August Allebé portree

33 kulubumatamatum August Allebé maali, galeriiselektsioon

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 33 teost August Allebé meie kataloogis

Lühidalt

Kõigist August Allebé jäetud originaalteostest on kõige kuulsam A young Woman (1863), mis kuulub Rijksmuseum kogele linnas Amsterdam. Järgnevad sellest Lethe (1863) ja Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862). Meie kataloogist löytyb 33 teost kunstnikult August Allebé; galeriist on säilitatud 33 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.

1838 – 1927, Amsterdam Amsterdam impressionism Enamama teoseid: Rijksmuseum

August Allebé top 10 maalist: galeriis valitud teosed

1
A young Woman (1863) autor August Allebé

A young Woman

1863 · Oil On Canvas · Rijksmuseum, Amsterdam

A single figure occupies the center of this 1863 portrait. She stands with an upright, quiet dignity, her body turned slightly toward the viewer. The light enters from the upper left, catching the curve of her neck and the pale expanse of her face. She wears a white apron or shawl that gathers in heavy, sculptural folds. These highlights contrast sharply against a dark, atmospheric background, pulling her form out…

2
Lethe (1863) autor August Allebé

Lethe

1863 · Oil On Canvas · Dordrechts Museum, Dordrecht

In Lethe, August Allebé places a solitary elderly man within the heavy silence of a dimly lit interior. The composition anchors itself upon the figure and the large, ornate architectural element of the hearth. Deep, warm tones of rich brown and burnt umber dominate the space, swallowing the corners of the room. A chiaroscuro effect emerges from these shadows, where light struggles against the dark. This low-key, dramatic lighting strikes…

3
Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) autor August Allebé

Anno 1704. Willem Vleertman explores the terrain near Höchstadt

1862 · Oil · Amsterdam Museum, Amsterdam

This landscape painting, titled Anno 1704. Willem Vleertman explores the terrain near Höchstadt, was executed by August Allebé. Created in 1862, the work captures a specific sense of place and time through its quiet, monochromatic presentation. It offers a glimpse into the artist's early period, a time when his hand was beginning to navigate the nuances of the romantic tradition.

4
Surprise of Coevorden by Van Thienen, 1672 (1862) autor August Allebé

Surprise of Coevorden by Van Thienen, 1672

1862 · Oil On Canvas · Amsterdam Museum, Amsterdam

The oil on canvas captures a fragment of the 1672 conflict through a lens of academic realism. There is a heavy, quiet energy in the way the figures are positioned, suggesting a sudden disruption in a quiet landscape. The brushwork is loose, prioritizing the feeling of light hitting fabric and skin over meticulous detail. It is a scene of movement frozen in a dim, historical twilight. The light fades into…

5
Historical Representation (1860) autor August Allebé

Historical Representation

1860 · Oil · Amsterdam Museum, Amsterdam

In "Historical Representation" by August Allebé, the composition centers on a luminous female figure positioned in the foreground. Dressed in light-colored clothing, she holds her hands near her chest in a gesture that suggests a contemplative or perhaps fearful state of mind. The scene is captured from a medium shot at eye level, creating an intimate encounter with the subject. This central figure is framed by a strictly grayscale color…

6
Oude vrouw (1861) autor August Allebé

Oude vrouw

1861 · Oil

A single light source strikes from the upper right, carving the profile of an elderly woman out of the darkness. The light catches the ridges of her wrinkles and the heavy drape of her dark garment, turning skin into a landscape of texture. She sits in a quiet, side-profile view, her hands wrapped around a slender glass vessel. The composition is tight and intimate, pulling the viewer into a private…

7
Page (1860) autor August Allebé

Page

1860 · Oil

A single male figure emerges from the gloom, caught in a moment of quiet stillness. He stands slightly off-center, his body turned toward the left as if responding to an unseen presence or a sudden thought. A dark, heavy coat or cloak envelops his frame, its thick texture catching a soft light that seems to spill from the front-left. This illumination carves his silhouette against an indistinct, atmospheric background, where…

8
Seamstress (1859) autor August Allebé

Seamstress

1859 · Oil On Canvas

A soft, directional light spills from the upper left, catching the curve of a forehead and the bridge of a nose in a delicate dance of highlights. The young woman sits in profile, her body turned slightly away, lost in the rhythmic, silent labor of her needle. She is a figure of stillness, wrapped in a white shawl that glows against the deep, shadowy folds of her dark clothing. Every…

9
Zelfportret 1862 (1862) autor August Allebé

Zelfportret 1862

1862 · Oil On Canvas

The light catches the edge of a face, carving a profile out of the surrounding gloom. In this 1862 oil portrait, the artist gazes back at us, or perhaps inward, through a veil of shadow. He sits with a quiet, heavy presence, his features emerging from a deep, monochromatic darkness that feels almost tactile. A soft light brushes against his forehead and the bridge of his nose, highlighting the subtle…

10
Dr. G.A.N. Allebé (1810-1892) (1858) autor August Allebé

Dr. G.A.N. Allebé (1810-1892)

1858 · Oil

This mid-19th-century oil portrait, dating to 1858, presents a formal and dignified depiction of an older gentleman, Dr. G.A.N. Allebé. The composition is a three-quarter length portrait where the subject is positioned slightly off-center, facing toward the left of the frame while his body is angled toward the viewer. He is depicted with a steady gaze and formal attire, conveying an air of intellectual authority and seriousness.

Kunstianikut August Allebé nimekiri jätkub, 11 kuni 33

August Allebé kuulsaimad maalid ajastult ajastule

Teemad, mis püüdisid August Allebé pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud August Allebé originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn August Allebé teosid Selle nimekirja maalid
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 9 A young Woman, Portrait of a Boy, August Allebé, 1856, Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 6 Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lethe, Turkeys in a Landscape
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 L'école buissonnière, Garden Corner (Poppies)
The Mesdag Collection, HaagThe Mesdag Collection Haag 1 An old friend
Museum Catharijneconvent, UtrechtMuseum Catharijneconvent Utrecht 1 Portrait of Ottho Gerhard Heldring (1804-1876)
Teylers Museum, HarenTeylers Museum Haren 1 Kraambezoek
Museum De Waag, DeventerMuseum De Waag Deventer 1 Interior of Barn with Old Open Doors and Sheaf of Corn

August Allebé aastak aegades: originaalteos, mis määratleb iga ajastu

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Sammlajate küsimused August Allebé maalide kohta

Millise teosega on August Allebé kõige kuulsam?Paljasta vastus

A young Woman (1863), Rijksmuseum, Amsterdam. Järgnevad Lethe (1863) ja Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862).

Kui vana oli August Allebé, kui teos A young Woman loodi?Paljasta vastus

25 aastat vanus: teos A young Woman on pärinev aastast 1863 ning August Allebé sündis aastal 1838.

Millised on kümne kõige kuulsama August Allebé maalid?Paljasta vastus

A young Woman, Lethe, Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation, Oude vrouw, Page, Seamstress, Zelfportret 1862 ja Dr. G.A.N. Allebé (1810-1892). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju maali August Allebé jäeti?Paljasta vastus

Meie kataloogist leiate 33 teost kunstnikult August Allebé, mis on pärinevad ajastust 1856 kuni 1877.

Mitteks muuseumides rihangavad August Allebé meistriteosed?Paljasta vastus

Peamiselt Rijksmuseum (Amsterdam), Amsterdam Museum (Amsterdam) ja Dordrechts Museum (Dordrecht) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Millah aastades maalas August Allebé oma kuulsamaid teoseid?Paljasta vastus

Ajal 1860s: 16 33 sellel lehel olevat teost on sellel perioodil loodud, მათart közül A young Woman.

Mis on August Allebé esimene ja viimane kuuls fama originaalteos?Paljasta vastus

Sellel lehel on kõige vanem teos Portrait of a Boy, August Allebé, 1856 (1856) ja kõige värskeim Portrait of Ottho Gerhard Heldring (1804-1876) (1877).

Milliseid teemasid August Allebé kõige sagedamini valis?Paljasta vastus

Man (8), Woman (6) ja Portrait (4), kogu selle lehekülje 33 teose kohta.

Millist tehnikat kasutas August Allebé kõige rohkem?Paljasta vastus

Oil On Canvas, 14 teoseks 33 töödelt sellel lehel.

Minge pihta kunstisuunasse, kuhu August Allebé kuulub?Paljasta vastus

Amsterdam impressionism, seda lähtudes selle lehe originaalteostest.

Millised August Allebé teosed on Rijksmuseum näituses?Paljasta vastus

A young Woman, Portrait of a Boy, August Allebé, 1856 ja Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875: Rijksmuseum, Amsterdam säilitab 9 selle lehel olevat teost.

August Allebé: elu ja looming

August Allebé: Pioneer of Amsterdam Impressionism

August Allebé (1838 – 1927) stands as a cornerstone figure in the burgeoning artistic landscape of late nineteenth-century Holland, specifically within the vibrant movement known as Amsterdam Impressionism. Born in Amsterdam, Allebé’s formative years were marked by exposure to artistic instruction and intellectual stimulation—he pursued evening classes at Felix Meritis and studied diligently at both Antwerp Academy and the Royal Academy of Amsterdam (Rijksakademie van beeldende kunsten), demonstrating a commitment to broadening his artistic horizons. His academic training under luminaries like Petrus Franciscus Greive, Adolphe Mouilleron, Charles Rochussen, and Louis Royer instilled in him a cosmopolitan outlook that would profoundly shape his artistic endeavors and pedagogical approach.
  • Early Romantic Influences:
  • Allebé’s initial artistic output leaned heavily into the romantic tradition, characterized by dramatic landscapes and emotionally charged depictions of human subjects—a stylistic choice reflective of the prevailing aesthetic sensibilities of his time.
  • Transition to Realism & Impressionism:
  • However, Allebé swiftly recognized the limitations of romantic formalism and embraced realism alongside impressionistic techniques. This pivotal shift propelled him toward capturing fleeting moments of light and color with unprecedented accuracy, mirroring the revolutionary spirit of the era.

Amsterdam Impressionism: A Countercurrent to Hague School Dominance

Allebé’s artistic vision wasn't merely a personal stylistic evolution; it represented a deliberate challenge to the dominant aesthetic currents emanating from The Hague School. While the Hague School prioritized meticulous detail and idealized representations of Dutch history and culture, Allebé championed a looser brushstroke style—a movement he spearheaded through St Lucas Artist Group – prioritizing atmospheric effects and subjective perception. This divergence fostered an environment where younger artists could experiment with innovative approaches to painting, establishing Amsterdam Impressionism as a distinct artistic identity.
  • St Lucas Artist Group:
  • Allebé founded St Lucas Artist Group in 1880, fostering collaboration and intellectual exchange among aspiring painters. This collective served as a crucible for experimentation and propelled the movement forward.
  • Influence on Students & Artistic Development:
  • As Professor at Rijksakademie van beeldende kunsten, Allebé cultivated a stimulating atmosphere where students were encouraged to pursue their artistic ambitions with unwavering determination—a legacy that continues to resonate within Dutch art history.

Notable Works & Artistic Techniques

Allebé’s oeuvre comprises numerous paintings showcasing his mastery of realism and impressionistic principles. Pieces like “Portrait of a Boy” (1856) exemplify his meticulous attention to detail, capturing youthful innocence with subtle impasto textures—a testament to his dedication to portraying the human form with nuanced sensitivity. Similarly, “Old Woman by the Fireplace” (c. 1850 – c. 1875) demonstrates Allebé’s ability to convey emotion through color and light, creating a poignant depiction of domestic life.
  • "Life's Eventide" exemplifies Allebé's exploration of capturing fleeting moments of beauty and emotion with expressive brushstrokes.

Historical Significance & Legacy

August Allebé’s contribution to Dutch art history extends far beyond his individual artistic achievements. He served as a catalyst for artistic innovation, fostering a spirit of experimentation that irrevocably altered the trajectory of modern Dutch painting. His unwavering belief in nurturing talent and promoting intellectual discourse cemented his position as a champion of progressive artistic ideals—a legacy that continues to inspire artists and scholars alike. Allebé’s influence can be seen throughout Amsterdam Impressionism and beyond, securing his place as one of the most important figures in shaping the visual culture of his era.