 15 77 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Madame de Pompadour.
Sellel lehel on kõige vanem teos Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence. (1737) ja kõige värskeim Portrait de Madame Du Barry en Flore (1774).
Woman (23), Portraiture (13) ja Lace (13), kogu selle lehekülje 77 teose kohta.
Oil On Canvas, 41 teoseks 77 töödelt sellel lehel.
Rococo, seda lähtudes selle lehe originaalteostest.
Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT ja Madame Jacques Benoit Loys: Louvre'i muuseum, Pariis säilitab 9 selle lehel olevat teost.
Kaks sajand keskpõhisest Prantsusest, selle luminöösest ja luksuslikust atmosfäärist, ei suutnud vähem kui üks vähe artistidest tabada aristokraatliku ilu olemust nii intiimselt kui François Hubert Drouais. Olles juhtiv portretist Louis XV reigni viimatel aastatel, omastas Drouais erakordset võimet tõlada Prantsuse õukonna peenust ja šarmilikkust lapendel. Tema teos toimib hinget südametust määrava akna rokokoo ajastule – perioodile, mida iseloomustas idealiseeritud kauneuse püüdlus ning hoolikalt orkestreeritud valgusest ja tekstuuridest koosnevas sümfoonias.
Sündinud Pariisis, Prantsusemas, uppus Drouais maailma kunstist juba oma varajastest aastatest. Ta järgnes oma isa, Hubert Drouais, jälgedele, kandes temalt vastu oma esialgseid kunstilisi õpetusi. See portretistimise pärand pakkus tehnilise meistri alust, mis võimaldas tal hiljem navigeerida Pariisi ülemaimates sotsiaalsetes ringkondades. Tema talent ei piirdunud vaid sarnasuse tabamisega; tal oli sügav võime imbueeda oma teemad psühholoogilise kohalolu sisu, mis ületab sajandeid, tehes tema portreid nii isiklikuks kui ajatuks.
Drouaisi populaarsuse tõus oli lahutumatu seotud tema üha suurema kohaloluga Prantsuse õukonnas. Tema maine kasvades laiunes tema klientide ring, sisaldades Prantsuse kuningemaja, mõrgust, välisaristokraatiat ja rikkate fermiers-généraux ehk maksukollektorit. Tema portreeditest sai Pariisi üeklassi liikmete ja nende lemmikute moenetav vajadus, kes soovisid oma staatust igavendada tema suurepärase pintslitöö kaudu.
Drouaisi tehnika iseloomustas õlivärvide õrasti korduva, läbipaistva kihituse kasutamine. See meetod võimaldas tal saavutada oma teemade nahas portselanulaamist luminossentsi, luues pehme ja difuseeritud valguse, mis näkits kõiki olevat lapendast ise välja kiirav. Tema meistrikunst ulatus üle inimvormi ka rokokoo elustiili tekstuurideni:
François Hubert Drouais ajalooline väärtus peitub tema rollis Ancien Régime (vana režiimi) definieeritava kroonikuna. Tema silmade kaudu on meile võimalik kogeda selliste isikute vaikset väärikust ja peidetud elegantsi nagu Madame Jacques Benoit Loys ja Comte de Vaudreuil. Tema töö teeb rohkem kui vaid ajalooliste isikute dokumenteerimise; see tabab ajastu hinged, mida iseloomustas püüdeline täiuslikkus.
Tema mõju levis ka läbi tema pere, eriti tema poja, Jean Germain Drouais, kes jätkas portretistimise ja ajaloolise maali traditsiooni. Kuigi rokokoo ajastu andus lõpuks uute kunstiliikumite ees, jäävad François Hubert Drouais teosed püsivaks monumentideks kadunud Prantsuse hiilguse ajastule, säilitatuna prestiežsites kogumustes nagu National Gallery, London ja National Gallery of Art.
