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2 kulubumatamatum Albert Dumouchel maali, galeriiselektsioon
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 3 teost Albert Dumouchel meie kataloogis
Lühidalt
Kõigist Albert Dumouchel jäetud originaalteostest on kõige kuulsam The Snow on the Olive Trees (1957), mis kuulub Kanada Rahvusgalerii kogele linnas Ottawa. Meie kataloogist löytyb 3 teost kunstnikult Albert Dumouchel; galeriist on säilitatud 2 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
1916 – 1971, Salaberry-de-Valleyfield
Enamama teoseid: Kanada Rahvusgalerii
Albert Dumouchel top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Albert Dumouchel originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Albert Dumouchel teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kanada Rahvusgalerii |
Ottawa | 2 | The Snow on the Olive Trees, The Bubos of the Sun Are Elongated |
Albert Dumouchel aasta-aastaga: originaalteosed, mis defineerivad iga perioodi
Albert Dumouchel ajutised teosed selles valimil hõlmavad vaid 5 aastat, aastast 1953 aastat 1957: lühike karjäär, esitatud siin aastaaegselt.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Sammlajate küsimused Albert Dumouchel maalide kohta
Millise teosega on Albert Dumouchel kõige kuulsam?Paljasta vastus
The Snow on the Olive Trees (1957)
Kui vana oli Albert Dumouchel, kui teos The Snow on the Olive Trees loodi?Paljasta vastus
41 aastat vanus: teos The Snow on the Olive Trees on pärinev aastast 1957 ning Albert Dumouchel sündis aastal 1916.
Kui palju maali Albert Dumouchel jäeti?Paljasta vastus
Meie kataloogist leiate 3 teost kunstnikult Albert Dumouchel, mis on pärinevad ajastust 1953 kuni 1957.
Mitteks muuseumides rihangavad Albert Dumouchel meistriteosed?Paljasta vastus
Peamiselt Kanada Rahvusgalerii (Ottawa) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Mis on Albert Dumouchel esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos The Bubos of the Sun Are Elongated (1953) ja kõige värskeim The Snow on the Olive Trees (1957).
Millised Albert Dumouchel teosed on Kanada Rahvusgalerii näituses?Paljasta vastus
The Snow on the Olive Trees ja The Bubos of the Sun Are Elongated: Kanada Rahvusgalerii, Ottawa säilitab 2 selle lehel olevat teost.
Albert Dumouchel: elu ja looming
The Life and Art of Albert Dumouchel
Albert Dumouchel was a Canadian printmaker, painter, and teacher whose creative practice spanned from abstract to figurative expressions. Born in Salaberry-de-Valleyfield, Canada, his artistic journey was shaped by diverse studies, including engraving in Montreal, etching and lithography in Paris, and sculpture in Valleyfield. He also studied with Alfred Pellan. Beyond his visual arts, Dumouchel was a photographer and a musician. His professional life included roles as a textile designer at Montreal Cottons and a teacher of art, drawing, art history, publicity, and photography.
A significant figure in Montreal's artistic community, Dumouchel was involved in the Exquisite corpse experiments and the Montreal surrealists. He was a member of The Non-Figurative Artists Association of Montreal and signed the Prisme d'yeux manifesto. His work has been featured in various exhibitions worldwide and is held in major public collections, including:
Teaching and Legacy
Dumouchel left a profound mark on art education, particularly through his work at the École des arts graphiques (now Collège Ahuntsic), where he taught from 1942 to 1960. He established an engraving workshop at the École des Beaux-Arts in Montreal and served as the head of its graphics division from 1960 to 1969. His teaching was noted for influencing and inspiring many artists, with the graphics department being described as a premier training ground in the country.
His international recognition included a UNESCO scholarship to study in Europe and representing Canada at the Venice Biennale in 1960. He was also honored by the Florentine Academy of Fine Arts. In his later years, he resided in Saint-Antoine-sur-Richelieu, where he passed away.