Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 31 teost Elisabeth Jerichau-Baumann meie kataloogis
Lühidalt
Galleriile on Elisabeth Jerichau-Baumann kõige kuulsam teos Mother Poland (Moder Polen) (preliminary study) (1857). An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) ja Self-portrait (1845) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Elisabeth Jerichau-Baumann 31 teose põhjal esitleb galeriis allpool 31 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
In "A Roman Woman" by Elisabeth Baumann, we encounter a medium close-up that invites a quiet, intimate observation. The subject is positioned slightly off-center, a subtle choice that lends a sense of natural poise to her presence. She is depicted with dark hair pulled back, revealing the contours of her face and the delicate detail of a single gold earring. Her hands hold a closed fan, a quiet gesture that…
Violinist Ole Bull is a portrait executed by Elisabeth Baumann in 1851. The work captures the likeness of the violinist Ole Bull, a prominent figure of the era. Baumann, a Polish-Danish painter, produced this oil on canvas during a period of significant international activity in her career.
A young woman sits in a heavy wooden chair, her form anchored by the weight of dark fabric. The light enters from the upper left, a soft, directional glow that carves the contours of her face against a backdrop of muted earth tones. She is dressed in the deep blacks of mourning, the matte texture of her clothing absorbing the light. Her skin possesses a porcelain quality, smooth and pale…
In this 1851 work, Elisabeth Baumann presents us with Denmark, a painting that functions as a patriotic emblem of the Danish nation. The subject is a female personification of the country, rendered as a young woman. She moves through the landscape with a sense of purpose, embodying the spirit of a nation during a period of significant historical movement. This choice of personification was a common way to manifest national…
In this intimate oil portrait from 1849, we find ourselves looking into the eyes of a four-year-old boy, Holger Aagaard Hammerich. There is a profound stillness here, a sense of a single, fleeting moment captured before the complexities of childhood give way to adulthood. The composition is framed within an oval format, drawing the viewer into a close, bust-length encounter that feels deeply personal. The light, descending softly from the…
In "A happy reunion." by Elisabeth Baumann, we find ourselves drawn into a quiet, domestic moment of profound human connection. Painted about 1850, this genre scene captures a soldier or sailor returning home to his family, bringing with him an infant. The composition is centered upon a woman reclining in a bed, who acts as the emotional and visual anchor of the work. Through an eye-level perspective, the viewer is…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
Self-portrait1858
12
Forfatterinden Emma Kraft1857 · Statens Museum For Kunst
13
Portrætskitse. Formodentlig kunstnerens søn Thorald Jerichau1860 · Statens Museum For Kunst
14
Italy1859 · Ackland Art Museum
15
Queen Olga of Greece1868 · Statens Museum For Kunst
16
Scene from a stranding.1867 · Kunsten Museum of Modern Art Aalborg
17
A young girl reads out the Bible, the grandparents listen devoutly.1867
18
Portrait of Caroline Elisabeth Nanny Jerichau.1871
19
Young Mother and her Child1880 · Nationalmuseum
20
A young nude Egyptian woman with a child.1879
21
A Mermaid (En havfrue)1873 · Ny Carlsberg Glyptotek
22
An Egyptian Fellah Woman with her Child1872 · Statens Museum For Kunst
23
Interior with an Elderly Man who Reads Aloud to a Girl1865
24
The Madonna and Child1881
25
Italian Woman (Italienerinde)
26
The Sculptor Jens Adolf Jerichau, the Artist's Husband1846 · Statens Museum For Kunst
27
Mermaid1873 · Ny Carlsberg Glyptotek
28
Portrait of the Brothers Jacob and Wilhelm Grimm1855 · Alte Nationalgalerie
29
An Egyptian Pot Seller at Gizeh1878 · Statens Museum For Kunst
30
A Wounded Danish Soldier1865 · Statens Museum For Kunst
31
Italian Inn1850 · Nationalmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Elisabeth Jerichau-Baumann teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 9 | A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig, Forfatterinden Emma Kraft |
 Ny Carlsberg Glyptotek |
Kopenhaagen | 3 | Denmark, A Mermaid (En havfrue), Mermaid |
 Royal Collection |
London | 2 | 'The Norwegian Widow', Princess Alexandra of Denmark, later Queen Alexandra (1844-1925) |
 Nationalmuseum |
Stockholm | 2 | Young Mother and her Child, Italian Inn |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Violinist Ole Bull |
 Ackland Art Museum |
Chapel Hill | 1 | Italy |
 Kunsten Museum of Modern Art Aalborg |
Aalborg | 1 | Scene from a stranding. |
 Alte Nationalgalerie |
Berliin | 1 | Portrait of the Brothers Jacob and Wilhelm Grimm |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Young Mother and her Child is an oil painting by the artist Elisabeth Baumann. Known in its original context as Ung moder med sitt barn, the work is cataloged under the alternative name 18347. It was executed in 1880.
Mother Poland (Moder Polen) (preliminary study) (1857). Järgnevad An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) ja Self-portrait (1845).
39 aastat vanus: teos Mother Poland (Moder Polen) (preliminary study) on pärinev aastast 1857 ning Elisabeth Jerichau-Baumann sündis aastal 1818.
Mother Poland (Moder Polen) (preliminary study), An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming), Self-portrait, A Roman Woman, Violinist Ole Bull, 'The Norwegian Widow', Denmark, Portræt af Holger Aagaard Hammerich som 4-årig, A happy reunion. ja Princess Alexandra of Denmark, later Queen Alexandra (1844-1925). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 31 teost kunstnikult Elisabeth Jerichau-Baumann, mis on pärinevad ajastust 1845 kuni 1881.
Peamiselt Statens Museum For Kunst (Kooberemaa), Ny Carlsberg Glyptotek (Kopenhaagen) ja Royal Collection (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 10 31 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Mother Poland (Moder Polen) (preliminary study).
Sellel lehel on kõige vanem teos Self-portrait (1845) ja kõige värskeim The Madonna and Child (1881).
Woman (17), Dark background (7) ja Child (6), kogu selle lehekülje 31 teose kohta.
Oil On Canvas, 19 teoseks 31 töödelt sellel lehel.
Düsseldorf school, seda lähtudes selle lehe originaalteostest.
A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig ja Forfatterinden Emma Kraft: Statens Museum For Kunst, Kooberemaa säilitab 9 selle lehel olevat teost.
Elisabeth Jerichau-Baumann sai Alguseks Varšavas, USA-s (kuigi tema juured ulatuvad sügavale Poolasse) aastal 1819. Tema perepõhi on olnud kaartide joonistaja Philip Adolph Baumann ja Johanne Frederikke Reyer. Tema kunstiline teekond sai alguse 1838. aastal, kui ta alustas õppimist Düsseldorfi Kunstakadeemias, mis oli tollal üks Euroopa olulisemaid kunstikeskusi. Algased teosed said inspiratsiooni Slovakkia elu viisidest, peegeldades tema otseseid elukogemusi ja ümbritust, ning ta seostus tihedalt Düsseldorfi koolkonnaga.
Düsseldorfis alustas ta oma avalikku avaldamist juba 1844. aastaks, pälives suure huvi avalikkuse seas. Pärast Romasse asustamist pöördugi tema maalid keskenduma kohalikule Itaalia eluomast. Tema talent ei jäänud vaid Euroopa piiridele; ta saavutas suure edu väljaspool, eriti Prantsus Paaris, kus ta osales kahes maailma EXPO-s (1867 ja 1878).
Tema karjääri märkimistav osa oli ka kuninglik toetus. aastal 1852 näidati tema töid Londonis ning ta esindas end isiklikult ka Queen Victoriale, kellele ta kingis portreemalingu Hans Christian Andersenist.
Üks tema kõige erilisem ja põletavam periood oli orientalismus, mis tekkis pärast tema laiaid reisiid Ida-Vahemaas ja Lähte-Orientis (1869–1870 ja 1874–1875). Ta lõi haremide elu kirjeldavaid teoseid, mis põhinesid otsevalvel vaatlemisel, mitte pelgalt fantaasial — see oli tollal naiskunstnikule haruldane saavutus. See unikaalne võimalus haremides sai tänu Taani printsess Alexandra deet toetusele. Tema kunstiline stiil oli sageli dekoratiivne ja sentimentaalne, mida täiendas peen värvi- ja valguse käitlus, kuid mõned tema sensuaalsed teemad tekitasid ajal kohal ka kontroversse.
Tema loomingut iseloomustavad mitmed silmapaistvad teemad. Üks neis on 1850. aastal Queen Victoriale esitatud Hans Christian Anderseni port्रेटt, mis kinnitas tema varajast edu.
Haremite koondis on tema loomingut iseloomustav ja eriti märkimistav; need on Osmanite riigi haremide elu kirjeldavad maalid, mis on tuntud oma otseotsekas vaatlemisel põhineva täpsuse poolest, sealhulgas portreedid türgitlaste printsesid nagu Nazlı.
Veel üks kultuuriline märkimistav osa on tema mereprangade sarja teosed, sealhulgas 1873. aastal loodud "Mereprang" (Mermaid), mis asub praegu Ny Carlsberg Glyptoteekis. Need teosed said inspiratsiooni Hans Christian Andersen'i muinasjutudest ja folklooriga. Lisaks on tema kunstilise maailma oluliseks osaks žanrimaalid, mis kirjeldavad igapäevast elu, keskendudes sageli naisfiguuridele erinevates rollides.
Aastal 1846 avas Elisabeth Jerichau-Baumann uue chapteri oma elus, kui ta abiellus skulptor Jens Adolf Jerichau'ga. Nende pere elus oli produktiivne, sünnides ühekskümne laps, kes paljud neist said ise kunstnikud. Tema pärand jätkus tema laste kaudu, kes olid Harald Jerichau (maasikamaaliide), Holger Hvitfeldt Jerichau (impressionistlikud maasimad) ja J.A. Jerichau (modernistlik maalija).
Elisabeth Jerichau-Baumann oli oma ajastu pioneerne naiskunstnik, kes pidas vastu meeste ülekaalule ulatuvasse kunstivälja, näidates ülevõimendamatut vastupidavust ja talenti.
Tema orientalism ja esituskunst pakkusid unikaalset vaadet Osmanite ühiskonnale, kuigi tema kirjeldused olid vahel mõjutatud Euroopa ootustest. Ta suutis edukalt navigeerida rahvusvahelisel kunstiscenel, saades tunnustust ja toetust üle kogu Euroopa.
Tänapäeval on tema teosid üha rohkem tunnustatud nii kunstilise väärtuse kui ka ajaloolise tähenduse poolest, ning näisid väljad demonstreerivad tema mitmekihilist teematikku ja unikaalset vaatenurka maailma.
