Edward Collier
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Lühidalt
Galleriile on Evert Collier kõige kuulsam teos Edward Collier (1683). Still Life with a Volume of Wither's 'Emblemes' (1696) ja Vanitas Still-Life (10) (1697) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Evert Collier 53 teose põhjal esitleb galeriis allpool 46 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Vanitas Still-Life (10) is an oil on canvas work by Evert Collier, executed in 1697. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708, leaving behind a body of work defined by the meticulous observation of material objects and their symbolic weight.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Evert Collier teosid | Selle nimekirja maalid |
|---|---|---|---|
| Denver | 2 | Charles I, A vanitas | |
| New York | 1 | Vanitas Still Life | |
| Budapest | 1 | A Vanitas Still Life | |
| Leipzig | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table | |
| Houston | 1 | Still Life: The Smell | |
| Haag | 1 | Vanitas Still Life | |
| San Francisco | 1 | Vanitas still life with coins and other objects on a table | |
| Tallinn | 1 | Vanitas |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Edward Collier (1683). Järgnevad Still Life with a Volume of Wither's 'Emblemes' (1696) ja Vanitas Still-Life (10) (1697).
41 aastat vanus: teos Edward Collier on pärinev aastast 1683 ning Evert Collier sündis aastal 1642.
Edward Collier, Still Life with a Volume of Wither's 'Emblemes', Vanitas Still-Life (10), Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table ja Charles I. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 53 teost kunstnikult Evert Collier, mis on pärinevad ajastust 1650 kuni 1706.
Peamiselt Denver Art Museum (Denver), Metropolitan Museum of Art (New York) ja Szépművészeti Múzeum (Budapest) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1660s: 8 46 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Vanitas Still Life.
Sellel lehel on kõige vanem teos Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650) ja kõige värskeim A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (13), Books (7) ja Skull (5), kogu selle lehekülje 46 teose kohta.
Oil On Canvas, 6 teoseks 46 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
Charles I ja A vanitas: Denver Art Museum, Denver säilitab 2 selle lehel olevat teost.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases