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Schizophrenia 9

Nimi Klass Kuupäev

Halim Al-Karim, Schizophrenia 9 (2013), Contemporary Art Platform. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Halim Al-Karim originaluniqueart.com/et/artists/halim-al-karim/
Kunstniku eluaastad
1956 –
Maalatud
2013
Originaalmõõtmed
24 x 32 cm
Toimub kohas
Contemporary Art Platform originaluniqueart.com/et/museums/contemporary-art-platform-kuwait-city_et/

Kontekstis

Schizophrenia 9 — Halim Al-Karim

Mis on selle mõõt?

Originaali mõõdud on 24 × 32 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

Maalatud siis, kui kunstnik oli 57 aastane. 0 meie kataloogis olevatest selle kunstniku 3 dateeritud teosest on loodud varem.

▲ see teos, 2013 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/halim-al-karim-schizophrenia-9-D4C7W4-en/

Värvid

Pildist mõõdetud

    Peavärv

    Cobalt Violet #576185

    Katalogistatud palett

    • #576185
    • #B8A07F
    • #907F70
    • #393465

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Cobalt Violet
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Halim Al-Karim kõige vaatamistundlikumad teosed (kokku 2)

    1. 1 Heaven can wait, 2013 100,0%200 visits
    2. — Schizophrenia 9, 2013 see maalaus 0,0%0 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 3 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Schizophrenia 9 — Halim Al-Karim

    Al-Karim’s approach to image-making is as an outward projection of his inner-consciousness and a visual manifestation of spiritual awakening and serenity. His evasive dream-like images evoke a range of instinctual emotive responses, the ability of true perception existing as a preternatural power within each of us, which can be understood and harnessed through the pursuit of metaphysical enlightenment.Some of the photographs Al Karim presents beneath a tautly stretched layer of silk fabric that operates as both a physical veil masking the portraits and a metaphorical filter or screen. This ’barrier’ between viewer and image can be conceived as a liminal space, a transcendental portal between being and becoming, where the mystical properties of change take place.

    Kunstnik ja muuseum

    Kunstnik

    Halim Al-Karim

    Sündinud koht: Najaf, Iraq

    The Veiled Truth: The Ethereal World of Halim Al-Karim

    In the delicate intersection where memory meets shadow, the work of Halim Al-Karim resides. Born in 1963 in the historic city of Najaf, Iraq, Al-Karim’s artistic journey is not merely a progression of technique, but a profound navigation through the landscapes of trauma, survival, and spiritual awakening. His early years, spent moving between the cultural richness of Beirut and the ancient echoes of Baghdad, provided a foundation steeped in history and myth. The influence of his father, an amateur photographer who experimented with intentional blur, planted the seeds for Al-Karim’s later obsession with the indistinct and the obscured. This fascination with what lies beneath the surface would eventually become the heartbeat of his practice.

    The trajectory of Al-Karim’s life was irrevocably altered by the turbulence of the Persian Gulf War. Forced to flee military service under Saddam Hussein’s regime, he endured a harrowing three-year period of seclusion, hiding within a rock-covered hole in the southern Iraqi desert. It was during this time of profound isolation that his survival was secured by the kindness of an elderly Bedouin woman, who provided sustenance and introduced him to the mysteries of Sufi mysticism and gypsy customs. This experience of being hidden—both physically and psychologically—became the cornerstone of his creative identity. The concept of al-batin, the Sufi term for the hidden or inner truth, permeates his work, transforming the act of photography from a documentary tool into a spiritual pursuit of the unseen.

    Technique as Metaphor: The Art of Obscuration

    Al-Karim’s aesthetic is a masterful rejection of clarity. He does not seek to capture the world as it appears to the eye, but rather as it is felt in the soul. His process involves a sophisticated layering of media, where he merges stills from cinema, historical artifacts, and classical paintings with his own photographic captures. By utilizing both antiquated darkroom techniques and modern digital manipulation, he creates images that feel like fragments of a dream or echoes of a lost era. He often employs a deliberate blur, enlarging negatives to create an uncertainty of context, time, and place, forcing the viewer to confront the fragility of their own perception.

    Perhaps his most iconic signature is the application of silk fabric over his prints. By stretching thin layers of white or black silk across the surface, Al-Karim creates a physical and metaphorical veil. This barrier serves several profound purposes:

    The Liminal Space: The silk acts as a portal between being and becoming, a translucent threshold where the viewer must peer through to find meaning.

    The Mask of Memory: Much like the fog of trauma, the fabric obscures details, representing how time and hardship erode the sharpness of our recollections.

    Materiality and Texture: The tactile nature of the silk adds a sculptural dimension to his photography, bridging the gap between two-dimensional imagery and physical presence.

    Legacy and Global Resonance

    The significance of Halim Al-Karim’s work extends far beyond the borders of the Middle East. His ability to translate personal displacement into a universal language of human resilience has earned him a place in the most prestigious art institutions worldwide. From his participation in the historic Iraqi Pavilion at the 54th Venice Biennale to his inclusion in the permanent collections of the Victoria and Albert Museum in London and the Mori Art Museum in Tokyo, his voice resonates with a global audience. His work speaks to anyone who has experienced the loss of home, the weight of history, or the search for identity amidst chaos.

    Through his series such as Hidden War and Hidden Victims, Al-Karim continues to explore the duality of the human condition—the tension between the visible reality of conflict and the invisible strength of the spirit. He remains a vital figure in contemporary art, reminding us that even when the world is blurred by pain or obscured by shadows, there is a profound, luminous truth waiting to be discovered beneath the veil.

    Muuseum

    Contemporary Art Platform

    Näitustel asuvas koht Kuwait City, Kuwait

    A Sanctuary of Creativity in the Heart of Kuwait

    In the bustling rhythm of the Shuwaikh Industrial Area, tucked away within the creative pulse of the Design District, lies a sanctuary that defies the conventional boundaries of a museum. The

    Contemporary Art Platform (CAP) Kuwait

    is not merely a repository for static objects; it is a living, breathing incubator designed to nurture the seeds of artistic talent and foster a profound cultural dialogue across the Middle Eastern landscape. Since its inception in 2011, founded by the visionary art collector

    Amer Huneidi

    , CAP has functioned as a vital bridge between local expression and global discourse. It stands as a testament to Kuwait’s enduring commitment to the arts, offering a space where the boundaries of tradition and modernity blur into a singular, transformative experience.

    The architecture of the platform itself serves as a silent protagonist in the visitor's journey. Eschewing the heavy, imposing structures often associated with classical institutions, CAP embraces a

    minimalist aesthetic

    that prioritizes the ethereal dance of natural light and the freedom of open spaces. This deliberate design choice is intended to strip away the noise of the outside world, creating an atmosphere of contemplative stillness. As sunlight pours through expansive windows, it illuminates the artworks in a way that feels organic and ever-changing, encouraging a deep, unmediated connection between the observer and the piece on display. It is a space where the architecture does not compete with the art but rather provides a luminous stage for its storytelling.

    A Tapestry of Contemporary Narratives

    The collection at CAP is a profound exploration of our era, characterized by its thematic depth and medium-defying diversity. Visitors are invited to wander through exhibitions that tackle the complexities of contemporary societal issues, presented through a rich spectrum of

    painting, sculpture, photography, and mixed media

    . Each exhibition acts as a window into the human condition, inviting viewers to contemplate the shifting landscapes of identity, politics, and ecology. This curated diversity ensures that the museum remains a dynamic entity, constantly evolving with the zeitgeist of the contemporary art world.

    Beyond the visual splendor of its galleries, CAP holds a treasure trove for the scholarly soul: the largest public art book library in Kuwait. With over two thousand meticulously curated titles, this repository serves as an invaluable resource for researchers, students, and connoisseurs alike. It is a place where one can trace the intricate lineages of art history, from the foundational movements of the West to the burgeoning narratives of the East. This dedication to knowledge ensures that CAP is not just a place for viewing, but a center for deep intellectual inquiry and the preservation of artistic theory.

    Community, Connection, and Global Vision

    What truly distinguishes the Contemporary Art Platform from more prestigious, exclusionary institutions is its radical commitment to

    democratizing art appreciation

    . CAP operates with the belief that art belongs to everyone, actively working to dismantle the barriers between the elite collector and the curious public. Through a vibrant calendar of workshops, artist talks, film screenings, and educational programs, the platform nurtures a lifelong passion for exploration across all generations. It is a community hub where the next generation of Kuwaiti artists can find their voice and where international visitors can witness the burgeoning energy of the regional art market.

    By championing local talent and facilitating international collaborations, CAP plays an instrumental role in elevating Kuwaiti artists onto the global stage. The platform acts as a catalyst for cross-cultural understanding, fostering an environment where regional perspectives can influence and be influenced by the wider world. For the interior designer seeking inspiration, the collector searching for the next significant movement, or the art lover yearning for connection, CAP offers more than just a gallery visit; it offers an immersion into the very soul of Kuwait’s contemporary creative spirit.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Schizophrenia 9 allalaadimislehele

    originaluniqueart.com/et/art/download/halim-al-karim-schizophrenia-9-D4C7W4-en/

    Viige seda teost allintena

    MLA
    Al-Karim, Halim. Schizophrenia 9. 2013, Contemporary Art Platform. https://originaluniqueart.com/et/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    APA
    Al-Karim, Halim (2013). Schizophrenia 9 [Painting]. Contemporary Art Platform. https://originaluniqueart.com/et/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    Chicago
    Halim Al-Karim. Schizophrenia 9. 2013. Contemporary Art Platform. https://originaluniqueart.com/et/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    Harvard
    Al-Karim, Halim (2013) Schizophrenia 9. Contemporary Art Platform. Available at: https://originaluniqueart.com/et/art/halim-al-karim-schizophrenia-9-D4C7W4-en/

    Vaata lähedalt

    Schizophrenia 9 — Halim Al-Karim

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Heaven can wait (2013). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Halim Al-Karim oli seda teost luues umbes 57 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kui palju oli Halim Al-Karim aastane, kui teos "Schizophrenia 9" loodi?

    Kui teos "Schizophrenia 9" loodi aastal 2013, oli Halim Al-Karim (sündinud aastal 1956) 57 aastane.

    Kui palju valgust tundub teose "Schizophrenia 9" värvid peegeldavat?

    Teose „Schizophrenia 9“, autor Halim Al-Karim luminants on Soft Shadow.

    Kuidas teos "Schizophrenia 9" tasakaalustab valgust ja pimendust?

    Teose „Schizophrenia 9“, autor Halim Al-Karim eregus on balanced ja luminants on Soft Shadow.