Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 113 teost Alexander Nasmyth meie kataloogis
Lühidalt
Galleriist vaadatuna on Alexander Nasmyth kõige kuulsam teos Robert Burns (1821), mille originaal ripub National Portrait Gallery-is, London. Robert Burns, 1759 - 1796. Poet (1787) ja View Of Edinburgh Castle täidavad kolmikut, mille iga silm tunnistab. Kunstnii Alexander Nasmyth 113 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The gaze of the Scottish poet Robert Burns meets the viewer from within this oil on canvas, a presence that feels both steady and quiet. Alexander Nasmyth captures the man not as a distant figure of legend, but as a living soul with a composed expression and a steady, intelligent look. This particular version of the portrait dates to about 1821, yet it carries the weight of a much earlier…
Alexander Nasmyth's 1787 portrait of Robert Burns is more than just a likeness; it’s a pivotal moment in the solidification of Scottish national identity. Painted during a period of burgeoning literary and cultural pride, this intimate depiction captures not merely the physical appearance of the poet but also his spirit – a blend of rustic charm, intellectual curiosity, and profound connection to the land. Nasmyth, a landscape painter as much…
The scene unfolds in 1824 through the eyes of Alexander Nasmyth, who captures the rugged essence of the Scottish landscape in this oil on canvas. Titled View Of Edinburgh Castle, the work presents a detailed landscape painting that brings the topography of the land into sharp focus. The artist, Alexander Nasmyth, focuses his attention on the dramatic heights and the historical presence of the castle, rendering the scene with a…
In this work, titled Loch Doon, Ayrshire, the artist Alexander Nasmyth presents a quiet study of the Scottish landscape. The scene captures a tranquil and serene natural setting, focusing on the stillness of the water and the ruggedness of the surrounding terrain. It is a composition that reflects the sensibilities of the Romanticism period, emphasizing the quietude found in the natural world.
The harbor breathes with the quiet industry of a bygone era in The Port Of Leith. Alexander Nasmyth captures a moment where the sea meets the shore in a soft, pastel-hued dance of light and shadow. Small fishing vessels, their wooden masts reaching toward a partly cloudy sky, bob gently in the foreground. Figures move among the ropes and sails, their lives tied to the rhythmic ebb and flow of…
The painting titled View Of The Ponte Molle, On The Sylvan Side Of Rome captures a quiet moment on the outskirts of Rome. Alexander Nasmyth, the Scottish artist, rendered this scene with a focus on the natural and architectural features of the landscape. The work is signed Alexander Nasmyth in the lower right corner.
The oil on canvas titled Edinburgh Castle And The Nor' Loch was executed by Alexander Nasmyth. This work depicts the stone fortifications of Edinburgh Castle situated upon a rocky outcrop, overlooking the area once occupied by the Nor' Loch. The composition includes figures gathered near the water's edge in the foreground, appearing small against the scale of the architecture and the terrain.
The Old Tolbooth Of Edinburgh During Demolition by Alexander Nasmyth captures a bustling moment in history. The work focuses on the dismantling of the Old Tolbooth, a significant municipal building in Edinburgh, Scotland. This large, imposing structure is rendered with multiple levels and numerous windows, highlighting the intricate details and craftsmanship of its architecture. As the building is shown in the process of being dismantled, the scene records the energy…
In this work, titled Culzean Castle From The Sea, we encounter a significant example of the landscape tradition established by Alexander Nasmyth. The artist, who was born in Edinburgh, United Kingdom, in 1758, moved away from his early training in portraiture to become a pioneer of Scottish landscape painting. This specific piece captures a coastal scene where the sea meets the shore, featuring a castle nestled within lush greenery and…
In this oil on canvas, Alexander Nasmyth captures the likeness of the Scottish poet Robert Burns. The work originated from a specific commission by William Creech, who sought to secure a visual representation of the poet for a significant publication. It was intended to be engraved to serve as a frontispiece for the first Edinburgh edition of the poems of Robert Burns. This purpose required a portrait that could translate…
A View of Tantallon Castle1816 · National Gallery of Scotland
12
Stage Design for Heart of Midlothian; The Tolbooth1819 · Yale Center for British Art
13
Benvenu and Loch Achray, Scotland1837 · Harvard Art Museums
14
John SakaeusŠoti Rahvusportreegalerii
15
Landscape
16
Landscape
17
Robert Burns
18
Rabbie Burns
19
Loch Katrine
20
The Falls of ClydeScottish National Gallery
21
Extensive view of Lake Geneva with Mont Blanc
22
A Wooded Landscape With Figures Amongst Ruins
23
The GrampiansSizergh Castle
24
Bay Of Naples
25
Cottage
26
Comet
27
Shady Lane
28
The Pass Of Achray
29
Dundee From Princes Street
30
The Union Chain Bridge
31
A Panoramic View Of London From Denmark Hill
32
River Scene With Figures
33
Dumbarton Castle And Town With Ben Lomond
34
A Stormy Highland Scene
35
John Scott
36
Robert Burns
37
Edinburgh From The Calton Hill
38
Broughty Castle, During A Storm
39
Walmgate Bar, York
40
New Aberdeen
41
Lugar Water, East Ayrshire
42
Robert Burns (10)
43
Culzean Castle From The North With Ailsa Craig
44
Pass Of The Cows, Highlands
45
St Machar's Cathedral At Sunset, Aberdeen
46
Landscape With A Bridge And Ruined Castle
47
Jane Ross Of Shandwick
48
Robert Burns
49
Robert Burns
50
Lady Honyman And Her FamilyŠoti Rahvusportreegalerii
51
Edinburgh From The WestThe Hunterian Museum and Art Gallery
52
Stirling Castle
53
Stirling Castle
54
Old Aberdeen From The South West
55
A View Of Culzean Castle In The Early Evening
56
Robert Burns (9)
57
River Scene
58
Patrick Miller
59
Castle Huntly
60
Patrick Miller Of DalswintonŠoti Rahvusportreegalerii
61
Robert Burns
62
Old Aberdeen
63
Highland Landscape
64
A Highland Loch Landscape
65
Mary Drewe
66
Eleanor And Margaret RossYale Center for British Art
67
Allan RamsayŠoti Rahvusportreegalerii
68
St Bernard's Well And The Water Of Leith
69
A View Of Edinburgh From The Dean
70
A Town By A River
71
Robert Burns
72
A View Of The Town Of Stirling On The River Forth
73
A Prospect Of London
74
Robert Burns (15)
75
Loch Awe, ArgyllshireYale Center for British Art
76
A View Of Edinburgh From The WestYale Center for British Art
77
The Old Cottage At Elery In WestmorelandScottish National Gallery
78
Landscape
79
A Prospect Of Dunoon From The East Bay Looking West Towards Castle Hill
80
Figures By A River In A Mountainous Landscape
81
Falls Of Clyde
82
Landscape, Loch Katrine
83
Wooded Landscape With A Castle
84
On The Beauly
85
A Distant View Of StirlingScottish National Gallery
86
Portrait Of An Old Lady
87
The Windings Of The ForthScottish National Gallery
88
Wooded Landscape
89
Robert Burns
90
A Rocky Wooded Landscape With A Ruined Castle By A Loch
91
The Spottiswoode Ox
92
Trees And Stream
93
Hawthornden Castle, Near EdinburghYale Center for British Art
94
View Of The City Of EdinburghYale Center for British Art
95
Robert Burns, Outdoors, In Twilight
96
A View Of TivoliScottish National Gallery
97
Landscape With A Distant Castle On A Loch
98
William HamiltonUpton House
99
A Wooded River Landscape
100
Landscape With Figures Beside A Loch
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Alexander Nasmyth teosid | Selle nimekirja maalid |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 7 | Edinburgh Castle And The Nor' Loch, The Falls of Clyde, The Old Cottage At Elery In Westmoreland |
 Yale Center for British Art |
New Haven | 7 | Stage Design for Heart of Midlothian; The Tolbooth, Eleanor And Margaret Ross, Loch Awe, Argyllshire |
 Šoti Rahvusportreegalerii |
Edinburgh | 5 | Robert Burns, 1759 - 1796. Poet, John Sakaeus, Lady Honyman And Her Family |
 National Portrait Gallery |
London | 1 | Robert Burns |
 Fitzwilliam Museum |
1 | Loch Doon, Ayrshire | |
 National Gallery of Scotland |
Edinburgh | 1 | A View of Tantallon Castle |
 Harvard Art Museums |
Cambridge | 1 | Benvenu and Loch Achray, Scotland |
 Sizergh Castle |
Kendal | 1 | The Grampians |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Alexander Nasmyth's 1787 portrait of Robert Burns is more than just a likeness; it’s a pivotal moment in the solidification of Scottish national identity. Painted during a period of burgeoning literary and cultural pride, this intimate depiction captures not merely the physical appearance of the poet but also his spirit – a blend of rustic charm, intellectual curiosity, and profound connection to the land. Nasmyth, a landscape painter as much…
In the sweeping expanse of Alexander Nasmyth’s "A View of Tantallon Castle," completed around 1816, we are invited into a world where the rugged majesty of the Scottish coastline meets the profound melancholy of the Romantic era. This is not merely a topographical record of a coastal fortress; it is an immersive emotional journey rendered in oil on canvas. The castle itself, perched precariously upon its jagged cliffside, stands as…
The gaze of the Scottish poet Robert Burns meets the viewer from within this oil on canvas, a presence that feels both steady and quiet. Alexander Nasmyth captures the man not as a distant figure of legend, but as a living soul with a composed expression and a steady, intelligent look. This particular version of the portrait dates to about 1821, yet it carries the weight of a much earlier…
In this panoramic view of Benvenu and Loch Achray, Scotland, Alexander Nasmyth presents a landscape defined by its structured depth and quietude. The composition begins with a detailed, rocky foreground on the left, where rugged outcrops act as a repoussoir element to anchor the viewer's perspective. This tactile, textured edge directs the eye inward, past dense clusters of deciduous trees, toward the stillness of the middle ground. There, a calm…
Robert Burns (1821), National Portrait Gallery, London. Järgnevad Robert Burns, 1759 - 1796. Poet (1787) ja View Of Edinburgh Castle.
63 aastat vanus: teos Robert Burns on pärinev aastast 1821 ning Alexander Nasmyth sündis aastal 1758.
Robert Burns, Robert Burns, 1759 - 1796. Poet, View Of Edinburgh Castle, Loch Doon, Ayrshire, The Port Of Leith, View Of The Ponte Molle, On The Sylvan Side Of Rome, Edinburgh Castle And The Nor' Loch, The Old Tolbooth Of Edinburgh During Demolition, Culzean Castle From The Sea ja Robert Burns. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 113 teost kunstnikult Alexander Nasmyth, mis on pärinevad ajastust 1787 kuni 1837.
Peamiselt Scottish National Gallery (Edinburgh), Yale Center for British Art (New Haven) ja Šoti Rahvusportreegalerii (Edinburgh) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1810s: 2 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül A View of Tantallon Castle.
Sellel lehel on kõige vanem teos Robert Burns, 1759 - 1796. Poet (1787) ja kõige värskeim Benvenu and Loch Achray, Scotland (1837).
Landscape (20), Sky (11) ja Buildings (10), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 7 teoseks 100 töödelt sellel lehel.
Romanticism, seda lähtudes selle lehe originaalteostest.
Edinburgh Castle And The Nor' Loch, The Falls of Clyde ja The Old Cottage At Elery In Westmoreland: Scottish National Gallery, Edinburgh säilitab 6 selle lehel olevat teost.
Alexander Nasmyth, sündinud 1758. aastal Edinburghis ja surnud 1840. aastal, oli oluline figuur Šoti kunstiajaloo arengus. Kuigi ta tegutses ka portreekunstnikuna, on ta kõige tuntum maastikumaalija ning teda peetakse tihti “Šoti maastikumaali isaks”. Nasmyth sillutas teed traditsioonilise portreekunsti ja kasvava romantismiliikumise loodusliku ilu rõhutamise vahel. Tema looming ei piirdu pelgalt kaunite piltidega, vaid peegeldab Šoti hinge ja muutuvat kunstimaailma.
Nasmyth’i tee kunstniku karjääri polnud algusest peale lihtne. Enne kunstiõpinguid tegutses ta vankrimeistrina, mis andis talle varase tehnilise täpsuse ja käsitöö oskuse. Ta õppis Royal High Schoolis ning seejärel Trustees’ Academy’s Edinburghis, kus tema kunstiline talent hakkas kujunema. 1774. aastal suundus ta Londonisse Allan Ramsay juurde, tuntud portreekunstniku juurde, et omandada täiendavaid oskusi ja tutvuda kaasaegsete kunstisuundadega. See periood oli Nasmyth’i jaoks väärtuslik kogemus, mis aitas tal arendada tehnilist meisterlikkust ja mõista tollase kunsti nüansse. 1778. aastal naasis ta Edinburghi ning asutas oma portreekunstniku ateljee.
Algselt maalis Nasmyth portreid Ramsay stiilis, kuid tema looming hakkas tasapidi muutuma. Ta lisas portreeportreedele välisvaateid ja looduslikke elemente, luues nn. vestlusmaalide tüübi, mis kujutas inimesi nende keskkonnas. Tema 1787. aastal valminud Robert Burnsi portree on varase perioodi silmapaistev teos, mis demonstreerib tema võimet tabada iseloomu ja sarnasust. Umbes 1792. aastal loobus Nasmyth täielikult portreekunstist ning keskendus maastikumaalile. Sellele otsusele mõjutasid nii poliitilised sündmused kui ka muutuvad kunstieelistused.
Nasmyth arendas oma eripärase stiili, mida iseloomustab looduslike elementide ja arhitektuuridetailide tähelepanuväärne täpsus. Tema maastikud kujutavad alati reaalsetest kohtadest pärit paiku, mis annab neile autentsuse ja elulähedasuse. Ta ei piirdunud pelgalt looduse talletamisega, vaid püüdis edasi anda ka atmosfääri ja valgust. Lisaks maalimisele kujundas Nasmyth teatrilavade dekore ja maalis panoraame, mis tõestasid tema mitmekülgsust kunstnikuna. Silmapaistvate teoste hulka kuuluvad View of Edinburgh from the West (1822-1826), A View Of Edinburgh From The Dean ning Pass Of The Cows, Highlands ja erinevad Šoti järvede ja losside kujutused.
Nasmyth’il oli terav huvi inseneritehnika vastu ning ta esitas mitmeid uuenduslikke ideid, kuigi neid kunagi ei patenteerinud. Ta osales Šoti aadlike mõisate kaunistamisel ja parandamisel. Ta kujundas silmapaistva ringikujulise templi St Bernard’s Wellile (1789) ning sillad Almondelli ja Tonglandi juures. 1788. aastal osales ta Patrick Milleri aurulaeva katsetusel Dalswinton Lochil, mis näitas tema progressiivset mõtlemist.
Nasmyth asutas Edinburghis joonistuskooli, mis avaldas sügava mõju kunstnike põlvkonnale. Tema õpilaste hulka kuulusid David Wilkie, David Roberts, Clarkson Stanfield, John Thomson of Duddingston ja isegi noor John James Ruskin (John Ruski isa). Nasmyth’i rõhuasetus looduse vaatlemisele oli püsiv mõju kunstiharidusele. Kuus tema tütart said samuti tuntud kunstnikeks, mis andis perekonnale kunstiliku pärandi. Nasmyth’i töö aitas kindlustada maastikumaali austatud žanrina Šotimaal ning rajas tee hilisematele põlvkondadele Šoti maastikukunstnikke.
