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Self-portrait

Nimi Klass Kuupäev

Joaquín Sorolla, Self-portrait (1909). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Joaquín Sorolla originaluniqueart.com/et/artists/joaquin-sorolla_et/
Kunstniku eluaastad
1863 – 1923
Maalatud
1909
Materjal
Oil On Canvas
Liikumine
Late Impressionism
Aeglkond
19th Century
Artistic style
Impressionist
Influences
Sorolla
Notable elements
Cowboy hat, gun, light
Subject or theme
Self-portraiture

Kontekstis

Self-portrait — Joaquín Sorolla

Millal see maalis on tehtud?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 60 surumisel.

Maalatud siis, kui kunstnik oli 46 aastane. Kunstnik elas 60 aastani. 329 meie kataloogis olevatest selle kunstniku 558 dateeritud teosest on loodud varem.

Varjatud: Joaquín Sorolla eluajal (1863–1923) ▲ see teos, 1909 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1901 Peamised töötusaastad: 1901–1911 Hilisemad teosed: alates aastast 1911

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

Värvid

Pildist mõõdetud

    Peavärv

    Black #141013

    Katalogistatud palett

    • #141013
    • #78685B
    • #473F39
    • #C7B3A3

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Black
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Joaquín Sorolla teosed viimase zwölf kuuga — kokku 52 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 39,0%41900 külastust
    2. 2 Ameerika Ühendriigid 8,3%8900 külastust
    3. 3 Hispaania 7,5%8000 külastust
    4. 4 Prantsusmaa 6,2%6700 külastust
    5. 5 Lõuna-Korea 4,5%4800 külastust
    6. 6 Singapur 4,5%4800 külastust
    7. 7 Hong Kong 4,1%4400 külastust
    8. 8 Rumeenia 3,9%4200 külastust
    9. 9 Itaalia 3,2%3400 külastust
    10. 10 Ühendusriik 2,3%2500 külastust
    11. · 42 teist riiki 16,5%17700 külastust

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Joaquín Sorolla kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Õnnelik tüdruk lilledega, 1886 6,4%9300 külastust
    2. 2 Rannapromenad, 1909 2,0%2900 külastust
    3. 3 Running along the beach, 1908 1,6%2300 külastust
    4. 4 Valencia beach in the morning light, 1908 1,5%2200 külastust
    5. 5 Seville, the Dance, 1915 1,4%2000 külastust
    6. 6 Sewing the Sail, 1896 1,1%1600 külastust
    7. 7 Siesta, 1911 1,1%1600 külastust
    8. 8 Coast at Santa Cristina, 1914 1,0%1400 külastust
    9. 9 bacante, 1886 1,0%1400 külastust
    10. 10 Midday at Valencia beach, 1904 0,9%1300 külastust
    11. 11 "Fishing Nets" -> "Kaalukaid ja Meriseనె", 1893 0,8%1100 külastust
    12. 12 Sea Idyll, 1908 0,8%1100 külastust
    13. 13 On the Rocks at Javea, 1905 0,8%1100 külastust
    14. 14 Nude with Ball, 1887 0,8%1100 külastust
    15. 15 The Little Sailing Boat, 1909 0,8%1100 külastust
    16. 16 Messalina in the Arms of the Gladiator, 1886 0,8%1100 külastust
    17. 17 Swimmers, Jávea, 1905 0,7%1000 külastust
    18. 18 Clotilde on the Beach, 1904 0,7%1000 külastust
    19. 19 València merehel, 1916 0,6%900 külastust
    20. 431 Self-portrait, 1909 see maalaus 0,1%100 külastust

    Koos kattavad need teosed 24,9% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 850 seda kunstnikku kuuluvat teost, millest 470 on vähemalt üks kord vaadatud. See teos on nende seas 431 kohal, pälva esitledes 0,1% sellest tähelepanust (100 külastust). Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Self-portrait — Joaquín Sorolla

    A Portrait of Resilience: Joaquín Sorolla’s ‘Self-Portrait’

    Joaquín Sorolla y Bastida's 1909 self-portrait is more than just a likeness; it’s a potent distillation of the artist’s life, his spirit, and the very essence of Spain itself. Painted during a period of immense personal upheaval – following the death of his wife and child – this work reveals a profound sense of melancholy tempered by an unwavering gaze and a quiet dignity. The image depicts Sorolla himself, a man defined by his iconic cowboy hat, seated before a simple table laden with a bottle, instantly conjuring images of the Spanish countryside and a life lived outdoors. His hand rests upon a firearm, not as an instrument of aggression, but perhaps as a symbol of protection or simply a familiar tool of his outdoor pursuits – a reflection of his time spent painting landscapes and capturing the light.

    The Radiant Style of Valencian Impressionism

    Technique: Sorolla’s mastery is immediately apparent in his use of alla prima, or “at first sight,” a technique where he builds up the painting directly, layer upon layer, without extensive underpainting. This creates an incredible sense of immediacy and vibrancy, particularly evident in the way light dances across the canvas.

    Color Palette: The dominant hues – warm ochres, yellows, and blues – are characteristic of Valencian Impressionism, a movement Sorolla helped pioneer. He expertly employed broken color to capture the shimmering effects of sunlight, creating an almost palpable sense of warmth and atmosphere.

    Brushwork: Loose, expressive brushstrokes contribute significantly to the painting’s dynamism. They aren't meticulously controlled; instead, they convey a feeling of movement and energy, mirroring Sorolla’s own passionate approach to his art.

    Symbolism and Context – A Man Defined by Light

    The year 1909 was a pivotal one for Sorolla. He had recently returned from Rome, where he'd spent several years studying classical sculpture, but it was back in his beloved Valencia that he truly flourished. The presence of the bottle and the gun speaks to a life lived intensely, a life connected to both leisure and responsibility. The background figure, subtly included, adds another layer of complexity – perhaps representing family or simply the enduring influence of the Spanish landscape. Sorolla’s work during this period is often interpreted as a reflection of his personal struggles, yet it remains remarkably optimistic, imbued with a belief in the restorative power of light and nature.

    Emotional Resonance and Artistic Legacy

    “Self-Portrait” transcends a simple depiction of an individual; it’s a window into the soul of one of Spain's most beloved artists. Sorolla’s ability to capture both vulnerability and strength, sorrow and resilience, is what makes this painting so enduringly captivating. It exemplifies his signature style – a luminous celebration of Spanish light and life. WahooArt offers meticulously crafted hand-painted reproductions that faithfully recreate the brilliance and emotional depth of this iconic work, allowing you to experience Sorolla’s vision firsthand.

    Kunstnik ja muuseum

    Kunstnik

    Joaquín Sorolla

    Sündinud koht: València, Hispaania

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Artistic Beginnings

    Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27, 1863, in Valencia, Spain, he descended from a modest family of tradesmen. Tragically, just two years later, his parents succumbed to cholera—a devastating epidemic that gripped the city—leaving him orphaned alongside his sister, Concha. Their maternal aunt and uncle stepped forward to provide care, fostering an early awareness of vulnerability and resilience – themes that would subtly inform Sorolla’s artistic vision throughout his career. Recognizing his exceptional talent at a young age, he commenced formal art education in Valencia, honing his skills under the tutelage of prominent Valencian artists like Cayetano Capuz and José Benlliure. This foundational training instilled in him a disciplined approach to observation and representation—skills that would prove invaluable as he embarked on his artistic journey. At eighteen, Sorolla ventured to Madrid, immersing himself in the vibrant cultural landscape of the capital and dedicating himself to intensive study at the Museo del Prado, where he encountered the masterpieces of Velázquez and other titans of Spanish art.

    Rome: The Crucible of Impressionism

    A pivotal moment arrived when Sorolla secured a prestigious grant enabling him to pursue his artistic ambitions in Rome—the Italian capital—between 1884 and 1888. This immersion in the artistic milieu of Italy proved transformative, exposing him to the burgeoning currents of Impressionism and fostering an enduring fascination with capturing fleeting moments of light and color. Influenced by artists such as Jules Bastien-Lepage and Adolf von Menzel—whose works he meticulously studied—Sorolla began to experiment with looser brushstrokes and brighter palettes, distancing himself from the more rigid conventions of academic painting. He established connections with José Benlliure and Emilio Sala, furthering his artistic education and solidifying his stylistic evolution. During this period, Sorolla’s gaze turned towards Paris, where he encountered the epicenter of modern art—a city pulsating with innovation and intellectual ferment. Exhibitions featuring Bastien-Lepage and Menzel profoundly impacted his artistic sensibilities, shaping his approach to composition and color harmony.

    The Valencian Coast: A Celebration of Light

    Sorolla’s artistic focus shifted decisively upon returning to Valencia in 1890—a homecoming marked by a renewed appreciation for the luminous landscapes of his birthplace. He married Clotilde García del Castillo, forging a lifelong partnership that would inspire him creatively and provide unwavering support throughout his prolific career. Together they established a family in Madrid, where Sorolla continued to produce monumental canvases depicting scenes from Valencian life—particularly those centered around the Mediterranean coast. His fascination with capturing the effects of sunlight on water and skin reached its zenith during this period, resulting in iconic paintings like The Return from Fishing and *Children on the Seashore*. He adopted a technique characterized by rapid brushwork and vibrant color combinations—a deliberate departure from academic realism—reflecting his unwavering commitment to Impressionistic principles. Sorolla’s canvases are imbued with an extraordinary sense of immediacy and vitality, conveying not merely what he saw but also how he felt—a testament to his artistic empathy and profound connection to the natural world.

    Major Achievements & Legacy

    Sorolla achieved international acclaim during his lifetime through numerous exhibitions across Europe and America. His paintings were recognized for their technical brilliance and emotional depth, establishing him as one of Spain’s foremost artists of his era. He garnered considerable honors—including the Grand Prix at the Paris Salon in 1900—and was commissioned to undertake ambitious projects such as Vision of Spain, a monumental mural cycle for the Hispanic Society of America—completed posthumously—that cemented his reputation as a visionary artist and a champion of Spanish culture. Sorolla’s influence extended far beyond his own lifetime, inspiring generations of painters who embraced Luminism—the art movement that sought to capture the essence of light and atmosphere—and whose works continue to resonate with audiences today. His legacy resides not only in his stunning canvases but also in his unwavering dedication to artistic innovation and his profound appreciation for the beauty of everyday life—a painter whose enduring vision continues to illuminate our understanding of Spanish art history.

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    Leidke seda internetist

    QR-kood, mis viib Self-portrait allalaadimislehele

    originaluniqueart.com/et/art/download/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Viige seda teost allintena

    MLA
    Sorolla, Joaquín. Self-portrait. 1909, https://originaluniqueart.com/et/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    APA
    Sorolla, Joaquín (1909). Self-portrait [Painting]. https://originaluniqueart.com/et/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Chicago
    Joaquín Sorolla. Self-portrait. 1909. https://originaluniqueart.com/et/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Harvard
    Sorolla, Joaquín (1909) Self-portrait. Available at: https://originaluniqueart.com/et/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Vaata lähedalt

    Self-portrait — Joaquín Sorolla

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria self-portrait, cowboy hat, spanish artist alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Valencia beach in the morning light (1908). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Joaquín Sorolla oli seda teost luues umbes 46 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teose "Self-portrait" allalaadimine on võimalik?

    Teose „Self-portrait“, autor Joaquín Sorolla digitaalset pilti vormatsis kõrge resolutsiooniga digitaalse pildi allalaadimine saab alla laadida selle Laadi alla lehelt.

    Millistes mõõtudes ja millises suunases on "Self-portrait" trükkimist soovitatav teha?

    Teose "Self-portrait" puhul on soovitatav trükiformaat Large suurusega ja Portrait suunaga.

    Kas teoses "Self-portrait" on nähtav tugev kerge-tume kontrast?

    Teoses „Self-portrait“, autor Joaquín Sorolla on nähtav Statement kontrast heellemiste ja tumedate alade vahel.