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Love

Nimi Klass Kuupäev

Sudarshan Shetty, Love, Devi Art Foundation. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Sudarshan Shetty originaluniqueart.com/et/artists/sudarshan-shetty/
Kunstniku eluaastad
1961 –
Peetud koht:
Devi Art Foundation originaluniqueart.com/et/museums/devi-art-foundation-gurugram/

Kontekstis

Love — Sudarshan Shetty

Millal see maaldis on tehtud?

  1. 1960

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Sarnased teosed

  • Love originaluniqueart.com/et/art/sudarshan-shetty-love-D5DG7N-en/
  • Untitled originaluniqueart.com/et/art/sudarshan-shetty-untitled-D5DG7G-en/
  • Love originaluniqueart.com/et/art/sudarshan-shetty-love-D5DG7L-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/sudarshan-shetty-love-D9HSWX-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Driftwood #a29872

    Salvestatud palett

    • #A29872
    • #655934
    • #231C0A
    • #E4DDBD

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Driftwood
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Sudarshan Shetty kõige vaadatavamad teosed (kokku 2)

    1. 1 Untitled 100,0%
    2. — Love see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 9 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Teose kirjeldus

    Love — Sudarshan Shetty

    A steel dinosaur fornicating with a Jaguar car. This is the work that took centre stage in Sudarshan Shetty’s 2006 exhibition Love. In this installation, Shetty makes clever use of two iconic symbols: the fibreglass cast of a 1972 Jaguar car which is the symbol of luxury, and a relic from the past, a dinosaur, made of steel plates. The willing car has its rear cranked up, and the dinosaur has an exaggeratedly large phallus. By adding motion Shetty makes the act of fornication something the viewer cannot avoid seeing. The work’s largeness and the visibility of its mechanical devices add to the viewer’s discomfort.The brute emphasis on the act of fornication declares the artist’s delusion/ disillusion with ‘love’. However, Shetty’s dinosaur is an enlarged toy, not a recreated skeleton from a natural history museum. Is it the element of play involved in the act of love that prompts this decision? Or is it to show that the two animals, jaguar and dinosaur, are both reduced to boy’s toys? Is Shetty lamenting a paradise lost by invoking the extinct dinosaur? Or is he saying that there is no ‘real’ love in the age of consumerism, when man’s ultimate turn-on is a car?Sudarshan Shetty’s Love series of 2006 explored the phenomenon of love as comic, ironic, absurd, complex, perverse. In this overblown installation of a T-Rex ‘making love’ to a Jaguar, the perverse physical act does not seem threatening because it is rendered comical. Sudarshan’s unlikely juxtapositions bring disparate worlds into a shared frame. Unlike the facsimile of the Jaguar, the T-Rex is literally stripped to the very bone. The mechanics of his ‘humping’ can be clearly observed. The giant ego-affirming phallus enters the backside of the car, articulating the pure carnality embedded in the act of love. This is nowhere better reflected than in the way the ‘heart’ of the dinosaur moves in tandem with the phallus, both acting on a single mechanical impulse. The conventional hierarchy that places love at a higher level than sex seems to be dismantled here.The phallus itself is scythe-shaped, reminding one of the Grim Reaper and his scythe. Love and death seem to be placed in a circuitous relationship via the heart. Does one read life in love or death in sex? Nothing is given to the viewer easily. The artist seems to be contemplating love and poking fun at it at the same time. It is left to the viewer/ voyeur to construe meaning or non-meaning in this installation.

    Kunstnik ja muuseum

    Kunstnik

    Sudarshan Shetty

    Sündinud koht: Mangaluru, India

    Sudarshan Shetty: A Biography

    Early Life and Education

    Born in Mangaluru, India, in 1961, Sudarshan Shetty is a prominent figure in contemporary Indian art. Details regarding his formal artistic education are not widely publicized; however, he developed a strong foundation that allowed him to explore diverse mediums and concepts throughout his career.

    Artistic Development and Style

    Shetty’s artistic practice is remarkably versatile, encompassing painting, sculpture, installation, video, sound, and performance. He doesn't adhere to a single style but rather employs various approaches depending on the concept he wishes to convey. His work often features everyday objects recontextualized to provoke thought and challenge perceptions. A key characteristic of his art is its immersive quality; installations frequently invite viewers to engage physically and emotionally with the artwork.

    Themes and Influences

    Shetty’s artistic explorations center around themes of memory, domesticity, temporality, and human connection. He often examines the relationship between personal experiences and broader cultural contexts. His work is influenced by a range of sources, including Indian philosophy, traditional crafts, and contemporary art movements. The influence of minimalism and conceptual art can also be observed in his reductive forms and emphasis on ideas over aesthetics.

    Major Achievements and Exhibitions

    1999: Commissioned to create the public sculpture “Home and Away” as part of the Hakata Reverain Art Project in Fukuoka, Japan. This was a significant milestone, making him the only Indian artist selected for this project.

    International Exhibitions: Shetty’s work has been showcased at prestigious institutions such as the Fukuoka Asian Art Museum (Japan) and the Tate Modern (London), solidifying his international presence.

    Residencies & Fellowships: He has held residencies at the Mattress Factory in Pittsburgh, USA, and was a Ford Foundation fellow at The New School for General Studies in New York, fostering artistic growth and exchange.

    Public Collections

    Shetty’s artworks are part of numerous important public collections, including:

    Kiran Nadar Museum of Art (India)

    Devi Art Foundation (Anupam Poddar, India)

    Fukuoka Asian Art Museum (Japan)

    FC MOCA (Frank Cohen Museum of Modern Art, Manchester, UK)

    Historical Significance

    Sudarshan Shetty is considered a leading voice in contemporary Indian art. His innovative use of materials and his exploration of complex themes have contributed significantly to the evolving landscape of modern sculpture and installation art. He has paved the way for other Indian artists to gain international recognition, and his work continues to inspire dialogue about culture, memory, and identity.

    Current Practice

    As of today, Sudarshan Shetty continues to live and work in Mumbai, India, actively creating new works and participating in exhibitions worldwide. He remains a vital force in the contemporary art scene, constantly pushing boundaries and challenging conventional artistic norms.

    Muuseum

    Devi Art Foundation

    Näitustel paikal Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.

    Architectural Harmony and the Spirit of Innovation

    The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.

    What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking

    “Still Moving Image,”

    have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.

    For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Love allalaadimislehele

    originaluniqueart.com/et/art/download/sudarshan-shetty-love-D9HSWX-en/

    Viige seda teost allintena

    MLA
    Shetty, Sudarshan. Love. n.d., Devi Art Foundation. https://originaluniqueart.com/et/art/sudarshan-shetty-love-D9HSWX-en/
    APA
    Shetty, Sudarshan (n.d.). Love [Painting]. Devi Art Foundation. https://originaluniqueart.com/et/art/sudarshan-shetty-love-D9HSWX-en/
    Chicago
    Sudarshan Shetty. Love. n.d. Devi Art Foundation. https://originaluniqueart.com/et/art/sudarshan-shetty-love-D9HSWX-en/
    Harvard
    Shetty, Sudarshan (n.d.) Love. Devi Art Foundation. Available at: https://originaluniqueart.com/et/art/sudarshan-shetty-love-D9HSWX-en/

    Vaata lähedalt

    Love — Sudarshan Shetty

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Love. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Millist kontrasti näitab teos „Love“, autor Sudarshan Shetty?

    Teose "Love" valgus-varjundite kontrast on Statement. Kontrast kirjeldab, kui teravalt erinevad heeled ja tumedad alad.

    Kuidas saan vaadata reproduktsiooni teosele „Love“, autor Sudarshan Shetty?

    Teavet lehel Eelvaade teose "Love" kohta võimaldab teil teost enne tellimist eelvaatata.

    Kui hele on teos "Love" üldiselt?

    Teose „Love“, autor Sudarshan Shetty tajutav heledus on balanced. Seda saab kohandada mõeldud ruumi valgusest koos.