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Pas Mèche [Nothing Doing]

Nimi Klass Kuupäev

Jules Bastien-Lepage, Pas Mèche [Nothing Doing] (1882), Scottish National Gallery. Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Jules Bastien-Lepage originaluniqueart.com/et/artists/jules-bastien-lepage_et/
Kunstniku eluaastad
1848 – 1884
Maalatud
1882
Materjal
Oil On Canvas
Toimub kohas
Scottish National Gallery originaluniqueart.com/et/museums/scottish-national-gallery-edinburgh_et/
Artistic style
Portraiture, Realism
Influences
Courbet, Impressionism
Notable elements
Boy in ragged clothes
Subject or theme
Rural life, Youth

Kontekstis

Pas Mèche [Nothing Doing] — Jules Bastien-Lepage

Millal see maalis on tehtud?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 36 surumisel.

Maalatud siis, kui kunstnik oli 34 aastane. Kunstnik elas 36 aastani. 8 meie kataloogis olevatest selle kunstniku 14 dateeritud teosest on loodud varem.

Varjatud: Jules Bastien-Lepage eluajal (1848–1884) ▲ see teos, 1882 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

  • Joan of Arc, 1879 originaluniqueart.com/et/art/jules-bastien-lepage-joan-of-arc-8XXJ7G-en/
  • Les Foins, 1877 originaluniqueart.com/et/art/jules-bastien-lepage-les-foins-8BWTUJ-en/
  • Sir Henry Irving, 1880 originaluniqueart.com/et/art/jules-bastien-lepage-sir-henry-irving-AQSDTQ-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/

Värvid

Pildist mõõdetud

    Peavärv

    Sap Green #665f46

    Katalogistatud palett

    • #665F46
    • #C5C2B0
    • #938867
    • #413D2F

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Sap Green
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Jules Bastien-Lepage teosed viimase zwölf kuuga — kokku 10 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 47,4%
    2. 2 Ameerika Ühendriigid 15,8%
    3. 3 Ühendusriik 7,9%
    4. 4 Brasiilia 5,3%
    5. 5 Saksamaa 5,3%
    6. 6 Prantsusmaa 5,3%
    7. 7 Ukraina 5,3%
    8. 8 Egiptus 2,6%
    9. 9 Mehhiko 2,6%
    10. 10 Venemaa 2,6%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Jules Bastien-Lepage kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Joan of Arc, 1879 29,6%
    2. 2 Les Foins, 1877 9,3%
    3. 3 Young Girl 9,3%
    4. 4 Jeanne d'Arc 5,6%
    5. 5 At Harvest Time 3,7%
    6. 6 Retour des Champs (Return from the Fields), 1878 3,7%
    7. 7 Pas Mèche [Nothing Doing], 1882 see maalaus 3,7%
    8. 8 EMILE BASTIEN LEPAGE 3,7%
    9. 9 The Mendiant, 1880 3,7%
    10. 10 October - gathering potatoes 1,9%
    11. 11 Pauvre Fauvette, 1881 1,9%
    12. 12 Laura, Lady Alma Tadema, 1879 1,9%
    13. 13 Charcoal landscape, winter 1,9%
    14. 14 Pas Mèche, 1882 1,9%
    15. 15 Girl in a Pink Veil 1,9%
    16. 16 La Pauvre Fauvrette, 1882 1,9%
    17. 17 Sarah Bernhardt 1,9%
    18. 18 The Blind Beggar 1,9%
    19. 19 Portrait d'homme dit Vercingétorix 1,9%
    20. 20 The Little Lord, 1890 1,9%

    Koos kattavad need teosed 93,2% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 54 seda kunstnikku kuuluvat teost, millest 24 on vähemalt üks kord vaadatud. See maaldi on nende seas 7 kohal, selle tähelepanu osaga 3,7%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Pas Mèche [Nothing Doing] — Jules Bastien-Lepage

    A Moment Frozen in Rural France: Jules Bastien-Lepage’s *Pas Mèche*

    Jules Bastien-Lepage's Pas Mèche (Nothing Doing), painted in 1882, isn’t merely a portrait; it’s a carefully constructed tableau of rural life imbued with a quiet dignity and an unspoken narrative. The painting depicts a young boy, likely a barge worker, standing on the edge of a small village road, his gaze direct and unwavering. He is a figure of remarkable composure amidst what appears to be a mundane scene – a worn brown jacket, raggedy trousers, and large, unlaced boots speak to a life of hard work and simple means. Yet, within this apparent ordinariness lies a profound sense of observation and a subtle suggestion of melancholy. Bastien-Lepage, a pivotal figure in the transition from Realism to Naturalism, masterfully captures not just an image but also a feeling—a poignant awareness of time passing and the quiet realities of peasant existence. The title itself, Pas Mèche, is a French slang phrase meaning “Nothing Doing,” hinting at a state of weary resignation or perhaps simply a moment’s pause before returning to labor.

    The Naturalist Approach: Light, Texture, and Observation

    Bastien-Lepage's artistic approach was deeply rooted in the tenets of Naturalism, a movement that sought to depict life as it truly was—without idealization or romantic embellishment. He achieved this through meticulous observation and a masterful understanding of light and texture. Unlike the polished surfaces favored by earlier academic painters, Bastien-Lepage employed loose, visible brushstrokes, allowing the canvas to breathe and revealing the materiality of his subjects. The paint itself seems almost tactile—one can practically feel the roughness of the boy’s clothing and the weathered surface of the road beneath his feet. He utilized a muted palette dominated by earthy browns, greens, and greys, reflecting the colors of the rural landscape he so faithfully rendered. Crucially, Bastien-Lepage spent considerable time en plein air (outdoors), directly observing his subjects in their natural environment, ensuring an unparalleled level of accuracy and authenticity in his depictions. This commitment to direct observation is evident in the boy’s posture, the way the light falls across his face, and the subtle details of the surrounding village.

    Symbolism Within Simplicity: The Tools of Labor

    Beyond the immediate depiction of the boy, Pas Mèche is rich with symbolic elements. The fishing rod clutched in his hand immediately establishes his profession—a barge worker who would have been responsible for guiding and controlling the boats navigating the canals and rivers of France. The horn slung across his back was a vital tool for communication, alerting lockmasters to the approach of a boat. These seemingly simple objects – the rod, the horn, the worn boots – represent not just labor but also a connection to tradition, community, and the rhythms of rural life. The boy’s direct gaze is particularly significant; it suggests an awareness beyond his years, perhaps a recognition of the limitations imposed upon him by his circumstances. His stillness conveys a quiet dignity—a refusal to be defined solely by his humble profession.

    A Legacy of Rural Realism

    Jules Bastien-Lepage’s Pas Mèche stands as a cornerstone of French Naturalist painting, profoundly influencing generations of artists. His ability to capture the essence of rural life with such honesty and sensitivity resonated deeply with audiences seeking an alternative to the idealized depictions prevalent in academic art. Born in 1848 and tragically dying at just thirty-six, Bastien-Lepage’s brief but impactful career left behind a body of work that continues to captivate viewers today. Pas Mèche exemplifies his signature style—a blend of meticulous observation, evocative light, and a profound understanding of the human condition. It's a painting that invites contemplation, prompting us to consider the lives of those who labor unseen and the quiet beauty found in the most unassuming corners of the world. Reproductions of Pas Mèche offer a valuable opportunity to bring this poignant work into any interior space, serving as a reminder of France’s rich artistic heritage and the enduring power of simple, honest representation.

    Kunstnik ja muuseum

    Kunstnik

    Jules Bastien-Lepage

    Sündinud koht: Damvilliers, Prantsusmaa

    Pioneer Naturalismi: Jules Bastien-Lepage’i Elu ja Kunst

    Jules Bastien-Lepage kerkis 19. sajandi lõpu Prantsuse maalikunstis oluliseks figuuriks, sillana traditsioonilise realismikunsti ja kasvava impressionistliku liikumise vahel. Sündinud 1848. aastal väikses Damvilliers’i külas, Meuse’i piirkonnas Prantsusmaal, oli tema kunstiline areng sügavalt juurdunud Prantsusmaa maastike ja elanikkonna hulka. See side päritoluga ei olnud pelgalt biograafiline; see sai tema kunsti väga olemuseks, andes tema lõuenditele autentsuse, mis kõnetas sügavalt publikut, kes otsisid ausamat maailma kujutust. Tema lühike, kuid intensiivselt produktiivne karjäär, tragiliselt katkestatud 1884. aastal vaid kolmekümnekuueselt, jättis kustumatu jälje naturalismi arengusse ja mõjutas kunstnikke üle Euroopa.

    Maaelu Juured ja Kunstiline Koolitus

    Bastien-Lepage’i varane kunstiline haridus tuli tema isalt, samuti maalikunstnikult, kes tundis ära ja kasvatas poja andeid. Noore Jules täitis visandiraamatuid maalide uuringutega maastikust, tabades maaelu rütme tähelepaneliku silmaga. See varajane sukeldu minek looduslikku maailma jäi tema töö määrava omadusena. Formaalse koolituse taotlemine École des Beaux-Arts’is Pariisis algas 1867. aastal, kus ta õppis Alexandre Cabaneli juhendamisel – silmapaistva akadeemilise maalikunstniku, tuntud oma poleeritud tehnika ja ajalooliste teemade poolest. Salongi süsteemi nõutavate oskuste omandamisel kandis Bastien-Lepage samal ajal endas soovi sellest vabaneda. 1870. aasta Prantsuse-Preisi sõja puhkemine katkestas tema õpingud, viies ta vabatahtliku sõdurina teenistusse. See kogemus koos järgnenud haigusega tõi ta tagasi Damvilliers’i, tugevdades tema pühendumust oma parimate tuttavate – talupoegade ja tööliste – elu kujutamisele.

    Naturalismi Tõus ja Bastien-Lepage’i Stiil

    Pärast sõjast Pariisi naasmist hakkas Bastien-Lepage esitlema teoseid, mis tähistasid lahkumist traditsioonilisest akadeemilisest maalikunstist. Tema stiili iseloomustas värvi keerukas pealekandmine – väikesed, sihilikud pintslilöögid ehitasid üles tekstuuri ja vormi – koos soojadest, looduslikest toonidest domineeriva paletiga. Ta omaks plein air maalimist, töötades otse looduses, et tabada valguse ja atmosfääri möödakäivat mõju. See pühendumine vaatlusele ja autentsusele viis ta kokku kasvava naturalismi liikumisega, mis otsis elu kujutada sellisena nagu see oli, ilma idealiseerimiseta või romantismita. Heina niitmine (1877), mida esitleti Salon’is 1879. aastal, osutus murranguliseks hetkeks, kinnestades Bastien-Lepage’i selle uue kunstisuuna juhina. Maali realistlik kujutamine maaelu töötajatest ja maastiku valgusrikas pilt võlus kriitikuid ja publikut. Ta ei piirdunud talupoegade elu dokumenteerimisega; ta tõstis seda esile, andes oma tegelastele väärikust ja austust.

    Peamised Teosed ja Püsiv Mõju

    Bastien-Lepage’i edu ulatus žanritehete väljaspool. Tema portreed said laialdast tunnustust, eriti Portree mu vanaisast (1874), mis saavutas varase tunnustuse, ja silmapaistev portree tähistaht Sarah Bernhardt’st 1879. aastal – tellimus, mis tõi ta veelgi tuntuks. Ta võttis ette ka ajaloolisi teemasid naturalistliku tundlikkusega, nagu näiteks tema maali Jeanne d'Arc, mida hoitakse nüüd Musée d'Orsay’s. See töö esitas Jeanne’i mitte müütilise kangelannana, vaid noore naisena, juurdunud oma maaelu päritolusse, mis kajastas Bastien-Lepage’i pühendumust kujutada tegelasi nende sotsiaalses ja ajaloolises kontekstis. 1883. aastaks oli tema mõju nii laialdane, et kriitikud täheldasid, et kunstnikud üle Euroopa jäljendasid tema stiili – tunnistus tema visiooni jõust. Tema töö resoneeris Briti maalikunstnike nagu George Clausen ja Tom Robertsiga, kes lisasid oma maaelu kujutistesse naturalismi elemente. Jules Bastien-Lepage’i pärand ei seisne mitte ainult tema maalide ilus ja emotsionaalses sügavuses, vaid ka tema rollis kunstilise muutuse katalüsaatorina. Ta rajas tee tulevaste põlvkondade kunstnikele, et uurida uusi viise maailma esindamiseks, väljakutseda konventsioone ja omaks võtta ausam ja autentsisem lähenemine kunstile.

    Muuseum

    Scottish National Gallery

    Näitustel asuvas koht Edinburgh, Ühendatud kuningriik

    A Window Into Scotland’s Soul: The Scottish National Gallery

    Nestled within the heart of Edinburgh, on the historic Mound overlooking the city, lies the Scottish National Gallery – more than just a repository of art, it's a profound reflection of Scotland’s identity, its artistic journey, and its enduring connection to Europe. Designed by the neoclassical master William Henry Playfair and inaugurated in 1859, this magnificent building itself is a testament to classical ideals, boasting imposing Corinthian columns, graceful symmetry, and an atmosphere of quiet reverence perfectly suited for the treasures within. The gallery’s core mission – to showcase Scotland's national collection of fine art spanning from the Renaissance through to the early 20th century – is ambitious yet remarkably realized, offering a panoramic view of artistic styles and techniques shaped by centuries of influence. The very stones of the building whisper tales of royal patronage, artistic rebellion, and a nation’s evolving self-awareness, making a visit here an immersive experience far beyond simply viewing paintings.

    The story of the Scottish National Gallery is inextricably linked with the rise of Scottish art patronage. Initially conceived as part of the Royal Institution for the Encouragement of the Fine Arts in Scotland, the collection began to take shape through carefully acquired works. However, a growing dissatisfaction amongst artists with the institution’s policies led to a pivotal moment in 1838: the formation of the Royal Scottish Academy (RSA). This breakaway group, driven by a fervent desire to establish a truly national art collection, secured its own building on The Mound in 1846 – a structure that would eventually become the foundation for the National Gallery. The RSA’s commitment to collecting and exhibiting art laid the groundwork for the gallery we know today, demonstrating a sustained dedication to fostering artistic excellence within Scotland. This dual heritage—the institutional beginnings alongside the passionate advocacy of artists—is palpable in the gallery's character.

    Architectural Grandeur: A Neoclassical Masterpiece

    Beyond its collection, the building itself is a work of art. William Henry Playfair’s design is a quintessential example of neoclassical architecture, reflecting the grandeur and order associated with ancient Greece and Rome. The façade is dominated by imposing Corinthian columns, meticulously sculpted reliefs depicting allegorical figures, and a sense of balanced proportion that speaks to the ideals of classical design. The interior spaces are equally impressive, featuring soaring ceilings, elegant galleries, and carefully considered lighting – all contributing to an atmosphere of reverence and contemplation for the artworks on display. The building’s very structure serves as a powerful reminder of Scotland's engagement with European artistic traditions, subtly echoing the architectural principles of Rome and Athens while firmly rooted in its Scottish context. Visitors can trace the influence of Roman temples and theatres through the gallery’s spatial arrangement, creating an experience that transcends mere visual appreciation. The deliberate use of light and shadow, a hallmark of neoclassical design, further enhances the sense of drama and solemnity within the galleries.

    Highlights of the Collection: A Journey Through Styles

    Within the gallery’s walls, visitors are treated to a remarkable array of artistic styles and movements. Early Renaissance masterpieces by Italian masters like Raphael and Titian stand alongside works by Scottish artists such as William Clerk Maxwell, whose vibrant landscapes capture the rugged beauty of the Highlands. The collection boasts significant holdings of 18th-century portraiture, offering intimate glimpses into the lives of Scotland’s elite. Notably, the gallery's Impressionist section features a stunning selection of works by Claude Monet and Edgar Degas, reflecting the growing influence of modern European art on Scottish artists. Don't miss the evocative landscapes of William Beattie Brown, capturing the dramatic beauty of the Scottish countryside – his depictions of Highland light are particularly renowned. The gallery also houses an impressive collection of Scottish Colourists, a movement that sought to capture the vibrant hues and emotional intensity of the Scottish landscape with bold, expressive brushstrokes. Particularly captivating is “Diana and Callisto” by Titian, showcasing masterful composition and luminous color palettes—a cornerstone of Renaissance art. Also noteworthy is "Job Confessing His Presumption To God Who Answers From The Whirlwind" by William Blake, a monumental engraving embodying Romantic idealism and symbolic storytelling.

    Beyond the Paintings: Exhibitions and Legacy

    The Scottish National Gallery’s legacy extends far beyond its permanent collection. Throughout its history, the gallery has hosted numerous groundbreaking exhibitions, showcasing both established masters and emerging talents. These events have consistently stimulated dialogue and deepened public engagement with art. Furthermore, the gallery is closely linked to the National Galleries of Scotland, which also encompasses the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery – a powerful network dedicated to preserving and promoting Scotland’s artistic heritage. Recent initiatives include immersive digital experiences that bring the collection to life for a new generation of visitors. The gallery continues to evolve, adapting to contemporary tastes while remaining true to its core mission: to celebrate the enduring power of art to inspire, educate, and connect us to our past.

    A Unique Artistic Destination

    Located in Edinburgh's historic city centre, the Scottish National Gallery offers more than just visual delight; it’s a journey through Scotland’s cultural history. Its serene setting on The Mound provides a tranquil space for contemplation alongside its impressive collection of art—a destination that resonates with visitors seeking inspiration and understanding.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Pas Mèche [Nothing Doing] allalaadimislehele

    originaluniqueart.com/et/art/download/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/

    Viige seda teost allintena

    MLA
    Bastien-Lepage, Jules. Pas Mèche [Nothing Doing]. 1882, Scottish National Gallery. https://originaluniqueart.com/et/art/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/
    APA
    Bastien-Lepage, Jules (1882). Pas Mèche [Nothing Doing] [Painting]. Scottish National Gallery. https://originaluniqueart.com/et/art/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/
    Chicago
    Jules Bastien-Lepage. Pas Mèche [Nothing Doing]. 1882. Scottish National Gallery. https://originaluniqueart.com/et/art/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/
    Harvard
    Bastien-Lepage, Jules (1882) Pas Mèche [Nothing Doing]. Scottish National Gallery. Available at: https://originaluniqueart.com/et/art/jules-bastien-lepage-pas-meche-nothing-doing-D3Y8QK-en/

    Vaata lähedalt

    Pas Mèche [Nothing Doing] — Jules Bastien-Lepage

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria rural life, french countryside, peasant boy alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Joan of Arc (1879). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Jules Bastien-Lepage oli seda teost luues umbes 34 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Kunstiküüpme

    Pas Mèche [Nothing Doing] — Jules Bastien-Lepage

    Kui hästi tunned seda teost?

    Märkige üks vastus iga 5 allpool esitatud küsimuse kohta. Igal on täpselt üks õige vastus.

    1. 1. What is the primary subject depicted in Jules Bastien-Lepage’s ‘Pas Mèche (Nothing Doing)’?

      • A A portrait of a noblewoman
      • B A young boy engaged in farm labor
      • C A historical scene depicting Joan of Arc
    2. 2. The title ‘Pas Mèche’ (Nothing Doing) alludes to what activity?

      • A Preparing for a royal banquet
      • B A barge boy's duties along a river
      • C Painting in an outdoor studio
    3. 3. In what year was ‘Pas Mèche (Nothing Doing)’ painted?

      • A 1870
      • B 1882
      • C 1884
    4. 4. Jules Bastien-Lepage is most closely associated with which artistic movement?

      • A Impressionism
      • B Naturalism
      • C Romanticism
    5. 5. The painting’s depiction of a young boy suggests what broader theme or commentary?

      • A The opulence of the aristocracy
      • B Rural life and its simplicity
      • C The struggles of urban poverty

    Minu tulemus: ____ 5 kohta

    Vastuste võti — õpetajale

    See algab uue trükitud lehe, mistするため saab koopiidist lihtsalt eesmislõiguga eemaldada.

    1B · 2B · 3C · 4B · 5B

    Kontrollige vastust selle maali kataloogiameti andmetega võrreldes

    Korduvad küsimused

    Milline on teose "Pas Mèche [Nothing Doing]" atmosfäär?

    Teose „Pas Mèche [Nothing Doing]“, autor Jules Bastien-Lepage üldine meeleolu on Calm. See meeleolu kirjeldab teose üldist atmosfääri.

    Millissele perioodile Jules Bastien-Lepage karjäärist kuulub teos "Pas Mèche [Nothing Doing]"?

    Teos "Pas Mèche [Nothing Doing]" kuulub Jules Bastien-Lepage loomingulise karjääri perioodi Mature Period. See klassifikatsioon seostab teose kunstniku loovliku arenguga.

    Kust saan näha originaalteost „Pas Mèche [Nothing Doing]“, autor Jules Bastien-Lepage?

    Originaalteost „Pas Mèche [Nothing Doing]“, autor Jules Bastien-Lepage hoiustatakse Scottish National Gallery, Edinburgh, Ühendatud kuningriik muuseumis. Reproduktsioon võimaldab teost koduses keskkonnas esitleda.