Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 50 teost Alfred Philippe Roll meie kataloogis
Lühidalt
Kõigist Alfred Philippe Roll jäetud originaalteostest on kõige kuulsam Portrait de Mme Roll. Järgnevad sellest Retour du bal ja The feast of Silenus (1871). Meie kataloogist löytyb 50 teost kunstnikult Alfred Philippe Roll; galeriist on säilitatud 49 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · Petit Palais
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · Petit Palais
16
Louise Cattel, wet nurse1894 · Palais des Beaux-Arts de Lille
17
Alexandre Dumas fils1895 · Musée des Beaux-Arts
18
Roll Painting1900 · Petit Palais
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · Musée d'Art Moderne et Contemporain de Strasbourg
21
In Summer, Woman with Dog1909 · Petit Palais
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · Petit Palais
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · Petit Palais
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · Petit Palais
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · Petit Palais
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · Petit Palais
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · Petit Palais
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · Petit Palais
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
37
Peder Severin Kröyer (1851-1909)Nationalmuseum
38
Petite République1907 · Municipal museum (Saverne)
39
La grève de mineurs
40
Portrait de Léon Bourgeois
41
PORTRAIT DE JEUNE FILLE
42
Portrait de jeune femme
43
L'Exécution d'un trompette sous la CommuneCarnavalet Museum
44
Les baigneuses Panneau décoratif (Ancien titre)
45
BathersMusée des Beaux-Arts de Dijon
46
Chevaux à l'écurie
47
Manda Lamétrie, fermière1887 · Musée d'Orsay
48
The Young Republic1908 · Musée d'Orsay
49
The Striker's WifeMusee Baron Martin
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Alfred Philippe Roll teosid | Selle nimekirja maalid |
|---|---|---|---|
 Petit Palais |
Pariis | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 Carnavalet Museum |
Pariis | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 Musée d'Orsay |
Pariis | 2 | Manda Lamétrie, fermière, The Young Republic |
 Musée d'Arts de Nantes |
Nantes | 1 | Retour du bal |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 National Museum of Fine Arts |
Buenos Aires | 1 | Woman and bull |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll. Järgnevad Retour du bal ja The feast of Silenus (1871).
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife ja Portrait of Jane Hading. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 50 teost kunstnikult Alfred Philippe Roll, mis on pärinevad ajastust 1871 kuni 1918.
Peamiselt Petit Palais (Pariis), Municipal museum (Saverne) (Saverne) ja Carnavalet Museum (Pariis) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 9 49 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Marianne Orfrey, Green Crier.
Sellel lehel on kõige vanem teos The feast of Silenus (1871) ja kõige värskeim The Tea Cup (1918).
Woman (19), Man (8) ja Skin tones (5), kogu selle lehekülje 49 teose kohta.
Oil On Canvas, 17 teoseks 49 töödelt sellel lehel.
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife ja Portrait of Jane Hading: Petit Palais, Pariis säilitab 16 selle lehel olevat teost.
19. sajandi lõpus Prantsusamaal toimus pidev ja värviline muutumine, ning väheseid kunstnere, kes suutsid rahva pulssi nii võimsalt ja emotsionaalselt tabada, kui Alfred Philippe Roll. 1846. aastal Pariisis sündinud Roll on pärit prestiižsest École des Beaux-Arts'ist, olles õpilane, keda on vorminud selliste meistrite rangid akademilised traditsioonid nagu Jean-Léon Gérôme, Léon Bonnat ja Charles-François Daubigny. Tema varajased aastad olid iseloomulikud romantilise tundlikusega – stiililise perioodiga, kus tema lerrid hingasid selle ajastu suurejoonulisuse ja maalilisuse vastu. See kujundav etapp peegeldas sageli Bolognese traditsiooni emotsionaalsust ja Gustave Courbet'i alguseisvat realism, luues delicate pinge klassikalise ilu ja puhta vaatlemise vahel.
Roll'i karjääri suund muutus lõputult, kui ajaloo turbulentne tuul hakkas puhuma. Prantsus-Prantsuse sõda, durante which ta teenis militsialeitnantina, sisustas tema maailmapilti sügava mõistmisega inimliku vastupidavuse ja ühiskondliku segaduse kohta. See konflikt periood toimis kuumutava kriisina, mis rafinas tema pilgu puhtast romantilisusest suunas seda paremini juurde maapõjalisse ja empaatilisse realismisse. Tema 1875. aasta meistriteos The Flood at Toulouse seisib kummituslikuna selle ülemineku mälestusena; püüdes tabada looduskatastrofi ajal levivat vahetut kannatust ja elu habirust, liikus ta kaugemale pelikast dekoratiivsusest, kaasates end koondavalt Prantsuse rahva psühheel. See teos, mis asub nüüd Musée Malraux's, märkis tema ilmumist kunstnikuna, kes on võimeline sügava visuaalse lugulaadiga.
Aja möödudes hakkas Roll'i pintelad oma romantilistest servadest lahti lepima, omaksides selle asemel naturalismi liikumuse ehedust ja tõde. Ta becomeks rahva kunstnik, pöörates tähelepanu Kolmanda republikaadi sotsiaal-poliitilistele dünaamikatele. See areng polnud pelgalt stiililine, vaid sügavalt ideoloogiline. Ta püüdis dokumenteerida autentset inimelulist kogemust, eriti tööliseklassi võitlusi ja triumfe. Tema murdmuteos Miners’ Strike (1880) on üks tema olulisemaid saavutusi, mis catapultas ta Prantsuse kunstimaailma tippsemile tasemele. Selles teoses ta ei kirjeldanud pelgalt tööavastust; ta humaniseeris võitluse, andes figuuridele väärikuse, mis resonantsis palju kaugemal galeriiseinadest.
See sotsiaalse realismi pühendumus võimaldas Roll'il oma ajastu keerukusi suurema täpsusega navigeerida. Tema repertuaar laienes järgmistele valdkondadele:
Tema võime ühendada oma akadeemilistelt mentoridelt õpitud tehniline täpsus koos progressiivse, peaaegu dokumentaalilise lähenemise objektiivide kohta, tegi temast elutähtsa hääle Prantsuse kunstis. Ta ei olnud pelgalt elu vaatleja, vaid selle kõige pressivat vaerumuste kroonik.
Alfred Philippe Roll'i pärand on määratletud tema rolliga sillana vana maailma akademilise traditsiooni ja uue maailma sotsiaalse kaasatuse vahel. Koos Société Nationale des Beaux-Arts asjaõutajana mängis ta kriitilist rolli Prantsuse kunsti institutsionaalse maastiku ümberkujundamisel, eesteldes ruumi, kus mitmekülgsed stiilid saaksid koos eksisterida. Tema töö on elutähtis ajalooline dokument, mis püüab kinni Prantsuse olemuse, mis on jäänud romantilisuse Echo ja industrialiseerimise ning sotsiaalse reformi karmide reaalsuste vahele.
Valo, tekstuuride ja kompositsiooni meistarluse kaudu tagas Roll, et igapäevase elu võitlused ja ilu saaksid igavesti püsivaks. Olgu see siis Champagne piirkonna laiad maastikud või tööstreigi tumedad toonid, tema kunst kutsub vaatajale pidevalt sügava dialoogi vastu minevikuga. Ta on oluline tegelane kõigile, kes soovib mõista 19. sajandi Prantsuse südanitõidet — kunstnik, kes vaatas maailma mitte ainult nii, nagu see ilmus, vaid nii, nagu seda tunti.
