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Õpilaste kunstiteoste juhend

Sir Frederic William Burton

Nimi Klass Kuupäev

Henry Tanworth Wells, Sir Frederic William Burton (1863). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Henry Tanworth Wells originaluniqueart.com/et/artists/henry-tanworth-wells/
Kunstniku eluaastad
1828 – 1903
Maalatud
1863
Originaalmõõtmed
76 x 64 cm

Kontekstis

Sir Frederic William Burton — Henry Tanworth Wells

Mis on selle mõõt?

Originaali mõõdud on 76 × 64 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 75 surumisel.

Maalatud siis, kui kunstnik oli 35 aastane. Kunstnik elas 75 aastani. 1 meie kataloogis olevatest selle kunstniku 27 dateeritud teosest on loodud varem.

Varjatud: Henry Tanworth Wells eluajal (1828–1903) ▲ see teos, 1863 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1868 Peamised töötusaastad: 1868–1886 Hilisemad teosed: alates aastast 1886

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

Värvid

Pildist mõõdetud

    Peavärv

    Clay #c27a4a

    Katalogistatud palett

    • #C27A4A
    • #0B0404
    • #7D3F1A
    • #381509

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Clay
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Henry Tanworth Wells teosed viimase zwölf kuuga — kokku 4 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Austraalia 57,1%1200 visits
    2. 2 Hiina 28,6%600 visits
    3. 3 Ameerika Ühendriigid 9,5%200 visits
    4. 4 Brasiilia 4,8%100 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Henry Tanworth Wells kõige vaatamistundlikumad teosed (kokku 13)

    1. 1 Queen Victoria Opening of the Royal Courts of Justice, 1882 65,7%2300 visits
    2. 2 Volunteers at the Firing Point, 1866, 1866 5,7%200 visits
    3. 3 Victoria Regina: Queen Victoria receiving the news of her Accession, 1880 2,9%100 visits
    4. 4 William Edward Forster, 1875 2,9%100 visits
    5. 5 Walter Percy Sladen, 1901 2,9%100 visits
    6. 6 Man with a Beard and Open Necked Shirt, 1864 2,9%100 visits
    7. 7 The Right Honourable George Denman (1819–1896), Fellow, Judge and Politician, 1893 2,9%100 visits
    8. 8 Peter Locke King, 1874 2,9%100 visits
    9. 9 Jonathan Angus, Esq., Mayor of Newcastle (1880 1881), 1882 2,9%100 visits
    10. 10 Charles West Cope (1811–1890), 1879 2,9%100 visits
    11. 11 Lionel Smith Beale (1828–1906), 1876 2,9%100 visits
    12. 12 John Beasley of Chapel Brampton (d.1908) 2,9%100 visits
    13. — Sir Frederic William Burton, 1863 see maalaus 0,0%0 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 32 seda kunstnikku kuuluvat teost, millest 12 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Henry Tanworth Wells

    A Legacy of Precision: The Life and Art of Henry Tanworth Wells

    Henry Tanworth Wells was a painter of profound discipline, an artist who navigated the shifting tides of the Victorian era with a steadfast commitment to academic excellence. Born in London on December 14, 1828, Wells emerged from a family of merchants, a background that perhaps contributed to the meticulous and structured approach he brought to his canvas. His early training was far from purely academic; before he ever commanded a large-scale oil portrait, he honed his eye as a lithographer’s assistant under Messrs Dickinson. This foundational period in lithography instilled in him an unparalleled appreciation for fine lines and textural detail, skills that would later define his reputation as a master of both miniature and large-format portraiture.

    His artistic identity was deeply intertwined with the social and creative fabric of his time. In 1849, while in the picturesque setting of Betws-y-Coed, Wales, Wells encountered the talented artist Joanna Mary Boyce. Their connection was not merely romantic but profoundly professional, as they shared a passion for the evolving aesthetics of the mid-1s9th century. Though their marriage in 1857 brought him into the intimate orbit of the Pre-Raphaelite circle—including luminaries such as Dante Gabriel Rossetti and Ford Madox Brown—Wells maintained a unique position. While he embraced the movement's dedication to sincere observation and meticulous detail, he resisted its more escapist or fantastical impulses, preferring instead an academic groundedness that celebrated the dignity of his subjects.

    The Mastery of Portraiture and Historical Narrative

    The evolution of Wells’ technique is a journey from the delicate intimacy of miniatures to the commanding presence of oil portraiture. For many years, he was celebrated for his small-scale works, which required a breath-taking level of precision. However, it was in 1861 that he truly began to assert himself in the realm of oils, creating portraits that captured the psychological depth and social stature of the Victorian elite. His ability to render the weight of velvet, the sheen of silk, and the subtle nuances of human expression made him a preferred chronicler of his age.

    His most enduring contribution to art history remains his celebrated depiction of royalty, specifically Victoria Regina. In this masterpiece, Wells captures the poignant moment the young Queen Victoria receives the news of her accession to the throne. Through this work, he achieved a rare feat: blending historical gravity with an intimate, humanizing gaze. This painting, along with other notable works such as Judge James Stansfield and The Right Honourable George Denman, showcases his ability to use light and shadow to create a sense of atmosphere that is both regal and deeply personal.

    A Pillar of the Royal Academy and Artistic Integrity

    Beyond the canvas, Wells was a figure of immense institutional importance. As a member of the Royal Academy (RA), he was known not only for his talent but for his unwavering integrity and devotion to the institution. He served as a defender of the Academy's traditions during periods of significant reform, acting as a stabilizing force during the turbulent years when the Pre-Raphaelite influence challenged established norms. His leadership roles, including serving as Deputy-President during the absence of Lord Leighton, underscore his respect within the professional community.

    The tragedy of his personal life—the loss of his beloved wife Joanna during childbirth in 1861—could have derailed a lesser artist. Instead, Wells channeled his grief into a continued, tireless pursuit of artistic truth. His later works, such as the 1903 portrait of Alderman Edwin Grove, continue to reflect that same commitment to clarity and character. When he passed away on January 16, 1903, he left behind a legacy of an artist who bridged the gap between the meticulous traditions of the past and the burgeoning realism of the modern age, ensuring that the faces and figures of his era would be preserved with eternal dignity.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Sir Frederic William Burton allalaadimislehele

    originaluniqueart.com/et/art/download/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

    Viige seda teost allintena

    MLA
    Wells, Henry Tanworth. Sir Frederic William Burton. 1863, https://originaluniqueart.com/et/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    APA
    Wells, Henry Tanworth (1863). Sir Frederic William Burton [Painting]. https://originaluniqueart.com/et/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    Chicago
    Henry Tanworth Wells. Sir Frederic William Burton. 1863. https://originaluniqueart.com/et/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    Harvard
    Wells, Henry Tanworth (1863) Sir Frederic William Burton. Available at: https://originaluniqueart.com/et/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

    Vaata lähedalt

    Sir Frederic William Burton — Henry Tanworth Wells

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Victoria Regina: Queen Victoria receiving the news of her Accession (1880). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Henry Tanworth Wells oli seda teost luues umbes 35 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Mis on Henry Tanworth Wells pseudonüümid või alternatiivsed nimed?

    Teised Henry Tanworth Wells jaoks kirjutatud nimed, teose "Sir Frederic William Burton" looja, hõlmavad ka Ra.

    Millised värvid domineerivad teoses „Sir Frederic William Burton“, autor Henry Tanworth Wells?

    Teose „Sir Frederic William Burton“, autor Henry Tanworth Wells värvimaailm: Earthy palett, mille domineerib Clay (#c27a4a).

    Mis on teose „Sir Frederic William Burton“, autor Henry Tanworth Wells luminants?

    Teose „Sir Frederic William Burton“, autor Henry Tanworth Wells luminants on Dark. Luminants kirjeldab, kui palju valgust värvid peegeldavad.