Kunstnik
Sündinud koht: Luka, Italia
Varase elu ja õppimine
Sündinud: Lucca, Itaalia (1708)
Surnud: 1787
Pompeo Batoni kolis Rooma aastal 1727.
Ta õppis õpilasena Agostino Masuccil, Sebastiano Concail ja Francesco Imperialil.
Tema esimene iseseisva tellimus tuli pärast aprillikuud, mil Rooma lahkas tugevad vihmad aastal 1ARG32.
Maalits "Siena sveta Katariina ekstaas" illustreerib tema akadeemilist täpsust hilispariisi stiilis.
Kunstiline stiil ja mõjud
Batoni stiili said inspiratsiooniks klassikaline antiik, Prantsuse rokoko, Boloogna klassitsism ning kunstnikud nagu Nicolas Poussin, Claude Lorrain ja eriti Raphael.
Teda peetakse neoklassitsimi esialuseks.
Tema teoseid saab leida erinevatest muuseumidest, sealhulgas Itaalias Milanis asuvast Pinacoteca di Brerast.
Olulised teosed ja tellimused
Neitsi ja Laps pühadega
Rüütel Roomas: Charles Cecil Roberts – kuulus portree Briti reisist, mille taustal on Rooma varemed.
Venetsia triumf
Lennukad altarmaalid Itaalia kirikutesse, näiteks Sienas asuvasse Duomo muuseumi.
Tema portreemipidajate nõudlus oli suur, eriti Briti reisijate seas "Grand Tour" ajal, kes tellitasid portreid antiikses keskkonnas.
Areng ja ajalooline tähendus
Batoni sai Roomas väga populaarseks maalari pärast seda, kui tema rivaal Anton Raphael Mengs aastal 1761 Spanyolasse lahkus.
Ta sõrmekontaktidees Winckelmanniga ning ta püüdis oma maalides klassitsismi kontrollitud ja tasakaalustatud vormis hoida.
Tema portreed tabasid "Grand Tour" ajastu vaimu, peegeldades Euroopa eliidi kummardust klassikalisele antiikile.
Batoni võime ühendada barokk-tehnikad koosilmnevad neoklassikalised ideaalid tõi teda Itaalia kunstiajal üles üleminekufiguurina.
Pärand
Pompeo Batoni surmas 4. veebruaril 1787 Roomas.
Ta jättis endast maha pärandi kui ühe oma aja kuulsaima itaalse maalari.
Tema tööd on jätkuvalt imetlust väärivad tehnilise oskuse, elegantsete kompositsioonide ja sügavate iseloomuportreettide poolest, kus isikud on tugevalt seotud oma ajaloolise kontekstiga.
Muuseum
Näitustel asuvas koht Exeter, United Kingdom
A Sanctuary of Stories: Unveiling the Royal Albert Memorial Museum
Nestled within the historic heart of Exeter, Devon, the Royal Albert Memorial Museum (RAMM) isn’t merely a repository for artifacts; it's an immersive journey through time and culture. Stepping through its imposing Gothic Revival doors is akin to entering a meticulously curated world where centuries collide, diverse traditions converge, and the echoes of the past resonate with vibrant contemporary life. The building itself—a magnificent testament to local New Red Sandstone – immediately captivates, its warm hues radiating an inviting atmosphere that belies the extraordinary breadth of treasures within. Originally conceived in 1868 as a poignant memorial to Prince Albert, RAMM has undergone a remarkable evolution, transforming from a solemn tribute into a dynamic cultural hub—a testament to thoughtful preservation and innovative presentation.
RAMM’s strength lies not just in its sheer volume of holdings – over 7,000 objects spanning art, natural history, archaeology, and global cultures – but in the way these disparate collections are interwoven. The museum deliberately resists rigid categorization, offering visitors a holistic understanding of our world through interconnected narratives. A particular highlight is the remarkable collection of British art, boasting masterpieces by Gainsborough and Reynolds alongside evocative works by Walter Sickert, Barbara Hepworth, and Patrick Heron. Beyond national boundaries, RAMM’s artistic treasures extend to Pompeo Batoni and Joseph Wright of Derby, reflecting a rich European influence. But the museum's allure doesn’t stop at canvas; Percy Sladen’s extraordinary collection of echinoderms—a globally significant assemblage rivaling those found in national collections – stands as a testament to the natural world’s wonders. The World Cultures galleries are particularly noteworthy, officially recognized for their national and international importance by the UK government, offering profound explorations of diverse traditions, beliefs, and ways of life from across the globe.
A Building Steeped in History
The story of RAMM is inextricably linked to the history of Exeter itself. Remarkably, the university, central library, and college of art all trace their origins back to this very institution—a testament to its enduring role as a cultural cornerstone for the city. The building’s evolution mirrors Exeter's own growth, adapting and expanding over decades to meet changing needs and interests. The recent redevelopment, completed in 2011 at a cost of £24 million, was spearheaded by Allies and Morrison and involved not only restoring the building’s historical integrity but also creating a new entrance from the historic Registered gardens, enhancing accessibility, and completely reimagining the display of its vast collections. This commitment to modernization is further exemplified by RAMM’s 2024 announcement of an open access strategy, making public domain collections freely available online—a bold step towards wider engagement and long-term preservation.
Treasures Within: Highlights of the Collection
Exploring RAMM's diverse holdings reveals a captivating array of treasures. The costume and textiles collection – one of the most important outside London – is particularly prized, though its delicate nature often necessitates curated exhibitions rather than permanent display. The museum’s zoology collection, amassed by Percy Sladen, houses an astonishing diversity of invertebrates and mammals, while the archaeology galleries offer glimpses into Exeter's rich past, from Roman settlements to medieval trade routes. Don’t miss the opportunity to encounter “Toekomstdromen” (Future Dreams) by Otto Roelofs – a captivating Belgian Impressionist portrait that exemplifies the collection’s vibrant artistic diversity. The museum also holds significant holdings of British landscape art, reflecting Devon's stunning natural beauty.
A Living Cultural Hub
What truly sets RAMM apart is its unwavering commitment to accessibility and inclusivity. With free entry for all visitors, the museum actively strives to be a welcoming space where everyone can engage with art, history, and culture. The displays are thoughtfully designed to appeal to a wide range of ages and interests, fostering curiosity and discovery. From families exploring together to scholars conducting research, RAMM serves as a vital community resource—a living, breathing cultural hub that enriches the lives of all who encounter it. It stands not just as a museum, but as a beacon of knowledge, creativity, and community spirit in the heart of Exeter.
Leidke seda internetist
originaluniqueart.com/et/art/download/pompeo-batoni-john-rolle-walter-D77N43-en/
Viige seda teost allintena
- MLA
- Batoni, Pompeo. John Rolle Walter. 1753, Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/et/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- APA
- Batoni, Pompeo (1753). John Rolle Walter [Painting]. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/et/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- Chicago
- Pompeo Batoni. John Rolle Walter. 1753. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/et/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- Harvard
- Batoni, Pompeo (1753) John Rolle Walter. Royal Albert Memorial Museum - Art Gallery. Available at: https://originaluniqueart.com/et/art/pompeo-batoni-john-rolle-walter-D77N43-en/