Cornelis Lelienbergh portree

29 kulubumatamatumat Cornelis Lelienbergh maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 31 teost Cornelis Lelienbergh meie kataloogis

Lühidalt

Still Life with Game Birds (1670) on Cornelis Lelienbergh maalide kõige silmapaistvam teos; originaal kuulub museumi The Holburne Museum, Bath. Pärast seda suunatakse pilk Still life with hare and black rooster (1659) ja Dead Game Birds (1653) suunas. Meie kataloogis olevatest Cornelis Lelienbergh 31 teosest on need 29 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1626 – 1676, The Hague Enamama teoseid: Rijksmuseum

Cornelis Lelienbergh top 10 maalist galeriist vaatenurgast

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Still Life with Game Birds (1670) autor Cornelis Lelienbergh

Still Life with Game Birds

1670 · Oil On Canvas · The Holburne Museum, Bath

Still Life with Game Birds is an oil on canvas work by Cornelis Lelienbergh. Executed in 1670, the painting belongs to the Dutch Golden Age tradition of specialized still life. The artist, Cornelis Lelienbergh, was a prominent figure in the 17th-century Netherlands, known for his meticulous attention to the textures of feathers and organic matter.

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Still life with hare and black rooster (1659) autor Cornelis Lelienbergh

Still life with hare and black rooster

1659 · Oil On Canvas · Rijksmuseum, Amsterdam

A vertical arrangement defines this 1659 oil on canvas, where the remnants of a hunt are positioned against a dark, indistinct background. A wooden stick leans diagonally against a rustic table, supporting a dead hare that hangs by its limbs. On the table surface, a dark, deceased rooster lies alongside various vegetables. The lighting originates from a single side source, casting deep shadows and creating a sense of three-dimensional depth…

Cornelis Lelienbergh kuulsad maalid, numbrid 11 kuni 29

Teemad, mis püüdisid Cornelis Lelienbergh pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Cornelis Lelienbergh originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Cornelis Lelienbergh teosid Selle nimekirja maalid
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 3 Still life with hare and black rooster, Still Life with Black Rooster and two Rabbits, Cornelis Lelienbergh, 1659, Still Life with Woodpecker and Snipes, Cornelis Lelienbergh, 1655
Bavaria riiklikud maalidema kogumikud, MünchenBavaria riiklikud maalidema kogumikud München 2 Dead Game Birds, Dead Rooster
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Still Life with Doves Hanging from an Iron Hook, Still Life with Parrot and Snipes, Cornelis Lelienbergh, 1655
National Trust, CambridgeNational Trust Cambridge 2 Harriers Chasing a Hare, Spaniels Chasing a Hare
The Holburne Museum, BathThe Holburne Museum Bath 1 Still Life with Game Birds
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 Dead Hare and Birds
Gemäldegalerie, BerliinGemäldegalerie Berliin 1 Still life with a brass pail
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 1 Game

Cornelis Lelienbergh aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Cornelis Lelienbergh maalid: küsimused galeriile

Mis on Cornelis Lelienbergh kõige kuulsam teos?Paljasta vastus

Still Life with Game Birds (1670), The Holburne Museum, Bath. Järgnevad Still life with hare and black rooster (1659) ja Dead Game Birds (1653).

Mis vanuses luunud Cornelis Lelienbergh teos Still Life with Game Birds?Paljasta vastus

44 aastat vanus: teos Still Life with Game Birds on pärinev aastast 1670 ning Cornelis Lelienbergh sündis aastal 1626.

Millised on Cornelis Lelienbergh kümneks kuulsumat maalatist?Paljasta vastus

Still Life with Game Birds, Still life with hare and black rooster, Dead Game Birds, Dead Rooster, Dead Hare and Birds, Still life with a brass pail, Still Life with Doves Hanging from an Iron Hook, Still Life with Black Rooster and two Rabbits, Cornelis Lelienbergh, 1659, Still Life with Woodpecker and Snipes, Cornelis Lelienbergh, 1655 ja Still Life with Parrot and Snipes, Cornelis Lelienbergh, 1655. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Cornelis Lelienbergh kohta on teada?Paljasta vastus

Meie kataloogist leiate 31 teost kunstnikult Cornelis Lelienbergh, mis on pärinevad ajastust 1652 kuni 1670.

Kust saab näha kõige kuulsamaid Cornelis Lelienbergh originaalteoseid?Paljasta vastus

Peamiselt Rijksmuseum (Amsterdam), Bavaria riiklikud maalidema kogumikud (München) ja Nationalmuseum (Stockholm) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Cornelis Lelienbergh oma tuntumad maalid?Paljasta vastus

Ajal 1650s: 8 29 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Still life with hare and black rooster.

Milline kuuls Cornelis Lelienbergh maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Still life with a brass pail (1652) ja kõige värskeim Still Life with Game Birds (1670).

Millist teemasid Cornelis Lelienbergh eelistas?Paljasta vastus

Animals (4), Feathers (3) ja Life (3), kogu selle lehekülje 29 teose kohta.

Mida Cornelis Lelienbergh kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Oil On Canvas, 3 teoseks 29 töödelt sellel lehel.

Mida Cornelis Lelienbergh originaalte ma näen Rijksmuseum muuseumis?Paljasta vastus

Still life with hare and black rooster, Still Life with Black Rooster and two Rabbits, Cornelis Lelienbergh, 1659 ja Still Life with Woodpecker and Snipes, Cornelis Lelienbergh, 1655: Rijksmuseum, Amsterdam säilitab 3 selle lehel olevat teost.

Cornelis Lelienbergh: kunstniku portree

A Glimpse into the World of Cornelis van Lelienbergh

Cornelis van Lelienbergh, a name perhaps less immediately recognizable than some of his Dutch Golden Age contemporaries, nevertheless occupies a significant and fascinating niche within the pantheon of 17th-century artists. Born in the Netherlands in 1626, Lelienbergh’s life coincided with a period of unprecedented artistic flourishing, a time when the newly independent Dutch Republic embraced realism, portraiture, and landscape painting with remarkable fervor. While biographical details remain somewhat sparse – a common challenge for artists outside the very highest echelons of fame – his surviving works offer compelling insights into his skill, stylistic development, and the world he inhabited. He died in 1676, leaving behind a legacy that continues to captivate art enthusiasts today.

Early Life and Artistic Training

The specifics of Lelienbergh’s early training are not fully documented, but it is reasonable to assume he began his artistic journey within the established guild system prevalent in Dutch cities. The Netherlands at this time was a hotbed of specialized painting schools and workshops, each with its own distinct approach. It's likely that he apprenticed under a local master, honing fundamental skills in drawing, composition, and color mixing before specializing in portraiture and landscape—the genres for which he would become known. The influence of Flemish painters is strongly apparent in his work, suggesting potential exposure to their techniques either through direct study or the circulation of paintings within the robust art market of the Low Countries. This connection to Flanders is particularly notable in his handling of light and texture, as well as a certain psychological depth present in his portraits.

A Master of Portraiture and Landscape

Lelienbergh’s artistic output primarily centered around two key areas: portraiture and landscape painting. His portraits are not grand statements of power or status, but rather intimate depictions of individuals from the middle classes – merchants, scholars, and members of prosperous families. He possessed a remarkable ability to capture not just physical likeness, but also something of his sitters’ inner character. His landscapes, often featuring serene scenes of Dutch countryside, demonstrate a keen observation of nature combined with a sophisticated understanding of atmospheric perspective. These are not idealized visions; they reflect the actual topography and light conditions of the Netherlands, imbued with a quiet sense of realism. He frequently incorporated figures into his landscapes, adding narrative elements and a human scale to the vastness of the natural world.

Influences and Stylistic Development

The artistic climate of the Dutch Golden Age was one of constant exchange and innovation. Lelienbergh’s work reveals influences from several prominent painters. The aforementioned Flemish tradition, particularly artists like David Teniers the Younger, is evident in his detailed rendering of figures and genre scenes. He also shows an affinity for the works of Pieter de Molyn, a contemporary known for his elegant portraits and refined technique. However, Lelienbergh was not merely an imitator; he synthesized these influences into a distinctive style characterized by its subtle color palette, meticulous brushwork, and psychological sensitivity. Over time, his landscapes became increasingly sophisticated, moving beyond simple topographical representations to explore the emotional impact of light and atmosphere. His ability to balance realism with a poetic sensibility sets him apart.

Legacy and Historical Significance

While Lelienbergh may not be as widely celebrated as Rembrandt or Vermeer, his work offers valuable insights into the lives and values of 17th-century Dutch society. His portraits provide a glimpse into the burgeoning middle class, while his landscapes celebrate the beauty and tranquility of the Netherlands countryside. Today, his paintings are held in prominent museum collections, including the Museum Smidt Van Gelder in Knokke-Heist, Belgium, where they continue to be studied and admired. His contribution lies not in groundbreaking innovation, but in a masterful execution of established genres, imbued with a quiet dignity and psychological depth that resonates with viewers centuries later. The enduring appeal of his work speaks to the timeless power of realistic representation and the human desire to capture moments of beauty and meaning in art.
  • Known for portraits & landscapes
  • Flemish influence is apparent in his handling of light.
  • His paintings are held in prominent museum collections, including Museum Smidt Van Gelder.