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Õpilaste kunstiteoste juhend

Self Portrait

Nimi Klass Kuupäev

John Andreas Savio, Self Portrait, Nordnorsk Kunstmuseum. Avalik omand Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
John Andreas Savio originaluniqueart.com/et/artists/john-andreas-savio/
Kunstniku eluaastad
1902 – 1938
Originaalmõõtud
12 x 12 cm
Period
Modern
Peetud koht:
Nordnorsk Kunstmuseum originaluniqueart.com/et/museums/nordnorsk-kunstmuseum-tromso/

Kontekstis

Self Portrait — John Andreas Savio

Mis on selle suurus?

Originaali mõõdud on 12 × 12 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maaldis on tehtud?

  1. 1900
  2. 1910
  3. 1920
  4. 1930

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 36 surumisel.

Varjatud: John Andreas Savio eluajal (1902–1938) iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Phthalo Green #242526

    Salvestatud palett

    • #242526
    • #CEC6B6
    • #605E4C
    • #998F75

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    John Andreas Savio

    Sündinud koht: Bugøyfjorden, Norway

    A Voice from the North

    John Andreas Savio was a profound Sami artist from Norway whose work served as a vital bridge between a traditional way of life and the encroaching modern world. Born in Bugøyfjord, within the Sør-Varanger Municipality of Finnmark, his early years were shaped by the rugged beauty and the cultural rhythms of the North. Though he is often remembered for his mastery of woodcuts, his art was far more than a technical achievement; it was a deeply personal mission to document the Sami identity, language, and the delicate balance of existence within the Arctic landscape. His life, marked by both great talent and significant hardship, was inextricably linked to the land he sought to portray.

    The trajectory of Savio's life was touched by tragedy from a very young age. Following the loss of his parents in his infancy, he was raised by his maternal grandparents, whose wealth provided him with an education that would eventually allow him to pursue formal training. This path led him to Oslo, where he studied at the Norwegian National Academy of Craft and Art Industry. Despite being a pioneer—the first Sami artist to receive such a formal arts education—his journey was frequently interrupted by illness. A battle with tuberculosis necessitated the removal of a lung, leaving him with a fragile health that would persist throughout his remaining years.

    The Soul of the Woodcut

    Savio’s artistic development was rooted in the observations of his youth. His early sketches and doodles, often found in schoolbooks, were filled with motifs drawn from the daily realities of Sami life and the seasonal movements of reindeer herding. As he matured, these simple observations evolved into a sophisticated visual language characterized by pure expression. He possessed a unique ability to capture not only the external actions of his people—such as the struggle against natural forces and predators—but also the internal, spiritual connection between the individual and the environment.

    His work often reflects the eight Sami seasons, tracing the life course of the reindeer and the human activities tied to each cycle. Through his masterful use of line and texture, particularly in his woodcuts, he conveyed a sense of both the magnificent nature of the North and the vulnerability of those who inhabit it. There is an intense, contemplative quality to his pieces, such as his self-portraits, which utilize masterful brushwork to capture a piercing gaze that seems to look through time itself.

    Legacy and Identity

    The historical significance of John Andreas Savio lies in his role as a cultural custodian. At a time when industrialization and globalization threatened to overshadow the unique traditions of the Sami people, Savio used his art to assert their presence and dignity. He made it his life's task to tell the world about a way of life that was often unappreciated by the broader society. His ability to translate the struggle for survival into a universal aesthetic makes his work a priceless treasure.

    Today, his legacy is preserved through significant collections, including works held at the National Museum and the British Museum. He remains a powerful symbol of identity for the Sami people, representing a strength that persists despite the pressures of change. His art stands as a testament to the enduring bond between humanity and the natural world, ensuring that the stories of the North are never truly lost.

    Muuseum

    Nordnorsk Kunstmuseum

    Näitustel paikal Tromsø, Norway

    A Sanctuary of Resilience in the Arctic Twilight

    In the heart of Tromsø, where the midnight sun and the aurora borealis orchestrate a celestial dance, stands the Nordnorsk Kunstmuseum—a sanctuary for the soul of Northern Norway. This is not merely a repository of canvas and stone; it is a living chronicle of endurance. The museum’s very walls whisper tales of profound transformation, housed within a striking structure that once served as a post and telegraph office in 1917, designed by the architect Søren Andreas Wiese Opsahl. Having weathered the turbulent shifts of history, even serving as a police station during the Second World War, the building now stands as a testament to cultural metamorphosis, offering a poignant dialogue between its utilitarian past and its present role as a vanguard of artistic expression. For the visitor, the architecture itself serves as a bridge, connecting the functional grit of the early twentieth century with the ethereal beauty of contemporary Northern creativity.

    The Pulse of Sámi Heritage and Sublime Landscapes

    To step into the halls of NNKM is to embark on a journey through the spiritual and physical landscapes of the North. At the very heart of the collection lies an unparalleled dedication to

    Sámi art

    , a cornerstone of the region's identity that weaves together ancient traditions with contemporary voices. Here, the viewer encounters works that transcend mere depiction, capturing the profound connection between the people and the natural world. The museum’s mastery of the landscape tradition is perhaps most evident in the sublime works of

    Peder Balke

    , whose romanticized visions of the Arctic coast evoke a sense of awe and cosmic scale. Alongside these, the collection breathes with the energy of artists like Olav Christopher Jenssen, ensuring that the narrative of Sámi culture remains both historically rooted and vibrantly modern. These pieces do not simply occupy space; they convey narratives of resilience and spirituality that resonate powerfully across generations.

    A Tapestry of Norwegian Evolution and Arctic Horizons

    The museum’s curatorial vision extends far beyond the borders of Tromsø, presenting a magnificent panorama of Norwegian art history that spans centuries. Visitors can wander through the opulent textures of Baroque paintings by Henrik Jespersen before encountering the groundbreaking, experimental spirit of

    Edvard Munch

    or the delicate, light-filled Impressionism of Harriet Backer. This diversity is matched by the museum’s remarkable reach; through the

    Kunsthall Svalbard

    , NNKM extends its artistic horizon into the remote Arctic realm of Longyearbyen, fostering a dialogue that addresses pressing environmental themes and contemporary innovation. For the collector or the interior designer seeking inspiration, the Nordnorsk Kunstmuseum offers more than just aesthetic beauty; it provides a profound encounter with the very essence of Northern identity, where every brushstroke tells a story of survival, light, and the eternal majesty of the North.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Self Portrait allalaadimislehele

    originaluniqueart.com/et/art/download/john-andreas-savio-self-portrait-D8CHY9-en/

    Viige seda teost allintena

    MLA
    Savio, John Andreas. Self Portrait. n.d., Nordnorsk Kunstmuseum. https://originaluniqueart.com/et/art/john-andreas-savio-self-portrait-D8CHY9-en/
    APA
    Savio, John Andreas (n.d.). Self Portrait [Painting]. Nordnorsk Kunstmuseum. https://originaluniqueart.com/et/art/john-andreas-savio-self-portrait-D8CHY9-en/
    Chicago
    John Andreas Savio. Self Portrait. n.d. Nordnorsk Kunstmuseum. https://originaluniqueart.com/et/art/john-andreas-savio-self-portrait-D8CHY9-en/
    Harvard
    Savio, John Andreas (n.d.) Self Portrait. Nordnorsk Kunstmuseum. Available at: https://originaluniqueart.com/et/art/john-andreas-savio-self-portrait-D8CHY9-en/

    Vaata lähedalt

    Self Portrait — John Andreas Savio

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria self portrait, man, beard alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Millist reproduktsiooni suurust soovitatakse teosele „Self Portrait“, autor John Andreas Savio?

    Soovitatav trükimõõt teosele „Self Portrait“, autor John Andreas Savio on Small.

    Mis on teose „Self Portrait“, autor John Andreas Savio luminants?

    Teose „Self Portrait“, autor John Andreas Savio kirjeldatud luminants on Gentle Luminance.

    Miks on teose "Self Portrait" autoriõiguste staatus selline, nagu see on?

    Teose "Self Portrait" tegiteks - avalikus õiguses – selle autoriõigud onหมดunud - tuleneb kunstniku surma aastast 1938.