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Acacia Armata

Nimi Klass Kuupäev

pierre joseph redouté, Acacia Armata. Avalik omand

Faktid

Kunstnik
pierre joseph redouté originaluniqueart.com/et/artists/pierre-joseph-redoute/
Kunstniku eluaastad
1759 – 1840

Kontekstis

Acacia Armata — pierre joseph redouté

Millal see maaldis on tehtud?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820
  9. 1830
  10. 1840

Varjatud: pierre joseph redouté eluajal (1759–1840)

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Putty #dedbd7

    Salvestatud palett

    • #DEDBD7
    • #615722
    • #978B57
    • #C0B68E
    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Putty
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    pierre joseph redouté

    Sündinud koht: Saint-Hubert, Belgium

    Early Life and Training

    Born: July 10, 1759, in Saint-Hubert, Belgium

    Family of Artists: His father and grandfather were painters; his elder brother was a scenery designer.

    Early Career: Left home at age 13 to work as an itinerant painter, creating interior decorations, portraits, and religious commissions.

    Move to Paris (1782): Joined his brother in painting scenery for theaters in Paris.

    Botanical Illustration and Patronage

    Meeting Botanists: Met Charles Louis L'Héritier de Brutelle and René Desfontaines, who introduced him to botanical illustration.

    Mentorship: Studied under L'Héritier and Gerard van Spaendonck, learning dissection techniques and watercolor handling.

    Royal Patronage: Became draughtsman and painter to Queen Marie Antoinette.

    Empress Joséphine’s Patronage (1798): Became the official artist for Empress Joséphine de Beauharnais at the Château de Malmaison, gaining access to a vast collection of exotic plants.

    Teaching: Taught painting to Princess Adélaïde of Orléans in 1809.

    Major Works and Artistic Style

    Les Liliacées (The Lilies): A series of books published between 1802 and 1816, featuring over 400 hand-colored plates depicting lily-like plants.

    Les Roses (The Roses): Published between 1817 and 1824, containing nearly 170 plates showcasing different rose varieties.

    Watercolor Technique: Mastered watercolor painting, using meticulous brushwork and subtle shading to capture the delicate beauty of flowers.

    Composition: Often featured a single flower as the central focus, surrounded by leaves and stems.

    Influences and Historical Significance

    Flemish and Dutch Flower Painters: Considered an important heir to the tradition of Brueghel, Ruysch, van Huysum, and de Heem.

    Jan van Huysum: Inspired by the work of this Dutch eighteenth-century flower painter during his early career.

    "Raphael of Flowers": Nicknamed for his exceptional skill and artistry.

    Legacy: Considered one of the greatest botanical illustrators of all time, influencing subsequent generations of artists. His works remain highly valued for their precision, accuracy, and beauty.

    Later Life and Death

    Appointment at the Museum: Appointed a master of draughtsmanship for the National Museum of Natural History in 1822.

    Legion of Honour: Became a Chevalier of the Legion of Honour in 1825.

    Death: Died suddenly on June 19 or 20, 1840, and was interred in Père Lachaise Cemetery.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Acacia Armata allalaadimislehele

    originaluniqueart.com/et/art/download/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/

    Viige seda teost allintena

    MLA
    redouté, pierre joseph. Acacia Armata. n.d., https://originaluniqueart.com/et/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    APA
    redouté, pierre joseph (n.d.). Acacia Armata [Painting]. https://originaluniqueart.com/et/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    Chicago
    pierre joseph redouté. Acacia Armata. n.d. https://originaluniqueart.com/et/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    Harvard
    redouté, pierre joseph (n.d.) Acacia Armata. Available at: https://originaluniqueart.com/et/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/

    Vaata lähedalt

    Acacia Armata — pierre joseph redouté

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Over cup white oak, or, Quercus macrocarpa (1865). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.