Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 112 teost Christopher Williams meie kataloogis
Lühidalt
Galleriist vaadatuna on Christopher Williams kõige kuulsam teos The Awakening of Wales (1911), mille originaal ripub Caernarfon Royal Town Council-is, Carnarvon. Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) ja Sunset in the Welsh Hills (1920) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Christopher Williams 112 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The light begins to fade over the landscape in Sunset in the Welsh Hills, a work painted by Christopher Williams in 1920. This scene captures a moment where the sun retreats behind the mountain peaks, casting a warm glow across the terrain. The hills stretch toward the horizon, their silhouettes defined by the changing light of the evening. It is a quiet observation of the Welsh landscape, frozen in a…
In the evocative portrait Ceridwen, the late Victorian master Christopher Williams invites us into a realm where myth and reality converge. The painting presents a profound moment of introspection, centered on a woman draped in vibrant, crimson attire that commands the viewer's immediate attention. Seated amidst a rugged, primordial landscape of weathered rocks, she rests her chin upon her hands, her gaze lost in a deep, contemplative trance. This is…
The air in the room feels heavy with the weight of quiet thought. Thomas Francis Roberts sits motionless, his presence commanding the space through a stillness that feels almost physical. He is draped in deep crimson academic robes, a color so intense it seems to pulse against the muted, earthy tones of the private study. His hands are clasped in his lap, fingers interlaced in a gesture of composed reflection.…
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
In Reverend J Thomas by Christopher Williams, the subject is captured in a three-quarter length portrait, seated slightly off-center within the embrace of an ornate wooden chair. The composition rests at eye-level, establishing a direct and respectful connection with the viewer. His posture remains composed and steady, a quiet anchor amidst the shadows. The arrangement of the figure suggests a moment of stillness, held within the heavy grain of the…
A single figure dominates this vertical oil composition, positioned slightly off-center to suggest a quiet, arrested movement. The subject, a woman draped in a voluminous white gown, occupies an opulent interior where the background dissolves into blurred architectural details and heavy drapery. Warm earthy tones of ochre, beige, and muted brown establish a somber, grounded atmosphere. Light enters from a singular source, casting deep shadows that define the contours of…
A formal three-quarter length portrait of Colonel Sir Thomas Berry Cusack-Smith, depicted in the twilight of his life. Seated in an ornate chair, the subject is positioned slightly off-center, creating a balanced composition that emphasizes his dignified presence. He is rendered in full military attire, complete with medals and a Sam Browne belt, which anchor the figure within a tradition of service and duty. The lighting, originating from the upper…
The portrait depicts an elderly man seated within a room defined by dark wooden paneling and draped red fabric. He is positioned centrally, occupying much of the frame. The subject wears heavy, dark robes that fall in deep folds around his torso. His hands rest upon a book held in his lap. Light enters from the upper left, casting shadows across the contours of his face and the textures of…
Roland Williams (Hwfa Môn) (1823–1905)1905 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
12
Cader Idris1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
13
Sunset Glow on Cader Idris1920 · Aberystwyth University School of Art Museum And Galleries
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Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Tangiers1914 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Sir John Williams (1840–1926), Bt, GCVO, MD1919 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Borth y Gest1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Model 105M R59C, Keystone Shower Door, 57.4 × 59 , Chrome Raindrop, SKU 109149, 96235. 970 084 000, (Meiko), Vancouver, B.C., April 6, 2005 (No. 1)2005
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Barmouth1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Llwyngwril, Near Barmouth
21
Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891)1920 · Bangor University
22
Cader Idris and Bird Rock1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
Paolo and Francesca1902
24
Dame Margaret Lloyd George (1866–1941)1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Holidays, Village Girls at Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Thomas Henry Thomas (1834–1915)1902
27
Mr Evan Williams, the Artist's Father1903
28
The Aldobrandini Wedding1904 · Aberystwyth University School of Art Museum And Galleries
29
Alice Sophia Amelia Stopford Green (1847–1929)1899
30
Mrs Parry Jones1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
31
Reverend W. E. Prydderch (1846–1931)1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
32
Self PortraitNational Library of Wales
33
Lloyd George as Chancellor of the Exchequer
34
Dryslwyn Castle1910
35
Evening Glow, Venice
36
The Remorse of Judas1911
37
Judas the Iscariot And It Was Night1906 · Aberystwyth University School of Art Museum And Galleries
38
Mrs Elizabeth Poole Hughes1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
39
The Investiture of the Prince of Wales, 19111911 · Caernarfon Royal Town Council
40
The Artist's Son, Ivor (1908–1982)Llyfrgell Genedlaethol Cymru / The National Library of Wales
41
David Lloyd George (1863–1945)1917
42
Storm over Cader Idris1917
43
On the Barmouth Estuary1917
44
Old Barmouth1917
45
Sir John Rhys (1840–1915)1913
46
Llangranog, a Fresh Morning1917
47
Colour Study for the Tomb of the Unknown Warrior1916 · Aberystwyth University School of Art Museum And Galleries
48
Street Scene in Tangiers1914
49
Criccieth Castle1917
50
The Red Dress1917
51
The Snowdon Horseshoe1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
52
'Now I'm the Judge', Gwyn Williams, the Artist's Son1912
53
Dyffwys1917 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
54
A Coastal View Porth y Nant, Lleyn1912 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
55
The Welsh Division at Mametz Wood, 1916 (detail)1917 · Royal Welch Fusiliers Regimental Museum
56
Hero and Leander1915
57
Barmouth Moonlight1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
58
Borth y Gest, Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Barmouth Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
60
Dyffwys, North Wales1920
61
Mametz Wood (sketch)1920
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Reflections, Venice1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Professor Sir Henry Jones (1852–1922)1923
64
Venice, Moonlight1925
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The Cader Idris Range1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Kõigi ilmsete kunstiteoste käsitsi maalitud reproduktorid1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926)1923 · Bangor University
68
Rachel2020 · Paintings in Hospitals
69
Study for 'A Garden by the Sea', William Morris1906 · Aberystwyth University School of Art Museum And Galleries
70
Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007)2007
71
Untitled (Sammlung Haubrok, Berlin, Germany, 2007)2007
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Bergische Bauernscheune, Junkersholz, Leichlingen, September 29th, 20092010
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Barmouth Estuary1914
74
View from Arthog
75
Coast near Holyhead
76
Richard Lloyd
77
Criccieth Castle
78
Up the Barmouth Estuary
79
John Hinds, Esq. (1862–1928)
80
Near Merthyr Mawr
81
Sunset off the Lleyn Peninsula
82
Santa Maria della Salute, Venice
83
Family on Barmouth Island
84
Cader Idris
85
Owen Owen (1850–1920)
86
In North Wales
87
Barmouth Beach
88
Branwen
89
Cregennan Lake by Moonlight
90
Mountainous Landscape with Trees in the Foreground (Merthyr Mawr)
91
Sir John Morris Jones (1864–1929), SeatedBangor University
92
A Fresh Morning, Llangranog
93
Mountains, Seen from a River over Trees (Merthyr Mawr)
94
Evening Cardigan Bay
95
The Ligurian Coast from Rapallo
96
Sunlit Arch, Santa Margherita
97
David Lloyd George (1863–1945)
98
Atalanta
99
Laugharne Castle, Carmarthenshire
100
Mrs Sackvill Evans
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Christopher Williams teosid | Selle nimekirja maalid |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 25 | Roland Williams (Hwfa Môn) (1823–1905), Cader Idris, Llangrannog |
 Aberystwyth University School of Art Museum And Galleries |
Aberystwyth | 6 | Thomas Francis Roberts (1860–1919), Principal (1891–1919), Sunset Glow on Cader Idris, The Aldobrandini Wedding |
 Bangor University |
Bangor | 4 | Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926) |
 Caernarfon Royal Town Council |
Carnarvon | 2 | The Awakening of Wales, The Investiture of the Prince of Wales, 1911 |
 National Library of Wales |
Aberystwyth | 2 | Reverend J Thomas, Self Portrait |
 Glynn Vivian Art Gallery |
Swansea | 1 | Ceridwen |
 National Gallery of Ireland |
Dublin | 1 | Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) |
 Royal Welch Fusiliers Regimental Museum |
Carnarvon | 1 | The Welsh Division at Mametz Wood, 1916 (detail) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The Awakening of Wales (1911), Caernarfon Royal Town Council, Carnarvon. Järgnevad Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) ja Sunset in the Welsh Hills (1920).
38 aastat vanus: teos The Awakening of Wales on pärinev aastast 1911 ning Christopher Williams sündis aastal 1873.
The Awakening of Wales, Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sunset in the Welsh Hills, Ceridwen, Thomas Francis Roberts (1860–1919), Principal (1891–1919), Richard Lloyd (1834–1917), Reverend J Thomas, Helen, Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) ja Sir John Morris Jones (1864–1929). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 112 teost kunstnikult Christopher Williams, mis on pärinevad ajastust 1899 kuni 1930.
Peamiselt Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), Aberystwyth University School of Art Museum And Galleries (Aberystwyth) ja Bangor University (Bangor) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1910s: 36 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Awakening of Wales.
Sellel lehel on kõige vanem teos Alice Sophia Amelia Stopford Green (1847–1929) (1899) ja kõige värskeim The Cader Idris Range (1930).
Portrait (9), Landscape (7) ja Formal attire (4), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 21 teoseks 100 töödelt sellel lehel.
Celtic revival, seda lähtudes selle lehe originaalteostest.
Roland Williams (Hwfa Môn) (1823–1905), Cader Idris ja Llangrannog: Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth säilitab 23 selle lehel olevat teost.
Christopher David Williams (1873-1934) oli silmapaistev Walesi kunstnik, kelle karjäär ulatas hilisest viktoriaanlikust ajastutust 20. sajandi algusesse. Teda mäletatakse eriti tema väljendusrikaste portreede, allegooriliste stseenide ja maastike poolest, mis kajastasid sageli tugevat Walesi identiteeditunnet ning keldi renessansi vaimu. Williams oli kunstnik, kes suutis oma töödes ühendada akadeemilise täpsuse poeetilise tundlikkusega, luues teoseid, mis räägivad lugusid nii ajaloo kui ka hinge kohta.
Maesygwrathis Walesis sündinud Williams kohtas algul isa Evan Williamsi vastupanu, kes nägi pojale meditsinikarjääri. Küll aga muutis tema elu radikaalselt 1892. aastal Liverpooli Walker Art Gallery’sse tehtud visiit, kus ta jäi sügavalt mõjutatud Frederick Leighton’i teosest *Perseus ja Andromeda*. See kogemus kinnistas tema otsuse pühenduda kunstile ning kujunes määrava jõuna tema tulevases loomingulises arengus. Visiidi mulje oli nii tugev, et Williams tundis sisemist kutsumust maalida ja väljendada maailma ilu oma pintsliga.
Williams alustas formaalset kunstiharidust 1892-1893. aastal Neathi Tehnika Instituudis härra Kerr’i juhendamisel. See oli tema esimene samm süstemaatilise kunsti õppimise teel, kus ta omandas põhilised tehnikad ja alused. Järgnes kolmeaastane õpinguaeg Royal College of Art’is ning seejärel täiendavad õpingud Royal Academy Schools’is 1896-1901. Need aastad olid tema kunstilise küpsemise periood, kus ta lihvis oma oskusi ja avastas oma unikaalse stiili.
Williams esines esimest korda Royal Academys 1902. aastal teosega *Paolo ja Francesca*, millele järgnes portree tema isast 1903. aastal. Ta jätkas osalemist Royal Academy näitustel kogu oma karjääri jooksul, esitledes kokku kaheksateist maali. 1910. aastal kutsuti ta Royal Society of British Artists’i liikmeks ning järgmisel kümnendil eksponeeris seal kolmkümmend seitse teost. Oluline hetk saabus 1911. aastal, kui kuningas George V tellis Williamsilt mälestusmaali Edwardi, Walesi printsi investeerimisest Caernarfon’i kindluses. Ta valmis selle sündmuse kohta kaks versiooni.
Williamsist sai väga nõutud portreekunstnik, luues sarnaseid pilte silmapaistvate tegelastega nagu David Lloyd George, Sir John Williams ja Sir Henry Jones. Tema portreed olid tuntud oma psühholoogilise sügavuse ja subjekti realistliku kujutamise poolest. Ta suutis tabada iga mudeli ainulaadse iseloomu ja hinge.
Williams’i töid iseloomustavad:
Christopher Williams mängis olulist rolli Walesi kunsti ja kultuuri edendamisel oma eluajal. Ta osales aktiivselt Rahvuslikul Eisteddfod’il kohtunikuna ning töötas National Museum of Wales’i ja Honourable Society of Cymmrodorion’i komiteedes. Tema töö kajastas tugevat rahvusidentiteeditunnet ning aitas kaasa Walesi kunstilise õitsengu perioodi 20. sajandi alguses.
Tema maalid on paljudes avalikes kollektsioonides, sealhulgas National Museum of Wales’is, Royal Collection’is ja Glynn Vivian Art Gallery’s, tagades tema pärandi jätkuva inspireerimise ja lummanuse tänapäeval. Ta oli kunstniku Fred Appleyardi vend-mees ning astronoomi Evan Gwyn Williamsi ja kunstniku Ivor Williamsi isa.
