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Self Portrait

Nimi Klass Kuupäev

William Ewart Lockhart, Self Portrait (1884). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
William Ewart Lockhart originaluniqueart.com/et/artists/william-ewart-lockhart/
Kunstniku eluaastad
1846 – 1900
Maalatud
1884
Originaalmõõtmed
35 x 30 cm

Kontekstis

Self Portrait — William Ewart Lockhart

Mis on selle mõõt?

Originaali mõõdud on 35 × 30 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 54 surumisel.

Maalatud siis, kui kunstnik oli 38 aastane. Kunstnik elas 54 aastani. 5 meie kataloogis olevatest selle kunstniku 18 dateeritud teosest on loodud varem.

Varjatud: William Ewart Lockhart eluajal (1846–1900) ▲ see teos, 1884 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1883 Peamised töötusaastad: 1883–1895 Hilisemad teosed: alates aastast 1895

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/william-ewart-lockhart-self-portrait-AQSFRB-en/

Värvid

Pildist mõõdetud

    Peavärv

    Driftwood #c29d67

    Katalogistatud palett

    • #C29D67
    • #FDFCF9
    • #2F1F15
    • #784520

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Driftwood
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik William Ewart Lockhart teosed viimase zwölf kuuga — kokku 5 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 82,1%2300 visits
    2. 2 Leedu 7,1%200 visits
    3. 3 Ühendusriik 3,6%100 visits
    4. 4 Singapur 3,6%100 visits
    5. 5 Ameerika Ühendriigid 3,6%100 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    William Ewart Lockhart kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Sir John Heron Maxwell, 1883 9,7%300 visits
    2. 2 The Right Honourable Arthur J. Balfour (1848–1930), MP, 1898 9,7%300 visits
    3. 3 Old Father Christmas 9,7%300 visits
    4. 4 Scene from the Rebellion, 1864 6,5%200 visits
    5. 5 Gil Blas and the Archbishop of Granada (from Lesages 'The Adventures of Gil Blas de Santillane'), 1878 6,5%200 visits
    6. 6 Samuel Smith (1836–1906), 1899 6,5%200 visits
    7. 7 Sir James Porter Corry (1826–1891), Bt, MP, 1892 6,5%200 visits
    8. 8 Dunottar Castle 6,5%200 visits
    9. 9 The Crowning of Mary, Queen of Scots 3,2%100 visits
    10. 10 Theodora and Marjorie, 1885 3,2%100 visits
    11. 11 The White Cockade, 1899 3,2%100 visits
    12. 12 Sketch of Queen Victoria Attending Her Diamond Jubilee, 1897 3,2%100 visits
    13. 13 Miss Ellen Terry, Study for 'The Golden Jubilee Picture', 1887 3,2%100 visits
    14. 14 Sir Reginald Palgrave, 1887 3,2%100 visits
    15. 15 Self Portrait, 1884 see maalaus 3,2%100 visits
    16. 16 Sir Henry Irving, Study for 'The Golden Jubilee Picture', 1887 3,2%100 visits
    17. 17 Sir Andrew McDonald (1836–1919) 3,2%100 visits
    18. 18 The Stirrup Cup, 1871 3,2%100 visits
    19. 19 Mrs Stewart Clark 3,2%100 visits
    20. 20 Cardinal Beaton Besieged in St Andrews Castle 3,2%100 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 28 seda kunstnikku kuuluvat teost, millest 20 on vähemalt üks kord vaadatud. This painting ranks 15 of them, with 3,2% of that attention (100 visits). Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    William Ewart Lockhart

    The Vibrant Legacy of William Ewart Lockhart

    In the grand tapestry of Victorian art, few threads shine with as much color and dramatic flair as those woven by William Ewart Lockhart. A Scottish master whose brush possessed the rare ability to oscillate between the intimate dignity of portraiture and the sweeping grandeur of landscape, Lockhart emerged from the rugged landscapes of Dumfries and Galloway to capture the very essence of his era. Born in Eaglesfield in 1846 and raised amidst the quiet beauty of Sibbaldbie and Annan, his early life was steeped in an appreciation for the natural world—a foundation that would later allow him to translate the sunlight of Spain and the vastness of the Australian Outback onto the canvas with unparalleled vitality.

    Lockhart’s journey into the upper echelisi of the art world began with remarkable precocity. His talent was recognized early at the Annan Academy, leading to his acceptance into the prestigious Royal Scottish Academy in 1860. Under the mentorship of J.B. Macdonald R.S.A., the young artist began to refine a technique that would become his hallmark: a bravura style characterized by rich textures and a luminous command of light. Even as a mere fourteen-year-old, he was already contributing to the RSA Annual Exhibition, signaling the arrival of a formidable talent who refused to be bound by the traditional constraints of his training.

    A Wanderer’s Vision: From Australia to Spain

    Life, however, presented challenges that would redirect his artistic trajectory. A period of debilitating illness in 1863 necessitated a journey to Australia, an exile that inadvertently became a profound period of artistic awakening. The vast, sun-drenched horizons of the Australian landscape provided Lockhart with a new vocabulary of light and space, expanding his visual repertoire far beyond the misty hills of Scotland. This exposure to different climates and cultures instilled in him a lifelong fascination with how light interacts with atmosphere—a theme that would dominate his later masterpieces.

    Upon his return to Edinburgh in 1867, Lockhart’s thirst for new inspiration led him on several transformative voyages to Spain. It was here that his work reached its most vibrant zenith. The Spanish landscapes, with their dramatic shadows and intense, warm palettes, became a cornerstone of his oeuvre. He did not merely paint scenes; he captured the soul of the Iberian Peninsula, blending historical narrative with atmospheric realism. Whether depicting lively street scenes like Gil Blas and the Archbishop of Granada or capturing the somber weight of history in works such as Cardinal Beaton Besieged in St Andrews Castle, his ability to infuse movement and emotion into his compositions remained unmatched.

    Mastery of Portraiture and Royal Recognition

    While his landscapes were celebrated for their brilliance, Lockhart’s portraiture offered a different kind of mastery—one of psychological depth and social elegance. He possessed an uncanny ability to render the character of his subjects, from the dignified presence of Mrs Stewart Clark to the political weight of figures like Arthur J. Balfour. His portraits were never mere likenesses; they were studies in texture, light, and status, often utilizing a rich, academic style that emphasized the tactile quality of fabrics and the soft glow of skin.

    The pinnacle of his professional achievements was marked by significant institutional honors and royal commissions. His election as an Associate of the Royal Scottish Academy in 1871, followed by his elevation to Full Member in 1878, solidified his standing among the elite of British painters. Perhaps most notably, his work The Jubilee Celebration, commissioned in honor of Queen Victoria, stands as a testament to his ability to capture the monumental scale of national pride and historical splendor. Through his life’s work, William Ewart Lockhart remains a vital figure of the 19th century, leaving behind a legacy of color, drama, and an enduring connection to the landscapes and people that shaped his extraordinary vision.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Self Portrait allalaadimislehele

    originaluniqueart.com/et/art/download/william-ewart-lockhart-self-portrait-AQSFRB-en/

    Viige seda teost allintena

    MLA
    Lockhart, William Ewart. Self Portrait. 1884, https://originaluniqueart.com/et/art/william-ewart-lockhart-self-portrait-AQSFRB-en/
    APA
    Lockhart, William Ewart (1884). Self Portrait [Painting]. https://originaluniqueart.com/et/art/william-ewart-lockhart-self-portrait-AQSFRB-en/
    Chicago
    William Ewart Lockhart. Self Portrait. 1884. https://originaluniqueart.com/et/art/william-ewart-lockhart-self-portrait-AQSFRB-en/
    Harvard
    Lockhart, William Ewart (1884) Self Portrait. Available at: https://originaluniqueart.com/et/art/william-ewart-lockhart-self-portrait-AQSFRB-en/

    Vaata lähedalt

    Self Portrait — William Ewart Lockhart

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele The Crowning of Mary, Queen of Scots. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. William Ewart Lockhart oli seda teost luues umbes 38 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kuidas saan tellida teose „Self Portrait“, autor William Ewart Lockhart trükki?

    Teose "Self Portrait" trükised on saadaval vormis kunstiprint puuvillalõikel kangas või arhiveeritaval kangaspaberil. Tellimusi saab esitada selle Kvaliteetne kunstutrüki print lehel oma soovitud suuruses.

    Kas teos "Self Portrait" on ilma autoriõigusteta?

    Autoriõiguse teave teose „Self Portrait“, autor William Ewart Lockhart kohta: teos kuulub luba ala avalikus õiguses – selle autoriõigud onหมดunud. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.

    Kust saan leida sarnaseid teoseid kui „Self Portrait“, autor William Ewart Lockhart?

    Teosed, mis sarnanevad teosega „Self Portrait“, autor William Ewart Lockhart, on koondatud selle teose lehel Sarnased teosed.