Paberikuju

Õpilaste kunstiteoste juhend

Sleepers

Nimi Klass Kuupäev

Horace Pippin, Sleepers (1943). Avalik omand Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Horace Pippin originaluniqueart.com/et/artists/horace-pippin/
Kunstniku eluaastad
1888 – 1946
Maalatud
1943
Originaalmõõtud
23 x 31 cm

Kontekstis

Sleepers — Horace Pippin

Mis on selle suurus?

Originaali mõõdud on 23 × 31 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 58 surumisel.

Maalatud siis, kui kunstnik oli 55 aastane. Kunstnik elas 58 aastani. 2 meie kataloogis olevatest selle kunstniku 4 dateeritud teosest on loodud varem.

Varjatud: Horace Pippin eluajal (1888–1946) ▲ see teos, 1943 iga dateeritud maal, aastakümne kaupa

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/horace-pippin-sleepers-D2VSHA-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Phthalo Green #1c1f19

    Salvestatud palett

    • #1C1F19
    • #6F6758
    • #4F4C43
    • #988970

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Horace Pippin kõige vaadatavamad teosed (kokku 2)

    1. 1 School Studies, 1944 100,0%
    2. — Sleepers, 1943 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 4 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Horace Pippin

    Sündinud koht: West Chester, United States of America

    Horace Pippin: A Voice Forged in War and Color

    Horace Pippin (February 22, 1888 – July 6, 1946) remains a profoundly resonant figure in American art history—a testament to resilience, self-taught artistry, and the power of visual storytelling. Born in West Chester, Pennsylvania, into a family grappling with the legacy of slavery, Pippin’s journey from a young boy sketching racehorses to a celebrated painter is one of remarkable determination and artistic evolution. His work transcends mere representation; it embodies the spirit of his time, reflecting both the horrors of World War I and the burgeoning struggle for racial equality in America.

    Pippin's early life was marked by hardship and limited formal education. Growing up in Goshen, New York, he largely taught himself to draw, fueled by a natural talent and an insatiable curiosity about the world around him. His family’s history—rooted in slavery and domestic service—shaped his perspective and informed the themes that would later dominate his art. Despite lacking traditional training, Pippin developed a distinctive style characterized by bold outlines, vibrant colors, and a remarkable ability to capture emotion and movement. This unique approach stemmed from an intuitive understanding of composition and color theory, honed through countless hours of observation and practice.

    The Crucible of War: Painting the Reality of Combat

    Horace Pippin’s artistic trajectory took a dramatic turn during World War I when he enlisted with the 369th Infantry Regiment—the Harlem Hellfighters—an all-Black unit that served with distinction in France. His experiences on the front lines, including being shot and severely wounded in his right shoulder, profoundly impacted his art. The injury, initially debilitating, became a catalyst for creativity; Pippin adapted to painting primarily with his left hand, developing an innovative technique of guiding the brush with his wrist—a testament to his unwavering spirit.

    His war paintings are not romanticized depictions of heroism but stark and unflinching portrayals of combat. Works like “The End of the War: Starting Home” (1930-33) capture the chaos, exhaustion, and psychological toll of trench warfare with a raw honesty rarely seen in contemporary art. These pieces, imbued with a deep sense of empathy and understanding, stand as powerful indictments of war’s brutality and a poignant reflection on the experiences of Black soldiers fighting for their country.

    Beyond the Battlefield: Exploring American Life

    Following his return to America, Pippin continued to explore a diverse range of subjects in his art. While his wartime paintings remain central to his legacy, he also produced compelling depictions of African American family life, historical events, and biblical scenes. His work frequently addressed themes of social justice, particularly the lingering effects of slavery and racial segregation in the United States. “Giving Thanks” (1942), for example, offers a tender portrait of a Black family gathered around a table, celebrating a bountiful harvest—a powerful symbol of resilience and hope amidst adversity.

    Pippin’s artistic vision extended beyond mere representation; he sought to capture the essence of his subjects – their emotions, their struggles, and their humanity. His use of color was particularly striking, employing bold hues and dynamic compositions to create visually arresting images that resonated deeply with viewers. He skillfully blended elements of folk art—characterized by simple forms and expressive brushwork—with a more sophisticated understanding of artistic technique.

    Legacy and Recognition

    Despite facing significant challenges as a self-taught Black artist in a predominantly white art world, Horace Pippin achieved considerable recognition during his lifetime. He was the first African American to be the subject of a full-length monograph, “Horace Pippin, A Negro Painter in America” (1947), by Selden Rodman—a landmark achievement that brought attention to his work and challenged prevailing racial biases within the art community. The New York Times famously hailed him as "the most important Negro painter" in American history.

    Today, Pippin’s paintings are celebrated for their emotional depth, artistic innovation, and historical significance. His legacy continues to inspire artists and art enthusiasts alike, serving as a reminder of the transformative power of creativity and the importance of amplifying marginalized voices. His work can be found in prestigious collections such as the New Hope Museum of Art and is documented extensively online through platforms like wahooart.com, offering viewers a window into the life and artistry of this remarkable American painter.

    Pippin’s story stands as an enduring testament to the human spirit—a celebration of resilience, creativity, and the unwavering pursuit of artistic expression in the face of adversity. His paintings remain powerful symbols of hope, justice, and the beauty found within the complexities of the American experience.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Sleepers allalaadimislehele

    originaluniqueart.com/et/art/download/horace-pippin-sleepers-D2VSHA-en/

    Viige seda teost allintena

    MLA
    Pippin, Horace. Sleepers. 1943, https://originaluniqueart.com/et/art/horace-pippin-sleepers-D2VSHA-en/
    APA
    Pippin, Horace (1943). Sleepers [Painting]. https://originaluniqueart.com/et/art/horace-pippin-sleepers-D2VSHA-en/
    Chicago
    Horace Pippin. Sleepers. 1943. https://originaluniqueart.com/et/art/horace-pippin-sleepers-D2VSHA-en/
    Harvard
    Pippin, Horace (1943) Sleepers. Available at: https://originaluniqueart.com/et/art/horace-pippin-sleepers-D2VSHA-en/

    Vaata lähedalt

    Sleepers — Horace Pippin

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 1 — kas oled sama arvamust?)
    4. Vaadake tagasi selle juhendi alguses esitatud teosele The Trial of John Brown (1942). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Horace Pippin oli selle teose valvimisel umbes 55 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Millist värviharmoniat esitab „Sleepers“, autor Horace Pippin?

    Teose „Sleepers“, autor Horace Pippin värvid kujutavad Strong Color Unity harmooniat. Harmoonia kirjeldab, kuidas värvid omavahel seotud on.

    Kuidas teose „Sleepers“, autor Horace Pippin värvikompositsioon on üles ehitatud?

    Teose „Sleepers“, autor Horace Pippin värvikompositsioon ühendab endas Gentle kontrastiga Strong Color Unity harmooniat.

    Kas teose „Sleepers“, autor Horace Pippin värvid on eraldavad või pehmed?

    Teose „Sleepers“, autor Horace Pippin värvitoit on Muted kütkusega ja Monochromatic intensiivsusega.