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From the Balcony

Nimi Klass Kuupäev

Manuel González Serrano, From the Balcony (1948), colección-blaisten. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Manuel González Serrano originaluniqueart.com/et/artists/manuel-gonzalez-serrano/
Kunstniku eluaastad
1917 – 1966
Maalatud
1948
Originaalmõõtmed
205 x 91 cm
Toimub kohas
colección-blaisten originaluniqueart.com/et/museums/coleccion-blaisten-mexico-city/

Kontekstis

From the Balcony — Manuel González Serrano

Mis on selle mõõt?

Originaali mõõdud on 205 × 91 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga. See teos on sellel lehel måhuribus joonistamiseks liiga suur.

Millal see maalis on tehtud?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 49 surumisel.

Maalatud siis, kui kunstnik oli 31 aastane. Kunstnik elas 49 aastani. 1 meie kataloogis olevatest selle kunstniku 2 dateeritud teosest on loodud varem.

Varjatud: Manuel González Serrano eluajal (1917–1966) ▲ see teos, 1948 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

  • Self-portrait, 1943 originaluniqueart.com/et/art/manuel-gonzalez-serrano-self-portrait-D4822X-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

Värvid

Pildist mõõdetud

    Peavärv

    Phthalo Green #312a23

    Katalogistatud palett

    • #312A23
    • #52473B
    • #819698
    • #646F72

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Teose info

    From the Balcony — Manuel González Serrano

    In González Serrano the subject of a landscape is freed from the confines of his imitative desire and rather is prolific in creating imaginary universes, whose elements are always intimately correlates. Starting in the forties his work acquired greater consistency in his discursive elements, avoiding the narrow description which critics so easily claim to be dreamlike. The pictorial world of González Serrano is, like that of Frida Kahlo, unique and real, it does not belong mainly to the world of dreams, perhaps to that of autobiographical passages which, because they are unknown, are cryptic for us. I find in the piece Desde el balcón a certain similarity with the technical treatment that Max Ernst gave the landscapes in his work from the forties, that detailed effect of the organic which he achieved with frotagge and a fine harmonious brush. We know that González Serrano traveled to and exhibited in the United States, especially California, which is why where much of his works located is unknown, which to date has made it more difficult for him to be known to both specialists and the general public.

    Kunstnik ja muuseum

    Kunstnik

    Manuel González Serrano

    Sündinud koht: Mexico City, Mexico

    Manuel González Serrano: A Mexican Painter of Vibrant Forms

    Born: Mexico City, Mexico (1917)

    Died: 1966

    Manuel González Serrano was a significant figure in the landscape of mid-20th century Mexican art. Born in Mexico City in 1917, his artistic journey unfolded against a backdrop of cultural and political change within Mexico. Though biographical details about his early life remain scarce, it is evident that he emerged as part of a generation deeply influenced by Mexico’s rich heritage and the burgeoning modernist movements.

    Early Life and Artistic Development

    While information regarding González Serrano's formal training is limited, he appears to have been largely self-taught. He began painting at an early age, demonstrating a natural inclination towards artistic expression. His initial works showcased a fascination with the fantastical and surreal, reflecting international trends of the time. He briefly attended classes at La Esmeralda National School of Painting and Sculpture but did not pursue formal studies extensively.

    Key Works and Artistic Style

    González Serrano is perhaps best known for his painting “From the Balcony” (1948), a work that exemplifies his distinctive style. His artistic approach is characterized by:

    Bold Colors: González Serrano employed a vibrant palette, utilizing strong and contrasting colors to create visually striking compositions.

    Geometric Shapes: A defining feature of his work is the incorporation of geometric forms – squares, rectangles, circles – which he integrated into both figurative and abstract elements.

    Influence of Mexican Muralism: While not directly a muralist himself, González Serrano’s art was influenced by the broader movement's emphasis on national identity and social commentary, albeit expressed through a more personal and less overtly political lens.

    Other notable works demonstrate his exploration of portraiture, landscapes, and still lifes, often imbued with symbolic meaning.

    Exhibitions and Recognition

    Early Exhibitions: González Serrano first exhibited his work in 1943 at the Primer Salón de Arte Libre held at the Palacio de Bellas Artes. He continued to exhibit there the following year and had his first individual exhibition at the Galería Decoración.

    Collective Shows: Between 1947 and 1949, he participated in collective exhibitions alongside prominent artists such as Juan Soriano, Jesús Guerrero Galván, and Francisco González Camarena.

    International Exposure: Through his marriage to a wealthy North American woman, González Serrano gained opportunities to exhibit his work in California and connect with the Hollywood art scene.

    Colección Andrés Blaisten: A significant portion of his works can be found within the Colección Andrés Blaisten in Mexico, a renowned collection of Latin American art.

    Later Years and Legacy

    In his later years, González Serrano experienced periods of isolation and mental health challenges, which impacted his artistic output. Despite this, his work continues to be recognized for its unique blend of vibrant color, geometric abstraction, and symbolic imagery. His contribution to Mexican art lies in his ability to synthesize modernist influences with a distinctly Mexican sensibility, creating a body of work that is both visually compelling and culturally resonant.

    For more information about Manuel González Serrano and his artwork, visit AllPaintingsStore.

    Muuseum

    colección-blaisten

    Näitustel asuvas koht Mexico City, Mexico

    A Sanctuary of Mexican Modernity: Exploring the Colección Blaisten

    Mexico City pulses with a creative energy born from centuries of cultural confluence—a vibrant tapestry woven with indigenous traditions, colonial legacies, and a relentless spirit of an enduring innovation. Within this dynamic metropolis lies the

    Colección Blaisten

    , not merely a museum but a carefully curated journey through the very heart of 20th and 21st-century Mexican art. Founded by the passionate collector Andrés Blaisten, the collection began as a deeply personal pursuit, an intimate engagement with the artists shaping a nation’s identity in the wake of revolution and modernization. It has since blossomed into one of Mexico's most significant cultural institutions, offering an unparalleled panorama of artistic expression that extends far beyond familiar narratives of muralism to embrace the diverse voices of a generation grappling with profound change.

    The collection distinguishes itself through its comprehensive representation of the

    Generación de la Ruptura

    —the “Breakaway Generation.” Emerging in the 1950s, these artists deliberately rejected the dominant nationalist style of Mexican muralism, seeking new avenues for expression rooted in abstraction, experimentation, and a dialogue with international art movements. Figures like Gustavo Arias Murueta stand as central to this shift, his work embodying a sophisticated interplay between form, color, and texture that moved beyond overt political messaging towards a more introspective exploration of the human condition. But the museum’s scope is vast; it thoughtfully traces the evolution of Mexican art from early Modernism through contemporary practices, showcasing the enduring influence of masters like Juan O'Gorman—whose unique fusion of modernist principles with pre-Hispanic motifs continues to resonate today—and Manuel González Serrano, whose contributions helped define a new visual language for Mexico.

    Architecture as Atmosphere and Intellectual Dialogue

    The museum itself provides an ideal setting for contemplation and discovery. Housed within the

    Centro Cultural Universitario Tlatelolco

    , the architecture complements rather than competes with the artworks on display. The space is designed to foster a sense of serenity, allowing visitors to fully immerse themselves in the visual experience. Thoughtful lighting and carefully considered layouts guide the eye through the collection, revealing subtle connections and thematic resonances between different works. It is an environment that encourages slow viewing, inviting viewers to linger with each piece and engage in a personal dialogue with the art. The building's history as part of the UNAM campus adds another layer of significance, connecting the museum to Mexico’s broader intellectual and cultural landscape—a testament to the enduring legacy of humanist scholarship.

    Throughout its history, the Colección Blaisten has hosted groundbreaking exhibitions that have challenged conventional interpretations of Mexican art history. Recurring themes explored include indigenous symbolism revisited through modern lenses, explorations of identity and diaspora within Latin American contexts, and investigations into the intersection of art and social activism. Collaborations with prominent curators and artists alike have ensured that the museum remains at the forefront of artistic discourse, fostering critical engagement and inspiring new perspectives on Mexican cultural heritage. These exhibitions underscore the institution’s commitment to promoting intellectual curiosity and stimulating conversations about the role of art in shaping our understanding of the world.

    A Unique Cultural Compass for the Discerning Eye

    What truly sets the Colección Blaisten apart is its unwavering focus on the nuances of Mexican artistic identity. While acknowledging the influence of international trends, it consistently emphasizes the unique cultural context in which these artworks were created—the interplay between indigenous traditions and European influences, the legacy of colonialism, and the ongoing search for national expression. It is a museum that does not simply present art

    from

    Mexico; it presents art

    of

    Mexico, imbued with its history, its struggles, and its enduring spirit.

    For interior designers seeking pieces that tell a profound story, collectors looking to diversify their portfolios with unparalleled historical depth, or art lovers eager to delve deeper into the richness of Mexican culture, the Colección Blaisten offers an experience that is both intellectually stimulating and profoundly moving. It remains a definitive destination for anyone seeking to understand the soul of a nation through its most masterful visual achievements.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib From the Balcony allalaadimislehele

    originaluniqueart.com/et/art/download/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

    Viige seda teost allintena

    MLA
    Serrano, Manuel González. From the Balcony. 1948, colección-blaisten. https://originaluniqueart.com/et/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    APA
    Serrano, Manuel González (1948). From the Balcony [Painting]. colección-blaisten. https://originaluniqueart.com/et/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    Chicago
    Manuel González Serrano. From the Balcony. 1948. colección-blaisten. https://originaluniqueart.com/et/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    Harvard
    Serrano, Manuel González (1948) From the Balcony. colección-blaisten. Available at: https://originaluniqueart.com/et/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

    Vaata lähedalt

    From the Balcony — Manuel González Serrano

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Self-portrait (1943). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Manuel González Serrano oli seda teost luues umbes 31 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teose „From the Balcony“, autor Manuel González Serrano autoriõigused lubavad selle reproduktsiooni?

    Originaalteos "From the Balcony" asub colección-blaisten kogumuses ning teos on on endiselt autoriõiguse all under kaitse.

    Mis on teose „From the Balcony“, autor Manuel González Serrano orientatsioon?

    Teose „From the Balcony“, autor Manuel González Serrano vorm on Tall. See vorm kirjeldab kompositsiooni proportsioone.

    Mis aastal loodi teos „From the Balcony“, autor Manuel González Serrano?

    Teose „From the Balcony“, autor Manuel González Serrano loomimisaastaks on märgitud 1948.