Lühidalt
Jean-Baptiste-Philibert Vaillant, Marshal of France (1853) on Émile Bin maalide kõige silmapaistvam teos; originaal kuulub museumi Opera House, Versailles. Pärast seda suunatakse pilk Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) ja Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869) suunas. Meie kataloogis olevatest Émile Bin 6 teosest on need 6 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
Émile Bin top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Émile Bin originaalteosed
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Émile Bin teosid | Selle nimekirja maalid |
|---|---|---|---|
| Pariis | 3 | Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin, Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) | |
| Versailles | 1 | Jean-Baptiste-Philibert Vaillant, Marshal of France | |
| Tours | 1 | Perseus Freeing Andromeda |
Émile Bin aastakatega: iga aastakannaga üks unikaalne originaal
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Jean-Baptiste-Philibert Vaillant, Marshal of France
Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin
Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling)
Émile Bin maalid: küsimused galeriile
Mis on Émile Bin kõige kuulsam teos?Paljasta vastus
Jean-Baptiste-Philibert Vaillant, Marshal of France (1853), Opera House, Versailles. Järgnevad Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) ja Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869).
Mis vanuses luunud Émile Bin teos Jean-Baptiste-Philibert Vaillant, Marshal of France?Paljasta vastus
28 aastat vanus: teos Jean-Baptiste-Philibert Vaillant, Marshal of France on pärinev aastast 1853 ning Émile Bin sündis aastal 1825.
Kui palju teoseid kunstniku Émile Bin kohta on teada?Paljasta vastus
Meie kataloogist leiate 6 teost kunstnikult Émile Bin, mis on pärinevad ajastust 1853 kuni 1880.
Kust saab näha kõige kuulsamaid Émile Bin originaalteoseid?Paljasta vastus
Peamiselt Petit Palais (Pariis), Opera House (Versailles) ja Musée Des Beaux (Tours) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Mille perioodi jooksul lõi Émile Bin oma tuntumad maalid?Paljasta vastus
Ajal 1860s: 3 6 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin.
Milline kuuls Émile Bin maal on kõige varasem ja milline kõige hiljema?Paljasta vastus
Sellel lehel on kõige vanem teos Jean-Baptiste-Philibert Vaillant, Marshal of France (1853) ja kõige värskeim Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) (1880).
Mida Émile Bin originaalte ma näen Petit Palais muuseumis?Paljasta vastus
Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin ja Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling): Petit Palais, Pariis säilitab 3 selle lehel olevat teost.
Émile Bin: kunstniku portree
The Life and Art of Émile Bin
Born in Paris, Émile Bin was a multifaceted artist whose career spanned painting, printmaking, and draftsmanship. He received his initial instruction from his father, Jean-Baptiste François Bin, and later studied under his uncle, Nicolas Gosse. After working with Léon Cogniet, he entered the École des Beaux-arts in 1842. His artistic output was diverse, encompassing portraiture, mythology painting, and watercolor. As a decorative painter, he contributed to the interiors of various locations, including the Hôtel du Louvre, the Church of Saint-Sulpice, and the National Museum of Natural History. His skill in decorative arts was recognized at the International Exposition in 1867, where his collaboration on the Egyptian Pavilion earned him the Order of the Medjidie.
Political Activism and Legacy
Beyond the studio, Bin was a staunch Republican and a man of deep political conviction. He fought on the barricades in 1848 and 1851 and famously refused to paint a portrait of Napoleon III for the Town Hall of Montmartre. His political involvement extended to serving as the Mayor of the Eighteenth Arrondissement in 1883. In 1878, he was named a Knight of the Légion d'honneur, and he later became a founder of the Société des Artistes Français. His pedagogical influence was significant, as he taught several notable students, including:
Bin passed away in Marly-la-Ville.

