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2 kulubumatamatumat Alessandro Milesi maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 2 teost Alessandro Milesi meie kataloogis
Lühidalt
Silent Hours (1893) on Alessandro Milesi maalide kõige silmapaistvam teos; originaal kuulub museumi Bavaria riiklikud maalidema kogumikud, München. Meie kataloogis olevatest Alessandro Milesi 2 teosest on need 2 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1856 – 1945, Venice
Enamama teoseid: Bavaria riiklikud maalidema kogumikud
Alessandro Milesi top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Alessandro Milesi originaalteosed
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Alessandro Milesi teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
Alessandro Milesi aastate jooksul: iga teose unikaalsed originaalid
Siin kuvatud iga kuupidega Alessandro Milesi originaalteos on loodud 2 aasta jooksul, aastate 1893 ja 1894 vahel: aasta-aastalt, siin on need teosed.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Alessandro Milesi maalid: küsimused galeriile
Mis on Alessandro Milesi kõige kuulsam teos?Paljasta vastus
Silent Hours (1893)
Mis vanuses luunud Alessandro Milesi teos Silent Hours?Paljasta vastus
37 aastat vanus: teos Silent Hours on pärinev aastast 1893 ning Alessandro Milesi sündis aastal 1856.
Kui palju teoseid kunstniku Alessandro Milesi kohta on teada?Paljasta vastus
Meie kataloogist leiate 2 teost kunstnikult Alessandro Milesi, mis on pärinevad ajastust 1893 kuni 1894.
Kust saab näha kõige kuulsamaid Alessandro Milesi originaalteoseid?Paljasta vastus
Peamiselt Bavaria riiklikud maalidema kogumikud (München) ja Brooklyn Museum (Brooklyn) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Milline kuuls Alessandro Milesi maal on kõige varasem ja milline kõige hiljema?Paljasta vastus
Sellel lehel on kõige vanem teos Silent Hours (1893) ja kõige värskeim Market Scene in Venice (1894).
Alessandro Milesi: kunstniku portree
The Venetian Canvas
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
A Life in Exhibition
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
- A solo exhibition at the Venice Biennale in 1912.
- An anthological exhibition at the Venice Biennale in 1935.
- Participation in the Milan Triennale.
Portraits and People
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
- Writers
- Musicians
- Actors
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.