Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 10 teost Antonio Badile Iii meie kataloogis
Lühidalt
Kõigist Antonio Badile Iii jäetud originaalteostest on kõige kuulsam Polyptych of the Four Crowned Saints, Simplicius (1552), mis kuulub Castelvecchio Museum kogele linnas Verona. Järgnevad sellest Portrait of an unknown woman (1550) ja The Virgin and Child with Saint John the Baptist (1550). Meie kataloogist löytyb 10 teost kunstnikult Antonio Badile Iii; galeriist on säilitatud 10 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Antonio Badile Iii teosid | Selle nimekirja maalid |
|---|---|---|---|
 Castelvecchio Museum |
Verona | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Museo del Prado |
Madrid | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Portrait of a Musician |
Ainult kümnend aastat, 1550 kuni 1560, on andnud maailmale iga kuupäevaga Antonio Badile Iii originaalte selles valikus: siin on need, aasta-aastalt.
Vali aasta, et näha originaale.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
Veel 1550 teoseid
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
Veel 1552 teoseid
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Verona. Järgnevad Portrait of an unknown woman (1550) ja The Virgin and Child with Saint John the Baptist (1550).
34 aastat vanus: teos Polyptych of the Four Crowned Saints, Simplicius on pärinev aastast 1552 ning Antonio Badile Iii sündis aastal 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel ja Saints Cecilia, Tiburtius, Valerian. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 10 teost kunstnikult Antonio Badile Iii, mis on pärinevad ajastust 1550 kuni 1560.
Peamiselt Castelvecchio Museum (Verona), Museo del Prado (Madrid) ja National Museum of Art, Architecture and Design (Oslo) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1552: 4 10 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Polyptych of the Four Crowned Saints, Simplicius.
Sellel lehel on kõige vanem teos Portrait of an unknown woman (1550) ja kõige värskeim Tobias and the Angel (1560).
Man (4), Drapery (2) ja Woman (2), kogu selle lehekülje 10 teose kohta.
Oil On Board, 3 teoseks 10 töödelt sellel lehel.
Renaissance, seda lähtudes selle lehe originaalteostest.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia ja Polyptych of the Four Crowned Saints, Claudius: Castelvecchio Museum, Verona säilitab 7 selle lehel olevat teost.
