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Dominik Weber maalid: 9 kuulsumat teost galeriin läbi
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 9 teost Dominik Weber meie kataloogis
Lühidalt
Galleriist vaadatuna on Dominik Weber kõige kuulsam teos Portrait of Two Children (1840), mille originaal ripub Augustiner Museum-is, Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) ja Portrait of a Young Woman with Two Children (1854) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Dominik Weber 9 teose põhjal esitleb galeriis allpool 9 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
1819 – 1887, Sankt Peter
Enamama teoseid: Augustiner Museum
Galeria 10 parimat Dominik Weber maali
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Muuseumid, kus on säilitatud Dominik Weber originaalteosed
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Dominik Weber teosid | Selle nimekirja maalid |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, iga kümnendiga üks signatuurpilt
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Dominik Weber maalid: galerii vastused
Milline Dominik Weber maal on kõige kuulsam?Paljasta vastus
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Järgnevad Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) ja Portrait of a Young Woman with Two Children (1854).
Kui vana Dominik Weber oli teose Portrait of Two Children valmimisel?Paljasta vastus
21 aastat vanus: teos Portrait of Two Children on pärinev aastast 1840 ning Dominik Weber sündis aastal 1819.
Kui palju teoseid Dominik Weber lõi?Paljasta vastus
Meie kataloogist leiate 9 teost kunstnikult Dominik Weber, mis on pärinevad ajastust 1840 kuni 1869.
Kust leiad Dominik Weber kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Augustiner Museum (Freiburg) ja Staatliche Kunsthalle Karlsruhe (Karlsruhe) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millal lõi Dominik Weber oma kuulsamad maalid?Paljasta vastus
Ajal 1860s: 5 9 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Artist’s Daughter Wearing a Grey Dress.
Millised on Dominik Weber varased ja hilised kuulsad teosed?Paljasta vastus
Sellel lehel on kõige vanem teos Portrait of Two Children (1840) ja kõige värskeim Two Girls with Dove (1869).
Milliseid Dominik Weber originaalte Augustiner Museum kogumuses on?Paljasta vastus
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt ja Portrait of a Young Woman with Two Children: Augustiner Museum, Freiburg säilitab 8 selle lehel olevat teost.
Dominik Weber: kunstnik
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.