Anthony V. C. Fielding portree

18 kulubumatamatumat Anthony V. C. Fielding maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 18 teost Anthony V. C. Fielding meie kataloogis

Lühidalt

Seascape (1830) on Anthony V. C. Fielding maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk Sailing Boat in Rough Seas off a Jetty (1831) ja Newark Castle (1810) suunas. Meie kataloogis olevatest Anthony V. C. Fielding 18 teosest on need 18 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1787 – 1855, Sowerby Bridge Romanticism Enamama teoseid: Museum of Gloucester

Anthony V. C. Fielding top 10 maalist galeriist vaatenurgast

1
Seascape (1830) autor Anthony V. C. Fielding

Seascape

1830 · Oil On Canvas

A soft, diffused light settles over the coast, as if the sun is hidden behind a thick veil of salt and cloud. The sky and the sea share a palette of muted blues and greens, creating a cool, atmospheric weight that presses gently against the horizon. Small sailing boats, their triangular sails catching a phantom breeze, drift upon the water. On the shoreline, tiny figures move through the earthy tones…

2
Sailing Boat in Rough Seas off a Jetty (1831) autor Anthony V. C. Fielding

Sailing Boat in Rough Seas off a Jetty

1831 · Oil On Canvas · The National Trust For Scotland, Brodick

There is a profound sense of struggle in this 1831 oil on canvas. The scene captures a moment of intense maritime conflict, where a small sailboat finds itself caught in the violent swells of a storm. The composition is vertical, drawing the eye upward through the height of the waves and into the heavy, low-hanging clouds that dominate the sky. It is a dark, somber arrangement of greens and browns,…

3
Newark Castle (1810) autor Anthony V. C. Fielding

Newark Castle

1810 · Watercolor · Scottish National Gallery, Edinburgh

We are looking at Newark Castle, a work by Anthony V. C Fielding. This piece was created about 1810, a period when the artist was establishing his presence within the specialized circles of British watercolour painting. Fielding, born in Sowerby, England, brought a particular sensitivity to the landscape that would define much of his career.

4
Caernarvon Castle (1819) autor Anthony V. C. Fielding

Caernarvon Castle

1819 · Watercolor

The landscape unfolds through a serene interplay of light and water, where a lake serves as the central mirror for a setting sun. In the distance, the silhouette of Caernarvon Castle anchors the composition, its stone presence softened by the atmospheric haze of dusk. The scene is populated by subtle movements: birds in flight and two dogs near the water's edge, adding a sense of lived experience to the quietude.…

5
A Rough Sea off Dover, Kent (1826) autor Anthony V. C. Fielding

A Rough Sea off Dover, Kent

1826

The churning waters off the coast of Dover, Kent, are rendered with a focus on the physical weight of the sea. Large, agitated waves dominate the composition, creating a sense of immediate maritime peril. Several vessels navigate these swells, including one prominent boat that anchors the viewer's attention amidst the spray. A solitary figure is visible near the center, a small presence against the vast, restless movement of the ocean.…

7
Travellers in a Storm, Approach to Winchester (1829) autor Anthony V. C. Fielding

Travellers in a Storm, Approach to Winchester

1829 · Oil On Canvas · Royal Holloway, Egham

The sky hangs heavy, a bruised curtain of grey that presses against the earth. Rain falls in relentless, vertical sheets, blurring the line between the dirt road and the weeping heavens. Through this deluge, a group of travelers moves with a singular, grim purpose. Horses strain against the mud, their heads bowed against the wind, while a wagon follows in the wake of the riders. A dog trots alongside, a…

8
Herstmonceux Castle, Sussex (1835) autor Anthony V. C. Fielding

Herstmonceux Castle, Sussex

1835 · Watercolor

A quietude settles over this 1835 landscape, where the heavy, clouded sky casts a soft, diffused light across the Sussex countryside. In the middle distance, the silhouette of Herstmonceux Castle emerges from the greenery, a brick-built structure that anchors the composition. The scene is populated by the slow, rhythmic movements of nature: cows graze in the verdant fields, and a lone horse wanders through the grass. Two figures are positioned…

9
Broadwater, Sussex (1848) autor Anthony V. C. Fielding

Broadwater, Sussex

1848

The sky hangs heavy over Broadwater, a canopy of shifting clouds that threatens a soft rain. Below, the English countryside unfolds in a series of muted greens and earthy browns. A church spire rises from the cluster of buildings, a silent sentinel watching over the movement of the day. People move through the scene like small, deliberate strokes of light, their paths crossing near the trees that frame the town.…

Anthony V. C. Fielding kuulsad maalid, numbrid 11 kuni 18

Teemad, mis püüdisid Anthony V. C. Fielding pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Anthony V. C. Fielding originaalteosed

Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Anthony V. C. Fielding teosid Selle nimekirja maalid
Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 2 The Vale of Llanberis, Snowdon, Dunstaffnage Castle, Argyllshire
The National Trust For Scotland, BrodickThe National Trust For Scotland Brodick 1 Sailing Boat in Rough Seas off a Jetty
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 1 Newark Castle
Llyfrgell Genedlaethol Cymru / The National Library of Wales, AberystwythLlyfrgell Genedlaethol Cymru / The National Library of Wales Aberystwyth 1 Snowdon from Llyn Nantlle
Royal Holloway, EghamRoyal Holloway Egham 1 Travellers in a Storm, Approach to Winchester
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Packet Boat Entering Harbour
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 A Heath near the Coast

Anthony V. C. Fielding aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Anthony V. C. Fielding maalid: küsimused galeriile

Mis on Anthony V. C. Fielding kõige kuulsam teos?Paljasta vastus

Seascape (1830). Järgnevad Sailing Boat in Rough Seas off a Jetty (1831) ja Newark Castle (1810).

Mis vanuses luunud Anthony V. C. Fielding teos Seascape?Paljasta vastus

43 aastat vanus: teos Seascape on pärinev aastast 1830 ning Anthony V. C. Fielding sündis aastal 1787.

Millised on Anthony V. C. Fielding kümneks kuulsumat maalatist?Paljasta vastus

Seascape, Sailing Boat in Rough Seas off a Jetty, Newark Castle, Caernarvon Castle, A Rough Sea off Dover, Kent, Snowdon from Llyn Nantlle, Travellers in a Storm, Approach to Winchester, Herstmonceux Castle, Sussex, Broadwater, Sussex ja Packet Boat Entering Harbour. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Anthony V. C. Fielding kohta on teada?Paljasta vastus

Meie kataloogist leiate 18 teost kunstnikult Anthony V. C. Fielding, mis on pärinevad ajastust 1810 kuni 1848.

Kust saab näha kõige kuulsamaid Anthony V. C. Fielding originaalteoseid?Paljasta vastus

Peamiselt Museum of Gloucester (Gloucester), The National Trust For Scotland (Brodick) ja Scottish National Gallery (Edinburgh) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Anthony V. C. Fielding oma tuntumad maalid?Paljasta vastus

Ajal 1830s: 4 18 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Seascape.

Milline kuuls Anthony V. C. Fielding maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Newark Castle (1810) ja kõige värskeim Broadwater, Sussex (1848).

Millist teemasid Anthony V. C. Fielding eelistas?Paljasta vastus

People (5), Landscape (5) ja Sky (4), kogu selle lehekülje 18 teose kohta.

Mida Anthony V. C. Fielding kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Watercolor, 4 teoseks 18 töödelt sellel lehel.

Millisse toomangu kuulub Anthony V. C. Fielding teos?Paljasta vastus

Romanticism, seda lähtudes selle lehe originaalteostest.

Mida Anthony V. C. Fielding originaalte ma näen Museum of Gloucester muuseumis?Paljasta vastus

The Vale of Llanberis, Snowdon ja Dunstaffnage Castle, Argyllshire: Museum of Gloucester, Gloucester säilitab 2 selle lehel olevat teost.

Anthony V. C. Fielding: kunstniku portree

A Life Immersed in the Maritime World: The Story of Anthony V. C. Fielding

Anthony Vandyke Copley Fielding, known as Anthony V. C. Fielding (1787-1855), was a quintessential English artist whose career unfolded against the backdrop of Britain’s naval dominance and burgeoning industrial age. Born into an artistic family – his father, William Fielding, was a notable landscape painter – young Anthony inherited not only a talent for capturing light and form but also a deep connection to the natural world. However, unlike his father's broader pastoral scenes, Anthony gravitated towards the drama and precision of maritime subjects, becoming one of the most prolific and respected marine painters of his time. His early life was steeped in observation; growing up near the coast instilled within him an intimate understanding of ships, seascapes, and the lives of those who braved the ocean’s depths. This foundational experience would become the defining characteristic of his artistic output.

From Watercolour Sketches to Detailed Engravings

Fielding's initial training focused on watercolour painting, a medium he mastered with remarkable skill. He quickly gained recognition for his ability to depict atmospheric effects and the subtle nuances of light reflecting on water. However, it was through engraving that Fielding truly established his reputation and reached a wider audience. Recognizing the growing demand for visual documentation of naval battles, ship designs, and coastal scenes, he turned his watercolour sketches into meticulously detailed engravings. This transition proved pivotal; while many artists relied on engravers to reproduce their work, Fielding controlled the entire process, ensuring fidelity to his original vision. His engravings weren’t merely reproductions – they were works of art in themselves, celebrated for their accuracy, technical brilliance, and evocative power. He became particularly renowned for his series of engravings depicting ships of the Royal Navy, a testament to Britain's maritime strength during the Napoleonic Wars and beyond.

Influences and Artistic Development

While Fielding’s style was distinctly his own, it wasn’t formed in isolation. He absorbed influences from earlier marine painters like William Hodges and Dominic Serres, admiring their ability to convey both the grandeur and the peril of the sea. However, he moved beyond their more romanticized depictions, striving for a greater degree of realism and historical accuracy. The work of J.M.W. Turner also exerted an impact, particularly in Fielding’s use of atmospheric perspective and dramatic lighting effects. Yet, where Turner often prioritized emotional expression over precise detail, Fielding remained committed to capturing the tangible reality of ships and seafaring life. His artistic development can be seen as a synthesis of these influences – a blend of romantic sensibility with meticulous observation and technical skill. He wasn’t interested in simply *representing* the sea; he sought to *document* it, preserving its beauty and power for posterity.

A Legacy Etched in History: Major Achievements & Significance

Fielding's prolific output spanned decades, encompassing a vast range of subjects – naval battles, portraits of admirals and ship captains, coastal views, and detailed depictions of individual vessels. His engravings were widely published in periodicals and books, becoming essential resources for naval historians and enthusiasts. He contributed significantly to the visual record of the Napoleonic Wars, providing a compelling glimpse into the realities of maritime conflict. Beyond his historical work, Fielding’s portraits are admired for their sensitivity and psychological depth, capturing not only the likenesses of his subjects but also their character and spirit. His dedication to accuracy and detail set him apart from many of his contemporaries, establishing him as a leading authority on naval art.
  • His series of engravings documenting ships of the Royal Navy remain invaluable historical resources.
  • He successfully bridged the gap between watercolour painting and engraving, controlling every aspect of the creative process.
  • Fielding’s portraits offer a compelling glimpse into the lives of prominent naval figures.
Anthony V. C. Fielding's legacy extends beyond his artistic achievements. He played a crucial role in shaping public perception of Britain’s maritime history, immortalizing its ships, battles, and heroes for generations to come. His work continues to be admired for its technical brilliance, historical accuracy, and evocative power, solidifying his place as one of the most important marine painters of the 19th century. He wasn't just an artist; he was a chronicler of an era, etching the story of Britain’s naval dominance into the annals of history.