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3 kulubumatamatum David Arnesen maali, galeriiselektsioon
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 3 teost David Arnesen meie kataloogis
Lühidalt
Kõigist David Arnesen jäetud originaalteostest on kõige kuulsam Painting (1900), mis kuulub Eidsvoll 1814 kogele linnas Eidsvoll. Järgnevad sellest Painting ja Painting. Meie kataloogist löytyb 3 teost kunstnikult David Arnesen; galeriist on säilitatud 3 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
1818 – 1895, Oslo
Enamama teoseid: Eidsvoll 1814
David Arnesen top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud David Arnesen originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | David Arnesen teosid | Selle nimekirja maalid |
|---|---|---|---|
 Eidsvoll 1814 |
Eidsvoll | 3 | Painting, Painting, Painting |
Sammlajate küsimused David Arnesen maalide kohta
Millise teosega on David Arnesen kõige kuulsam?Paljasta vastus
Painting (1900), Eidsvoll 1814, Eidsvoll. Järgnevad Painting ja Painting.
Kui palju maali David Arnesen jäeti?Paljasta vastus
Meie kataloogist leibab 3 teost kunstnikult David Arnesen.
Mitteks muuseumides rihangavad David Arnesen meistriteosed?Paljasta vastus
Peamiselt Eidsvoll 1814 (Eidsvoll) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millised David Arnesen teosed on Eidsvoll 1814 näituses?Paljasta vastus
Painting, Painting ja Painting: Eidsvoll 1814, Eidsvoll säilitab 3 selle lehel olevat teost.
David Arnesen: elu ja looming
A Life in Christiania
David Arnesen lived his life within the streets of Christiania, moving through the city during the middle decades of the nineteenth century. Born in 1818, he spent his years focused on the quiet work of the draughtsman and the portraitist. His hands were accustomed to the precise movements required for sketching and capturing the likenesses of those around him.
His presence in the local art community was felt through his role as a teacher. He held a studio where he guided younger hands, most notably instructing Carl Dørnberger when the latter arrived in Christiania at seventeen. This connection linked Arnesen to a lineage of Norwegian art, passing down the technical habits of drawing and observation to a new generation.
The Marks of the Draughtsman
The work left behind by Arnesen shows a focus on the careful rendering of subjects. In 1843, he produced a drawing that remains part of the collections at Bogstad Gård, a piece that speaks to his skill with line and form. His ability to translate a subject onto paper was not about grand gestures but about the steady application of ink or graphite.
Other pieces from his hand reveal a different kind of patience. In 1849, he created a work titled Lodvica de Bretteville, which utilized the delicate medium of paper art. This specific piece, now held by the Oslo Museum, shows a side of his practice that moved beyond simple sketching into more textured, layered compositions. His output was characterized by these specific, tactile explorations of his materials.
A Quiet Legacy
Arnesen passed away in 1895, leaving behind a body of work that remains anchored to the history of Norway. While he did not seek the spotlight of international fame, his influence remained in the classrooms of Christiania and in the archives of local institutions. His life was defined by the following:
- His practice as a portrait artist and draughtsman.
- The instruction of students like Carl Dørnberger.
- The preservation of his drawings in collections such as Bogstad Gård and Oslo Museum.