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1 kulubumatamatumat Bruno Goller maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 3 teost Bruno Goller meie kataloogis
Lühidalt
Die Schere (1968) on Bruno Goller maalide kõige silmapaistvam teos; originaal kuulub museumi Städel Museum, Frankfurt. Meie kataloogis olevatest Bruno Goller 3 teosest on need 1 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1901 – 1998, Gummersbach
Enamama teoseid: Städel Museum
Bruno Goller top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Bruno Goller originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Bruno Goller teosid | Selle nimekirja maalid |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | Die Schere |
Bruno Goller aastate jooksul: iga teose unikaalsed originaalid
Kõik siin kuvatavad Bruno Goller originaalteosed on pärinevad ühest aastast, 1968: need on esitatud kululuse järjekorras.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Bruno Goller maalid: küsimused galeriile
Mis on Bruno Goller kõige kuulsam teos?Paljasta vastus
Die Schere (1968)
Mis vanuses luunud Bruno Goller teos Die Schere?Paljasta vastus
67 aastat vanus: teos Die Schere on pärinev aastast 1968 ning Bruno Goller sündis aastal 1901.
Kui palju teoseid kunstniku Bruno Goller kohta on teada?Paljasta vastus
Meie kataloogist leibab 3 teost kunstnikult Bruno Goller.
Kust saab näha kõige kuulsamaid Bruno Goller originaalteoseid?Paljasta vastus
Peamiselt Städel Museum (Frankfurt) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Bruno Goller: kunstniku portree
The Life and Artistic Journey of Bruno Goller
Born in Gummersbach, Germany, Bruno Goller began his journey into painting as a youth. He received instruction from the landscape painter Julius Jungheim between 1919 and 1921 in Düsseldorf. Following a journey to Italy in 1924, he settled in Düsseldorf in 1927, a city he rarely left. During his career, he was a member of several artistic groups, including Das Junge Rheinland, the Rheinische Sezession, and the Rheingruppe. He also belonged to the Neue Rheinische Sezession.
Goller's life was marked by significant historical shifts. During the period of National Socialism, he lived largely in "inner emigration," and he was drafted into service during the Second World War from 1940 to 1945. In 1943, a significant portion of his early work was destroyed when incendiary bombs struck his studio. Later, he held a professorship for painting at the Staatliche Kunstakademie Düsseldorf from 1953 to 1964, teaching students such as Blinky Palermo and Konrad Fischer.
Style and Subject Matter
The thematic essence of Goller's work was deeply influenced by his mother's hat shop. This connection led him to favor subjects such as shop windows, decorations, and similar interior arrangements. His artistic style is often described as a form of "magical realism" that remained steadfast even as abstraction became a dominant trend in the post-war era. While his work is frequently situated between Jugendstil, Expressionism, and Surrealism, some art historians suggest his style is unique and defies easy classification.
Throughout his life, Goller received numerous honors, including: