Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 10 teost Anthon van Rappard meie kataloogis
Lühidalt
Galleriist vaadatuna on Anthon van Rappard kõige kuulsam teos Weaver (1884), mille originaal ripub Van Gogh muuseum-is, Amsterdam. Portrait of a Girl (1884) ja Woman at the Spinning Wheel (1891) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Anthon van Rappard 10 teose põhjal esitleb galeriis allpool 10 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Anthon van Rappard teosid | Selle nimekirja maalid |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrehti | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh muuseum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Mõnel kümnendal aastal, 1882 kuni 1891, oli Anthon van Rappard jaoks piisavalt aega: galeriis liigutakse läbi aastate, üks kuulus originaal teisega pärast.
Vali aasta, et näha originaale.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Veel 1884 teoseid
Weaver (1884), Van Gogh muuseum, Amsterdam. Järgnevad Portrait of a Girl (1884) ja Woman at the Spinning Wheel (1891).
26 aastat vanus: teos Weaver on pärinev aastast 1884 ning Anthon van Rappard sündis aastal 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine ja Washing strands of Cotton. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 10 teost kunstnikult Anthon van Rappard, mis on pärinevad ajastust 1882 kuni 1891.
Peamiselt Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrehti) ja Van Gogh muuseum (Amsterdam) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1884: 3 10 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Weaver.
Sellel lehel on kõige vanem teos Tile Painters (1882) ja kõige värskeim Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel ja Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam säilitab 5 selle lehel olevat teost.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
