Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 21 teost Bernice Cross meie kataloogis
Lühidalt
Galleriist vaadatuna on Bernice Cross kõige kuulsam teos Black Pitcher (1944), mille originaal ripub The Phillips Collection-is, Washington, D.C.. Melon Vendor (1934) ja Sancho Panza (1938) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Bernice Cross 21 teose põhjal esitleb galeriis allpool 21 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · The Phillips Collection
12
ShowerThe Phillips Collection
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Land of Cotton1938 · The Phillips Collection
14
Georgetown Corner in the Rain1934 · Smithsonian American Art Museum
15
Strawberry Basket1943 · The Phillips Collection
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Pink Lemonade1941 · The Phillips Collection
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The Little Dove's Stove1940 · The Phillips Collection
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Pansies and Pitcher1948 · The Phillips Collection
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Winter Light1951 · The Phillips Collection
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Royal Figure1953 · The Phillips Collection
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Key Rack1949 · The Phillips Collection
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Bernice Cross teosid | Selle nimekirja maalid |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 18 | Black Pitcher, Sancho Panza, Seaside |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), The Phillips Collection, Washington, D.C.. Järgnevad Melon Vendor (1934) ja Sancho Panza (1938).
32 aastat vanus: teos Black Pitcher on pärinev aastast 1944 ning Bernice Cross sündis aastal 1912.
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress ja Circus People Resting. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 21 teost kunstnikult Bernice Cross, mis on pärinevad ajastust 1934 kuni 1953.
Peamiselt The Phillips Collection (Washington, D.C.) ja Smithsonian American Art Museum (Washington, D.C.) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1940s: 9 21 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Black Pitcher.
Sellel lehel on kõige vanem teos Melon Vendor (1934) ja kõige värskeim Royal Figure (1953).
Woman (2) ja Wood grain (2), kogu selle lehekülje 21 teose kohta.
Oil On Canvas, 3 teoseks 21 töödelt sellel lehel.
Black Pitcher, Sancho Panza ja Seaside: The Phillips Collection, Washington, D.C. säilitab 18 selle lehel olevat teost.
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
