Paber

Teose andmed

Teose andmed: Object 9.

Teavete täielik leht teosele Object 9.

Michal Trembáč, Object 9. (1966), Tatra Gallery. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Object 9. teose infoleht

Kunstnik
Michal Trembáč originaluniqueart.com/et/artists/michal-trembac/
Kunstniku eluaastad
1929 – 2015
Maalatud
1966
Originaalmõõtmed
38.0 x 55.0cm
Toimub kohas
Tatra Gallery originaluniqueart.com/et/museums/tatra-gallery-poprad_et/

Kontekstis

Object 9. — Michal Trembáč

Mis on selle mõõt?

Originaali mõõdud on 38 × 55 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 86 surumisel.

Maalatud siis, kui kunstnik oli 37 aastane. Kunstnik elas 86 aastani. 13 meie kataloogis olevatest selle kunstniku 33 dateeritud teosest on loodud varem.

Varjatud: Michal Trembáč eluajal (1929–2015) ▲ see teos, 1966 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1962 Peamised töötusaastad: 1962–1983 Hilisemad teosed: alates aastast 1983

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/object-9-by-michal-trembac/

Värvid

Pildist mõõdetud

    Peavärv

    Phthalo Green #312b1d

    Katalogistatud palett

    • #312B1D
    • #8F7E58
    • #493C25
    • #6A5835

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Michal Trembáč teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Ungari 50,0%100 külastust
    2. 2 Slovakkia 50,0%100 külastust

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Michal Trembáč kõige vaatamistundlikumad teosed (kokku 3)

    1. 1 Cooperative under Kriváň, 1962 50,0%100 külastust
    2. 2 After the Rain, 1985 50,0%100 külastust
    3. — Object 9., 1966 see maalaus 0,0%0 külastust

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 33 seda kunstnikku kuuluvat teost, millest 2 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Michal Trembáč

    The Life and Career of Michal Trembáč

    Michal Trembáč was a man of many forms, expressing his vision through the mediums of painting, graphic art, and sculpture. Born on September 21, 1929, he spent his life developing a visual language that spanned several decades. His creative output was diverse, moving between the delicate precision of graphic work and the physical presence of sculpture. He remained active in his craft until his passing in 2015.

    Throughout his career, Trembáč focused on a variety of genres. He often turned his attention to the landscape, capturing the essence of the natural world. His work also extended into other areas of painting, showing a versatility that allowed him to explore different subjects and textures. This breadth of practice suggests a life spent observing the world from many different angles, whether through the lens of a painter or the hands of a sculptor.

    Notable Works and Artistic Subjects

    Michal Trembáč often turned his attention to the quiet rhythms of daily life and the natural landscape. In the early 1960s, his work captured many different facets of existence, from the simple beauty of a Kytica (1962) to the more introspective moods found in Zamyslená (1962). He had a way of looking at the world that felt grounded and observant. His 1962 landscape, Krajina, and the depiction of a Dvor from that same year show a focus on the spaces people inhabit and the light that settles upon them. Even in a piece like Svadba (1964), there is a sense of documenting a specific, lived moment.

    As his career progressed, his subjects continued to reflect both the external environment and internal states of being. He moved between the physical world and more abstract reflections, such as the 1965 work Meditácia. Later, in 1972, he produced Radar č.5, showing a different side of his creative output. By 1977, his work Behind the Road demonstrated his continued engagement with the landscape, capturing a sense of place that felt deeply connected to the terrain.

    Kytica (1962)

    Zamyslená (1962)

    Krajina (1962)

    Dvor (1962)

    Svadba (1964)

    Meditácia (1965)

    Artistic Collections and Museum Presence

    The legacy of Michal Trembáč is held within several significant institutions that preserve his visual contributions. His presence is most felt in the Tatra Gallery, Poprad, which maintains a substantial collection of 23 of his works. This concentration of his output provides a deep look into the themes he explored throughout his career. Another important repository is the Gallery of Spis Artists, Spišská Nová Ves, where five of his pieces are kept for public viewing.

    Beyond these regional collections, his work has found a place in larger national and specialized galleries. The Východoslovenská galéria (VSG) holds his painting titled Radar č.5. His landscape work, Behind the Road, is part of the collection at the SNG. These placements ensure that his perspective remains accessible to those studying the art of the region.

    Radar č.5

    Behind the Road

    Market Value and Auction Statistics

    Tracing the market history of Michal Trembáč reveals a very specific and consistent pattern in how his pieces find new homes. Recent auction data shows a remarkably steady valuation for his work. The average price for a piece has been recorded at 7 298 Kč, a figure that is mirrored by the median item price. This consistency suggests a stable demand for his paintings among collectors who seek his specific perspective.

    The data also points to a high level of interest when his works appear for sale. Currently, the sale success rate stands at 100%, based on recorded transactions. This perfect success rate reflects a direct alignment between the value placed on his art and what buyers are willing to pay. Even the highest achieved price recorded in these statistics remains at the 7 298 Kč mark, illustrating a very predictable and focused market for his output.

    Muuseum

    Tatra Gallery

    Näitustel asuvas koht Poprad, Slovakkia Vabariik

    The Industrial Soul of Slovak Artistry

    Nestled within the striking, industrial framework of

    Elektráreň TG

    —a former power plant in Poprad—the

    Tatra Gallery

    stands as a profound testament to the resilience and evolution of Slovak artistic heritage. To step into this space is to enter a dialogue between the past and the present, where the soaring brick towers and rugged architecture of a repurposed energy plant provide a dramatic, almost cinematic backdrop for the contemplation of fine art. This institution defies the conventional, sterile notions of museum spaces, offering instead a vibrant hub where the echoes of heavy industry meet the delicate nuances of creative expression. It is a place where the weight of history is balanced by the lightness of innovation, attracting a global audience captivated by its unique ability to reimagine cultural significance within unexpected contexts.

    The architectural alchemy of the gallery is perhaps its most defining characteristic. The designers of the Elektráreň TG space deliberately utilized the industrial skeleton to maximize natural light, allowing sunlight to dance across the artworks and enhance their visual impact. For interior designers and lovers of aesthetic harmony, the gallery serves as a masterclass in juxtaposition, demonstrating how the ruggedness of industrial brickwork can beautifully complement the ethereal beauty of

    Impressionist

    strokes or the sharp lines of modern sculpture. This thoughtful integration of light and shadow creates a sensory experience that transcends mere viewing; it becomes an atmospheric encounter where the very bones of the building shape the perception of the art held within.

    A Narrative of Slovak Expression

    The collection itself serves as a sweeping narrative of the Slovak spirit, prioritizing works that reflect the distinctive textures and emotions of the region. Visitors are invited on an immersive journey through stylistic evolutions, ranging from the early 20th century to the most daring contemporary creations. The gallery’s breadth—spanning painting, sculpture, and printmaking—ensures that every corner offers a new layer of discovery for the discerning collector or art enthusiast.

    Among its most celebrated holdings are the masterpieces of artists who epitomize the power of Slovak expressionism:

    Albin Brunovsky

    : Whose meticulous woodcuts and drawings capture raw, visceral emotion with a precision that commands silence.

    Ludovit Fulla

    : Whose canvases burst forth with bold colors and dynamic compositions, establishing him as a pivotal figure in modern art.

    Beyond its permanent treasures, the Tatra Gallery continues to enrich the cultural landscape through large-scale multimedia projects and events held at Elektráreň TG. By embracing the latest art tendencies in the world, the institution cooperates with various foreign galleries and institutions, extending its reach into the realms of modern dance, music, film, and theatre. It remains a vital sanctuary for culture, systematically enriching the information on both traditional and modern artistic tendencies within the East Slovak region.

    Michal Trembáč õppimatool: jätka avastamist

    Leidke seda internetist

    QR-kood, mis viib Object 9. allalaadimislehele

    originaluniqueart.com/et/art/download/object-9-by-michal-trembac/

    See kunstiteos: Object 9.

    MLA
    Trembáč, Michal. Object 9.. 1966, Tatra Gallery. https://originaluniqueart.com/et/art/object-9-by-michal-trembac/
    APA
    Trembáč, Michal (1966). Object 9. [Painting]. Tatra Gallery. https://originaluniqueart.com/et/art/object-9-by-michal-trembac/
    Chicago
    Michal Trembáč. Object 9.. 1966. Tatra Gallery. https://originaluniqueart.com/et/art/object-9-by-michal-trembac/
    Harvard
    Trembáč, Michal (1966) Object 9.. Tatra Gallery. Available at: https://originaluniqueart.com/et/art/object-9-by-michal-trembac/

    Kunstitududendajatele ja uurijatele

    Object 9. — Michal Trembáč

    Kunstianalüüsi tööleht teemal Object 9., õpilastele ja uurijatele

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 7 — kas oled sama arvamust?)
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Cooperative under Kriváň (1962). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Michal Trembáč oli seda teost luues umbes 37 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Millised on teose "Object 9." reprodutseerimissõjaõigused Tatra Gallery kogumuses?

    Teose „Object 9.“, autor Michal Trembáč autoriõiguste staatus on selge: teos kuulub avalikule omandile (on endiselt autoriõiguse all under kaitse). Selle paik Tatra Gallery kollektsioonis ei muuda seda staatust.

    Kas on olemas sarnaseid teoseid kui "Object 9."?

    Teose „Object 9.“, autor Michal Trembáč lehel Sarnased teosed on esiletõstetud sarnased teosed.

    Kas teos "Object 9." on ilma autoriõigusteta?

    Autoriõiguse teave teose „Object 9.“, autor Michal Trembáč kohta: teos kuulub luba ala on endiselt autoriõiguse all under kaitse. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.

    Kes on teose "Object 9." looja?

    Teose "Object 9." loovija on Michal Trembáč. Selle lehe info kirjeldab Michal Trembáč algteost.

    Millist värvigamma teos "Object 9." kasutab?

    Teoses „Object 9.“, autor Michal Trembáč on kasutatud Earthy väripaletti, mis kokkuvõtab teose üldist värilist olemust.

    Kõik küsimused ja vastused teema Object 9. kohta