Charles de Steuben portree

19 kulubumatamatum Charles de Steuben maali, galeriiselektsioon

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 19 teost Charles de Steuben meie kataloogis

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Kõigist Charles de Steuben jäetud originaalteostest on kõige kuulsam Portrait of Anna Benardaki (1844), mis kuulub Hermitage muuseum kogele linnas Stiiitlinburg. Järgnevad sellest Portrait of Baron Alexander Stieglitz (1844) ja Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Meie kataloogist löytyb 19 teost kunstnikult Charles de Steuben; galeriist on säilitatud 19 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.

1788 – 1856, Bauerbach Romanticism Enamama teoseid: Hermitage muuseum

Charles de Steuben top 10 maalist: galeriis valitud teosed

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Portrait of Anna Benardaki (1844) autor Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitage muuseum, Stiiitlinburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

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Portrait of Baron Alexander Stieglitz (1844) autor Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

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Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) autor Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

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Portrait of a Young Woman (1843) autor Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

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Portrait of D.E. Benardaki (1844) autor Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

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Portrait of Countess Yulia Stroganova (1848) autor Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Kunstianikut Charles de Steuben nimekiri jätkub, 11 kuni 19

Teemad, mis püüdisid Charles de Steuben pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Charles de Steuben originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Charles de Steuben teosid Selle nimekirja maalid
Hermitage muuseum, StiiitlinburgHermitage muuseum Stiiitlinburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, PariisCarnavalet Museum Pariis 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, PariisMusée Victor Hugo Pariis 1 Sketch for the painting "La Esmeralda and her goat"
Versailles'i kuninglik ooperimaja, VersaillesVersailles'i kuninglik ooperimaja Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben aastak aegades: originaalteos, mis määratleb iga ajastu

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Sammlajate küsimused Charles de Steuben maalide kohta

Millise teosega on Charles de Steuben kõige kuulsam?Paljasta vastus

Portrait of Anna Benardaki (1844), Hermitage muuseum, Stiiitlinburg. Järgnevad Portrait of Baron Alexander Stieglitz (1844) ja Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Kui vana oli Charles de Steuben, kui teos Portrait of Anna Benardaki loodi?Paljasta vastus

56 aastat vanus: teos Portrait of Anna Benardaki on pärinev aastast 1844 ning Charles de Steuben sündis aastal 1788.

Millised on kümne kõige kuulsama Charles de Steuben maalid?Paljasta vastus

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" ja Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju maali Charles de Steuben jäeti?Paljasta vastus

Meie kataloogist leiate 19 teost kunstnikult Charles de Steuben, mis on pärinevad ajastust 1800 kuni 1850.

Mitteks muuseumides rihangavad Charles de Steuben meistriteosed?Paljasta vastus

Peamiselt Hermitage muuseum (Stiiitlinburg), Palais des Beaux-Arts de Lille (Lille) ja Carnavalet Museum (Pariis) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Millah aastades maalas Charles de Steuben oma kuulsamaid teoseid?Paljasta vastus

Ajal 1830s: 9 19 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Mis on Charles de Steuben esimene ja viimane kuuls fama originaalteos?Paljasta vastus

Sellel lehel on kõige vanem teos The Death of Napoleon (1800) ja kõige värskeim Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Milliseid teemasid Charles de Steuben kõige sagedamini valis?Paljasta vastus

Woman (3), Man (3) ja Lace (2), kogu selle lehekülje 19 teose kohta.

Millist tehnikat kasutas Charles de Steuben kõige rohkem?Paljasta vastus

Oil On Canvas, 5 teoseks 19 töödelt sellel lehel.

Minge pihta kunstisuunasse, kuhu Charles de Steuben kuulub?Paljasta vastus

Romanticism, seda lähtudes selle lehe originaalteostest.

Millised Charles de Steuben teosed on Hermitage muuseum näituses?Paljasta vastus

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz ja Portrait of Alexander P. von Benckendorff (1819 – 1851): Hermitage muuseum, Stiiitlinburg säilitab 7 selle lehel olevat teost.

Charles de Steuben: elu ja looming

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.