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Õpilaste kunstiteoste juhend

Carmel coast, (1919)

Nimi Klass Kuupäev

Guy Rose, Carmel coast, (1919). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Guy Rose originaluniqueart.com/et/artists/guy-rose/
Kunstniku eluaastad
1867 – 1925

Kontekstis

Carmel coast, (1919) — Guy Rose

Millal see maaldis on tehtud?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 58 surumisel.

Varjatud: Guy Rose eluajal (1867–1925) iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/guy-rose-carmel-coast-1919-A269JP-en/

Värvid

Pildist mõõdetud

    Peavärv

    Putty #c8d7cb

    Katalogistatud palett

    • #C8D7CB
    • #A9986B
    • #252631
    • #525D74

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Putty
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Guy Rose teosed viimase zwölf kuuga — kokku 6 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 72,0%1800 visits
    2. 2 Alžeeria 8,0%200 visits
    3. 3 Singapur 8,0%200 visits
    4. 4 Hispaania 4,0%100 visits
    5. 5 Ühendusriik 4,0%100 visits
    6. 6 Tuneesia 4,0%100 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Guy Rose kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 The model, (1919) 10,7%300 visits
    2. 2 Portrait of an Algerian, (1900) 10,7%300 visits
    3. 3 Tamarisk Trees in Early Sunlight 7,1%200 visits
    4. 4 Giverny willows, (1891) 7,1%200 visits
    5. 5 Monterey cypress 7,1%200 visits
    6. 6 Low tide honfleur 3,6%100 visits
    7. 7 Carmel seascape 3,6%100 visits
    8. 8 Point lobos trees, (1919) 3,6%100 visits
    9. 9 Point lobos, oak tree 3,6%100 visits
    10. 10 La jolla beach 3,6%100 visits
    11. 11 Giverny hillside, (1891) 3,6%100 visits
    12. 12 The oak 3,6%100 visits
    13. 13 La jolla cove 3,6%100 visits
    14. 14 The cabbage patch, (1891) 3,6%100 visits
    15. 15 My sister maud 3,6%100 visits
    16. 16 Early morning - summertime, (1920) 3,6%100 visits
    17. 17 17 mile drive, (1918) 3,6%100 visits
    18. 18 Carmel hills, (1920) 3,6%100 visits
    19. 19 The Blue Pool near Mt. Whitney 3,6%100 visits
    20. — Carmel coast, (1919) see maalaus 0,0%0 visits

    Koos kattavad need teosed 93,1% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 125 seda kunstnikku kuuluvat teost, millest 21 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Carmel coast, (1919) allalaadimislehele

    originaluniqueart.com/et/art/download/guy-rose-carmel-coast-1919-A269JP-en/

    Viige seda teost allintena

    MLA
    Rose, Guy. Carmel coast, (1919). n.d., https://originaluniqueart.com/et/art/guy-rose-carmel-coast-1919-A269JP-en/
    APA
    Rose, Guy (n.d.). Carmel coast, (1919) [Painting]. https://originaluniqueart.com/et/art/guy-rose-carmel-coast-1919-A269JP-en/
    Chicago
    Guy Rose. Carmel coast, (1919). n.d. https://originaluniqueart.com/et/art/guy-rose-carmel-coast-1919-A269JP-en/
    Harvard
    Rose, Guy (n.d.) Carmel coast, (1919). Available at: https://originaluniqueart.com/et/art/guy-rose-carmel-coast-1919-A269JP-en/

    Vaata lähedalt

    Carmel coast, (1919) — Guy Rose

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria beach alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi juhendi alguses esitatud teosele Point lobos trees, (1919). Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kui suur on kontrasst teoses „Carmel coast, (1919)“, autor Guy Rose?

    Teose „Carmel coast, (1919)“, autor Guy Rose kontrastivaimustus on Statement.

    Mis on teose „Carmel coast, (1919)“, autor Guy Rose luminants?

    Teose "Carmel coast, (1919)" värvid näitavad Bright Balance luminantsi.

    Millist värviharmoniat „Carmel coast, (1919)“, autor Guy Rose kujutab?

    Teose "Carmel coast, (1919)" värviharmonia on Discordant Palette.