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Bedside table

Nimi Klass Kuupäev

Giuseppe Maggiolini, Bedside table (1785), Sforza Castle. Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Giuseppe Maggiolini originaluniqueart.com/et/artists/giuseppe-maggiolini_et/
Kunstniku eluaastad
1738 – 1814
Maalatud
1785
Originaalmõõtmed
80 x 50 cm
Toimub kohas
Sforza Castle originaluniqueart.com/et/museums/sforza-castle-milan_et/

Kontekstis

Bedside table — Giuseppe Maggiolini

Mis on selle mõõt?

Originaali mõõdud on 80 × 50 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 76 surumisel.

Maalatud siis, kui kunstnik oli 47 aastane. Kunstnik elas 76 aastani. 1 meie kataloogis olevatest selle kunstniku 2 dateeritud teosest on loodud varem.

Varjatud: Giuseppe Maggiolini eluajal (1738–1814) ▲ see teos, 1785 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/giuseppe-maggiolini-bedside-table-D4R4NJ-en/

Värvid

Pildist mõõdetud

    Peavärv

    Espresso #361815

    Katalogistatud palett

    • #361815
    • #FDFDFD
    • #703B2C
    • #996F60

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Giuseppe Maggiolini kõige vaatamistundlikumad teosed (kokku 2)

    1. 1 Dresser, 1758 100,0%100 külastust
    2. — Bedside table, 1785 see maalaus 0,0%0 külastust

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 3 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Bedside table — Giuseppe Maggiolini

    At the end of the eighteenthcentury, Neoclassicism dominated throughout Europe. Furniture changed to meetthe new requirements of families, who were commissioning smaller furniture,better suited to use in all the rooms of the palazzi, even those once used only for entertaining. New types offurniture were created, such as desks, tables and bedside tables. When theViennese court moved to Milan, the city became an important artistic centre,where craftsmen could open thriving workshops that turned out pieces ofexceptional quality. Notable among them was Giuseppe Maggiolini, creator ofsome of the finest furniture of his age. Here wehave the example of a bedside table characterised by long slender legs. On thefront it has an inlay with a decorative motif depicting two scrolls of acanthusleaves emerging from a goblet. Several variations of this decorative motif canbe seen in the FondoMaggioliniano, Castello Sforzesco, Milan, which conservesthe model drawings of the workshop.

    Kunstnik ja muuseum

    Kunstnik

    Giuseppe Maggiolini

    Sündinud koht: Parabiago, Italia

    kunstilise loovuse ja uuenduste elu

    Giuseppe Maggiolini, itaalia mööblimeister ja intarsia kunstnik, jättis maailma kunstile ja mööblidisainile temast möörimat jälje. Sündinud 13. novembril 1738 Itaalias, oli Maggiolini elu tõeline kinnitus tema uuendusrikkale vaimule ja suurepärasele kunstiline võimekusele.

    varajane elu ja karjäär

    Maggiolini varajane elu ei ole hästi dokumenteeritud, kuid teada on, et ta avas oma bottega ehk töökoda Parabiago kesksel piazzal, mis kannab täna tema nime. See märgis alguse tema illustriseerivale karjäärile mööblimeistri ja intarsia kunstnikuna.

    kunstiline stiil ja panused

    Maggiini works on iseloomulik massiivsetele neoklassikalistele vormidele, mida kaunistavad rikkalikult detailne intarsia-vignetid, sageli keeruliste raamidite ümber. Tema kliendibaas ulatus Austriasse ja Poolasse ning aastal 1777 nimetati teda Habsburgide suurhertogliku õukonna intarsiatoreks ehk intarsia meistriks.

    öökapist (80 x 50 cm, Sforza loss, Milan, Itaalia, marmor) - suurepärane näide tema neoklassikalikus stiilis.

    kommod (86 x 125 cm, Sforza loss, Milan, Itaalia, pronks) - demonstreerib tema meistriklassi neoklassikaliste vormide loomisel.

    olulised tellimused ja hilisem elu

    Aastal 1806 pidi Maggiolini valmistama kirjutamislauda seoses Napoleoni kroonimisel Milanis. See tõi kaasa uue laine tellimusi silmapaistvatelt patroonidelt, sealhulgas prints Eugène de Beauharnaisilt. Kuid aastaks 1909 oli Maggiolini tõmbunud tagasi oma eraelu sisse, kuna vastuvastutus Napoleonide süsteemile Milanis kasvas.

    pärand ja mälestus

    Maggiolini pärand on säilinud läbi tema arvukatest teostest, sealhulgas neist, mida leiab tema lehelt AllPaintingsStore.com lehel. Tema mõju on nähtav neoklassikalikus liikumisel, mis domineeris tema eluajal Euroopas.

    vaadake Giuseppe Maggiolini teoseid AllPaintingsStore.com lehel

    avastage Sforza loss Milanis, Itaalias, kus paljud tema teosed üles riietatud on.

    johend

    Giuseppe Maggiolini elu oli tunnistus tema kunstilisele uuendusele ja neoklassikalise mööblidisaini meisterlikule valdusele. Oma arvukatite teoste kaudu jätkub ta inspireerimas nii kunstnikke kui ka kunstihuvilisi, kinnistades oma kohta kunstikujarahus. Museo Poldi Pezzoli (Milan, Itaalia) ja Sforza loss (Milan, Itaalia) on mõned silmapaistvad muuseumid, kus Maggiolini teoseid näitaval.

    Muuseum

    Sforza Castle

    Näitustel asuvas koht Milan, Italia

    A Fortress Transformed: Unveiling the Majesty of Sforza Castle

    Nestled within the vibrant heart of Milan, Italy, stands Sforza Castle—a monumental testament to centuries of shifting power, artistic patronage, and architectural evolution. More than just a castle, it’s a living chronicle of Milanese history, an immersive experience that seamlessly blends medieval fortification with Renaissance splendor. Originally conceived as a formidable defensive structure in the 14th century by Galeazzo II Visconti, this imposing complex was dramatically reshaped under his successor, Francesco Sforza, transforming it into a lavish princely residence and ultimately, one of Italy’s most significant cultural institutions. Today, within its weathered walls and soaring ceilings, visitors embark on a journey through time, encountering masterpieces by Leonardo da Vinci, Michelangelo, and countless other artistic giants—all housed within a structure that continues to breathe with the echoes of Milan's past.

    The castle’s architectural narrative is itself a captivating story; from its medieval foundations gradually incorporating Renaissance elements under Francesco Sforza and his heirs, to Luca Beltrami’s meticulous reconstruction in the late 19th century which cleverly integrated modern functionality without sacrificing historical integrity. This careful balance is immediately apparent upon entering—a sense of both ancient grandeur and contemporary relevance. The castle's layout reflects its layered history; a deliberate layering of defensive walls, grand halls, and intimate chambers, each whispering tales of ambition, intrigue, and artistic brilliance. The original Visconti fortress, built between 1358 and 1370, was a pragmatic design focused on defense – thick walls, strategically placed towers, and a formidable gatehouse. However, it was Francesco Sforza who truly reimagined the space, transforming it into a symbol of his family’s power and wealth. He commissioned lavish embellishments, including grand halls, intricate frescoes, and opulent furnishings, reflecting the burgeoning Renaissance aesthetic. Later additions, particularly during the 16th and 17th centuries under subsequent Sforza rulers, further expanded the castle's complexity, incorporating elements of Mannerism and Baroque design. The reconstruction undertaken by Luca Beltrami in the late 19th century aimed to restore the castle to its former glory while also adapting it for modern use as a museum and cultural center – a delicate balancing act that has largely succeeded.

    Echoes of Masters: Da Vinci, Michelangelo, and a Legacy of Art

    The Sforza Castle’s association with artistic titans like Leonardo da Vinci and Michelangelo elevates it beyond a mere historical site to a veritable sanctuary of creativity. Perhaps the castle's most celebrated feature is the Sala delle Asse (Hall of Wooden Panels), commissioned by Ludovico il Moro around 1498 and largely attributed to Leonardo himself. This room is a breathtaking spectacle, depicting a fantastical forest of mulberry trees teeming with life—a vibrant allegory of Milanese prosperity and power. The intricate detail, achieved through painstaking application of wood panels, creates an illusion of depth and space that is truly remarkable. The coats of arms adorning the walls further enrich the scene, offering a glimpse into the Sforza family’s lineage and ambitions. Equally poignant is Michelangelo's Pietà Rondanini, an unfinished marble sculpture that stands as a testament to the artist’s enduring genius. The Pietà, depicting the Virgin Mary cradling the body of Christ, is characterized by its raw emotion and expressive power—qualities particularly evident in the figure of Mary's face. Its placement within the castle, amidst other masterpieces, highlights the continuity of artistic excellence across centuries.

    Beyond These Iconic Works: The Pinacoteca’s Collection Narrative

    The Pinacoteca (Picture Gallery) houses a remarkable collection of Italian paintings spanning various periods, including pieces by Andrea Mantegna, Giovanni Bellini, and Canaletto. These works offer a diverse range of styles and subject matter, providing valuable insights into the artistic trends of the Renaissance and beyond. The castle’s curators have meticulously arranged these artworks to create a chronological narrative, allowing visitors to trace the evolution of Italian painting over several centuries. The collection isn't just about individual masterpieces; it’s about understanding the context in which they were created – the political, social, and cultural forces that shaped the artistic landscape of Milan. The castle also houses a significant collection of decorative arts, including furniture, ceramics, and textiles, offering a comprehensive view of Renaissance interior design.

    A Treasury of Artistic Legacy: Exploring Ancient Relics and Decorative Treasures

    Sforza Castle’s treasures extend far beyond its most famous masterpieces. The castle's museums are a microcosm of Italian artistic achievement, showcasing everything from ancient Roman relics to contemporary decorative arts. The Museum of Ancient Art is particularly noteworthy for its impressive equestrian tomb of Bernabò Visconti, a symbol of the powerful medieval dynasty that preceded the Sforzas. This imposing monument speaks volumes about the ambition and authority of the Visconti rulers. The Raccolta di Mobili (Furniture Collection) offers a fascinating glimpse into the tastes and styles of Milanese nobility throughout the centuries, revealing how domestic life evolved alongside artistic trends. The Museum of Decorative Arts presents a vast collection of ceramics, precious late-antique ivories, and contemporary glass, demonstrating the breadth of Italian craftsmanship.

    A Living Landmark: Sforza Castle Today – An Experience for All Ages

    Sforza Castle is more than just a museum; it's a vibrant cultural hub that continues to evolve alongside Milan. The castle complex houses several museums, including the Pinacoteca, Museo d’Arte Antica, and others dedicated to musical instruments, furniture, and Egyptian artifacts. The vast Piazza d’Armi, once a bustling parade ground now transformed into a serene public park, offers a welcome respite from the city’s bustle—a green oasis within the historic walls. The castle also hosts concerts, theatrical performances, and art exhibitions, further solidifying its role as a vital center for artistic expression. A visit to Sforza Castle is an unforgettable journey through time—a chance to immerse oneself in Milanese history, admire masterpieces by some of the world’s greatest artists, and experience the enduring legacy of a truly remarkable fortress.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Bedside table allalaadimislehele

    originaluniqueart.com/et/art/download/giuseppe-maggiolini-bedside-table-D4R4NJ-en/

    Viige seda teost allintena

    MLA
    Maggiolini, Giuseppe. Bedside table. 1785, Sforza Castle. https://originaluniqueart.com/et/art/giuseppe-maggiolini-bedside-table-D4R4NJ-en/
    APA
    Maggiolini, Giuseppe (1785). Bedside table [Painting]. Sforza Castle. https://originaluniqueart.com/et/art/giuseppe-maggiolini-bedside-table-D4R4NJ-en/
    Chicago
    Giuseppe Maggiolini. Bedside table. 1785. Sforza Castle. https://originaluniqueart.com/et/art/giuseppe-maggiolini-bedside-table-D4R4NJ-en/
    Harvard
    Maggiolini, Giuseppe (1785) Bedside table. Sforza Castle. Available at: https://originaluniqueart.com/et/art/giuseppe-maggiolini-bedside-table-D4R4NJ-en/

    Vaata lähedalt

    Bedside table — Giuseppe Maggiolini

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Dresser (1758). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Giuseppe Maggiolini oli seda teost luues umbes 47 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Mis on teose „Bedside table“, autor Giuseppe Maggiolini domineeriv väritoon?

    "Bedside table" on kallutunud Amber to Saffron toonile.

    Mis on teose „Bedside table“, autor Giuseppe Maggiolini valgusus?

    Teose „Bedside table“, autor Giuseppe Maggiolini luminants on Luminous. Luminants kirjeldab, kui palju valgust värvid peegeldavad.

    Millised on teose "Bedside table" reprodutseerimissõjaõigused Sforza Castle kogumuses?

    Originaalteos "Bedside table" asub Sforza Castle kogumuses ning teos on avalikus õiguses – selle autoriõigud onหมดunud.