Lühidalt
Galleriist vaadatuna on Charles Errard kõige kuulsam teos Renaud abandonnant Armide (1640), mille originaal ripub Musée du Pays de Hanau-is, Bouxwiller. Kunstnii Charles Errard 1 teose põhjal esitleb galeriis allpool 1 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
Galeria 10 parimat Charles Errard maali
Muuseumid, kus on säilitatud Charles Errard originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Charles Errard teosid | Selle nimekirja maalid |
|---|---|---|---|
| Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, iga aasta esindavad teosed
Kõik sellel lehel asuvad Charles Errard originaalteosed on loodud aastal 1640: siin on need, kõige kuulsemad esimesena.
Charles Errard maalid: galerii vastused
Milline Charles Errard maal on kõige kuulsam?Paljasta vastus
Renaud abandonnant Armide (1640)
Kui vana Charles Errard oli teose Renaud abandonnant Armide valmimisel?Paljasta vastus
34 aastat vanus: teos Renaud abandonnant Armide on pärinev aastast 1640 ning Charles Errard sündis aastal 1606.
Kui palju teoseid Charles Errard lõi?Paljasta vastus
Meie kataloogist leibab 1 teost kunstnikult Charles Errard.
Kust leiad Charles Errard kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Musée du Pays de Hanau (Bouxwiller) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Charles Errard: kunstnik
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.