Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 61 teost Dosso Dossi meie kataloogis
Lühidalt
Kõigist Dosso Dossi jäetud originaalteostest on kõige kuulsam Saint George (1513), mis kuulub J. Paul Getty muuseum kogele linnas Los Angeles. Järgnevad sellest Circe and Her Lovers in a Landscape, c. - (100.8(13) (1525) ja Apollo and Daphne (1524). Meie kataloogist löytyb 61 teost kunstnikult Dosso Dossi; galeriist on säilitatud 57 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
In the heart of the Italian Renaissance, where the courtly splendor of Ferrara met the atmospheric magic of Venice, Dosso Dossi breathed life into legends. His Saint George is not merely a depiction of a Christian icon; it is a window into a transformative era of human emotion and artistic innovation. As one of the cornerstones of the School of Ferrara, Dossi captures the saint in a moment that transcends…
In this oil on canvas, we find ourselves in a secluded landscape where the boundaries between the human and the animal seem to blur. A nude woman sits upon the earth, her legs crossed in a moment of repose, her attention fixed upon a book held before her. She is Circe, the mythological enchantress, yet she is presented here with a startlingly calm presence. Around her, the landscape breathes with…
In the heart of the Italian Renaissance, where the boundaries between myth and reality often blurred into a singular, poetic vision, Dosso Dossi captured a moment of profound transformation. His Apollo and Daphne is not merely a depiction of a Greek legend; it is an immersive experience that invites the viewer into a dreamlike realm of pursuit and metamorphosis. The scene vibrates with a palpable tension, as the god Apollo,…
Portrait of Alfonso I d'Este by Dosso Dossi (Giovanni Di Niccolò De Luteri) presents the Duke of Ferrara in a stately manner. Created about 1530, the work captures the ruler in military attire against an expansive landscape. The subject is portrayed as a powerful ruler, utilizing a composition that balances his physical presence with a grand, theatrical setting.
The canvas titled Circe and Her Lovers in a Landscape - by Dosso Dossi (Giovanni Di Niccolò De Luteri) captures a moment of quietude within a dense forest. Dated 1525, the work presents a nude female figure seated amidst the thicket. She appears as a mythological representation of love and wisdom, or perhaps Venus, holding a large stone tablet inscribed with text. A deer rests near her, grounding the scene…
Circe (or Melissa) by Dosso Dossi (Giovanni Di Niccolò De Luteri) functions as a complex mythological allegory. Executed in oil on canvas about 1525, the work explores the transformative power of magic through the figure of the sorceress. The title suggests a dual identification, linking the classical Circe with the legendary Melissa, a figure often associated with enchantment and metamorphosis.
Saint Lucretia is a work by Dosso Dossi (Giovanni Di Niccolò De Luteri), an Italian Renaissance painter associated with the School of Ferrara. Created about 1520, the piece reflects the artistic developments occurring within the Ferrarese court during the early sixteenth century.
The scene unfolds within the grand narrative of The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily. This oil on canvas, dating to 1520, captures a moment of communal devotion and ancient ritual. The figures gather in a wide field, their presence anchored by a distant castle that rises against the horizon. Within this setting, the weight of myth meets the tangible reality of…
The oil on canvas work titled Circe and Her Lovers in a Landscape (11) - was executed by the artist Dosso Dossi (Giovanni Di Niccolò De Luteri). Dated 1525, this painting functions as a mythological allegory. The composition centers on the figure of the sorceress Circe, a subject that allows for the exploration of classical legends through a specific narrative lens.
In "Circe and Her Lovers in a Landscape," Dosso Dossi (Giovanni Di Niccolò De Luteri) captures a moment of quietude within a dense forest. Dated 1525, the work presents a nude female figure seated amidst the thicket. She appears as a mythological representation of love and wisdom, or perhaps Venus. The scene explores the transformative power of magic through the figure of the sorceress. A single deer watches from the…
Circe and Her Lovers in a Landscape1525
12
Circe and Her Lovers in a Landscape (8) -1525
13
Circe and Her Lovers in a Landscape (9) -1525
14
Circe and Her Lovers in a Landscape -1525
15
Circe and Her Lovers in a Landscape -1525
16
Circe and Her Lovers in a Landscape (10) -1525
17
Circe and Her Lovers in a Landscape -1525
18
Circe and Her Lovers in a Landscape, c. - (100.8x(9)1525
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Circe and Her Lovers in a Landscape -1525
20
Circe and Her Lovers in a Landscape (13) -1525
21
Bacchus
22
Sts John and Bartholomew with Donors
23
Diana and Calisto
24
A Man embracing a WomanNational Gallery
25
Circe and her Lovers in a Landscape
26
Portrait of a Young ManCleveland Museum of Art
27
Madonna and Child
28
portrait of a young man with a dog and a cat
29
Aeneas and Achates on the Libyan Coast
30
St Sebastian
31
The Holy Family
32
Lady in green tourban
33
The Adoration of the KingsNational Gallery
34
Witchcraft (Allegory of Hercules)
35
Nymph and Satyr
36
St Cosmas and St Damian
37
Sibyl
38
Francesco Maria della Rovere Leading His Troups
39
untitled (7069)
40
Circe (detail)
41
untitled
42
A bacchanalNational Gallery
43
Lamentation over the Body of ChristNational Gallery
44
A female saint
45
The Embrace
46
Witchcraft (or Allegory of Hercules)1535 · Galleria degli Uffizi
47
Circe and Her Lovers in a Landscape1525 · National Gallery of Art
48
Allegory of MusicMuseo Horne
49
Jupiter, Mercury and the VirtueWaweli kuningaloss
50
Anger or the TussleCollezione Vittorio Cini
51
untitled (9126)Galleria Borghese
52
'Luteri, Italian, dossi)1479
53
The Virgin Appearing to Sts John the Baptist and John the Evangelist
54
Portrait of a Warrior
55
The Trojans Repairing Their Ships in Sicily1520 · National Gallery of Art
56
Sibyl1525 · Hermitage muuseum
57
The Three Ages of ManMetropolitan Museum of Art
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Dosso Dossi teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Gallery of Art |
Washington | 4 | Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, Circe and Her Lovers in a Landscape |
 National Gallery |
London | 4 | A Man embracing a Woman, The Adoration of the Kings, A bacchanal |
 Galleria Borghese |
Rooma | 2 | Apollo and Daphne, untitled (9126) |
 J. Paul Getty muuseum |
Los Angeles | 1 | Saint George |
 Cleveland Museum of Art |
Cleveland | 1 | Portrait of a Young Man |
 Galleria degli Uffizi |
Firenze | 1 | Witchcraft (or Allegory of Hercules) |
 Museo Horne |
Florence | 1 | Allegory of Music |
 Waweli kuningaloss |
Kraków | 1 | Jupiter, Mercury and the Virtue |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the heart of the Italian Renaissance, where the courtly splendor of Ferrara met the atmospheric magic of Venice, Dosso Dossi breathed life into legends. His Saint George is not merely a depiction of a Christian icon; it is a window into a transformative era of human emotion and artistic innovation. As one of the cornerstones of the School of Ferrara, Dossi captures the saint in a moment that transcends…
In this oil on canvas, we find ourselves in a secluded landscape where the boundaries between the human and the animal seem to blur. A nude woman sits upon the earth, her legs crossed in a moment of repose, her attention fixed upon a book held before her. She is Circe, the mythological enchantress, yet she is presented here with a startlingly calm presence. Around her, the landscape breathes with…
Portrait of Alfonso I d'Este by Dosso Dossi (Giovanni Di Niccolò De Luteri) presents the Duke of Ferrara in a stately manner. Created about 1530, the work captures the ruler in military attire against an expansive landscape. The subject is portrayed as a powerful ruler, utilizing a composition that balances his physical presence with a grand, theatrical setting.
Saint George (1513), J. Paul Getty muuseum, Los Angeles. Järgnevad Circe and Her Lovers in a Landscape, c. - (100.8(13) (1525) ja Apollo and Daphne (1524).
27 aastat vanus: teos Saint George on pärinev aastast 1513 ning Dosso Dossi sündis aastal 1486.
Saint George, Circe and Her Lovers in a Landscape, c. - (100.8(13), Apollo and Daphne, Portrait of Alfonso I d'Este, Circe and Her Lovers in a Landscape -, Circe (or Melissa), Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, Circe and Her Lovers in a Landscape (11) - ja Circe and Her Lovers in a Landscape,. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 61 teost kunstnikult Dosso Dossi, mis on pärinevad ajastust 1513 kuni 1535.
Peamiselt National Gallery of Art (Washington), National Gallery (London) ja Galleria Borghese (Rooma) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1520s: 20 57 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Circe and Her Lovers in a Landscape, c. - (100.8(13).
Sellel lehel on kõige vanem teos Saint George (1513) ja kõige värskeim Witchcraft (or Allegory of Hercules) (1535).
Landscape (17), Woman (11) ja Trees (9), kogu selle lehekülje 57 teose kohta.
Oil On Canvas, 20 teoseks 57 töödelt sellel lehel.
Renaissance, seda lähtudes selle lehe originaalteostest.
Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily ja Circe and Her Lovers in a Landscape: National Gallery of Art, Washington säilitab 4 selle lehel olevat teost.
Itaalia renessanssi kuldajal, Ferrara õukondliku ihtsuse keskmel, astus lavale maalik, kelle pintel oli võime muuta unenõud reaalsuseks. Giovanni di Niccolò de Luteri, kes ajalukku on jäänud kütkestava nimega Dosso Dossi, ei olnud pelgalt müütide kronikaator, vaid tervete atmosfäärsete maailmade looja. Sündinud umbes 1489. aastal San Giovanni del Dossos, kannab tema nimi endas oma päritolu kaja, kuid tema kunstiline vaim rändas kaugele oma sünnikoha piiridest. Scuola di Ferrara (Ferrara kool) keskfigürina ühendas Dossi sild, sillaks ranguse renessanssi täpsuse ja emotiivse, värvitud innovatsiooni vahel, mis peagi määras Venetsia kooli suunad.
Dossi meistripaladim on panule pandud õpilaskirja kaudu, mis seutas teda kokku eelmise põlve hiigustega. Õppides Mantuas täpsuse armastaja Andrea Mantegna juures, päris Dossi endale sügava austuse klassikalise struktuuri ja perspektiivi keerulise geomeetria vastu. Kuid seal, kus Mantegna otsis selgust ja skulptuurset püsivust, pursuitis Dossi midagi palju salap Räätundamatut. Ta hakkas oma kompositsioonidesse sisestama pehmet, luminööset kvaliteeti, mis viitas liikumisele ja mystikale – areng, mis tõi teda lõpuks seisma legendide, nagu Titian ja Giorgione, kõrvale uue, poeetilise visuaalse keele uuendajana.
Dossi tõeline briljantsus õitsnes Este õukonna patroonluse all, eriti Alfonso I d'Este valitsusajal. Selles sofisteeritud keskkonnas leidis ta täiusliku teema: klassikalise müütoloogia keerulised, sageli erotiseeritud ja sügavalt allegorilised jutud. Tema teosed, nagu võludes Circe või Melissa, ei kirjanda vaid ajalisi legendide; nad elavad nendes. Tal oli ainulaadne võime ühendada heroiline ja superstaatiline, luues stseenid, kus jumalad ja nümfid tunduvad tõusevat hämärast udu. Seda iseloomulikult "unenalaadset" kvaliteeti saavutati atmosfäärse perspektiivi meisterliku kasutamisega, kus kaugised maastikud sulavad pehmetesse sinistesse ja vaigsetesse rohelisette, tõmbades vaataja vaikse mõtteluse olekusse.
Venetsia mõju on Dossi täiskasvanud stiilis vältimatu. Ta liikus eemale oma Mantua õppekirja karmidest kontuuridest suunades end rohkem fluidse ja maalistava lähenemise poole, mida iseloomustavad rikked, küllastunud pigmentid ja valgusest huvitunud otsingud. See venetsialane mõju võimaldas tal manipuleerida värvi, et tekitada meeleolu, mitte ainult vormi. Tema kätes ei valgusta valgus lihtsalt stseenit; see muudab seda, luues varjud, mis peitavad saladusi, ja kõrged kohad, mis viitavad jumalikule. Tema võime ühendada Ferrara kooli struktuurilise distsipliini Venetsia kromaatilise soojusega tegi tema loomingut ainulaadselt lummavaks ja raskesti imiteeritavaks.
Dosso Dossii ajalooline tähtsus peitub tema rollis üleminekumeistrina, kes aitas Itaalia kunsti suunata ekspressiivse vabaduse poole Mannerismis. Tema teosed, alates suurepärastest freskoidest nagu Francesco Maria della Rovere oma vägede juhtimine kuni intiimsete, salapäraste portretemaalide ja sibyllade kuni, demonstreerivad mitmekülgsust, mis ületas kaasaegse maali kuni piire. Ta meistritas allegoria kunsti, kasutades müütilisi isikuid, et edastada keerulisi poliitilisi ja humanistlikke ideid, mida Ferrara eliit eelistas.
Kuigi tema elu lõppes 1542. aastal, jättes endale pärandi, mis on etmintatud renessanssi kanga sisse, on Dossi mõju jäänud sügavaks. Tema panust saab kokkuvõttekas teha mitme olulise kunstilise saavutuse kaudu:
Tänapäeval, kui me vaatame Dossi meistriteose keerutavaid varju ja luminööseid tekstuure, ei vaata me lihtsalt värvi lapandal; me oleme kohtumisel visjonäri igavene osa võimuga, kes õpetas maailmale nägema maagiat, mis on klassikalisse minevikku peitnud.
