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Floris Van Schooten, Breakfast (1615), Kröller-Müller Müüjum. Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Floris Van Schooten originaluniqueart.com/et/artists/floris-van-schooten/
Kunstniku eluaastad
1580 – 1656
Maalatud
1615
Originaalmõõtmed
47.0 x 84.0cm
Toimub kohas
Kröller-Müller Müüjum originaluniqueart.com/et/museums/kroller-muller-muujum-otterlo_et/

Kontekstis

Breakfast — Floris Van Schooten

Mis on selle mõõt?

Originaali mõõdud on 47 × 84 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640
  8. 1650

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 76 surumisel.

Maalatud siis, kui kunstnik oli 35 aastane. Kunstnik elas 76 aastani. 1 meie kataloogis olevatest selle kunstniku 55 dateeritud teosest on loodud varem.

Varjatud: Floris Van Schooten eluajal (1580–1656) ▲ see teos, 1615 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1628 Peamised töötusaastad: 1628–1650 Hilisemad teosed: alates aastast 1650

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/

Värvid

Pildist mõõdetud

    Peavärv

    Clay #936953

    Katalogistatud palett

    • #936953
    • #271D2B
    • #C3A48A
    • #5C383C

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Clay
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Floris Van Schooten teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 75,0%300 külastust
    2. 2 Vietnam 25,0%100 külastust

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Floris Van Schooten kõige vaatamistundlikumad teosed (kokku 4)

    1. 1 Kitchen Utensils, Meat and Vegetables, 1610 50,0%200 külastust
    2. 2 Kitchen Interior, 1655 25,0%100 külastust
    3. 3 Breakfast 25,0%100 külastust
    4. — Breakfast, 1615 see maalaus 0,0%0 külastust

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 67 seda kunstnikku kuuluvat teost, millest 3 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Floris Van Schooten

    Sündinud koht: Amsterdam, Netherlands

    Floris van Schooten: A Master of Dutch Still Life

    Floris Gerritsz van Schooten (c. 1585 – November 14, 1656) stands as a pivotal figure in the development of still life painting within the Dutch Golden Age. Often operating behind the scenes of more flamboyant contemporaries, he quietly yet profoundly shaped the genre, reflecting its evolution and absorbing the innovations of Haarlem’s vibrant artistic community. His legacy lies not in revolutionary techniques but in his meticulous observation, skillful rendering, and a deep understanding of how to capture the essence of everyday objects – from humble breakfast spreads to elaborate kitchen scenes – imbued with a subtle sense of vanitas.

    Born into a prosperous Catholic family who had migrated from Amsterdam to Haarlem seeking greater religious tolerance in 1612, Floris’s early life was steeped in the traditions of his lineage. His father, Gerrit Jacobsz van Schooten, was a member of this influential family, and his marriage to Rycklant Bol van Zanen, daughter of a prominent beer brewer, provided him with both social standing and a connection to Haarlem's economic heart. This background subtly influenced his subject matter – frequently depicting the bounty of the table, reflecting the wealth and prosperity of the era.

    Van Schooten’s artistic journey began within the walls of the St. Luke’s Guild in Haarlem, a crucial institution for training and regulating artists. He quickly ascended through its ranks, eventually becoming Dean in 1639, demonstrating his respect and expertise within the local art world. His career spanned several decades, during which he produced an impressive oeuvre estimated to be around 120 works – a testament to his consistent output and dedication. Remarkably, only one fully signed painting is known: a breakfast still life now housed in the Von der Heydt Museum of Wuppertal, Germany, offering a rare glimpse into the artist’s own intentions.

    The Haarlem Influence and Artistic Connections

    Van Schooten's artistic development was inextricably linked to the thriving still-life scene of Haarlem. He absorbed the techniques and sensibilities of his contemporaries, particularly the masterful works of Floris van Dyck, Pieter Claesz., and Roelof Koets – all prominent figures within the guild. These artists served as significant influences, shaping his approach to composition, color palettes, and the depiction of textures. Notably, he mirrored the innovations occurring in Haarlem’s still life community, demonstrating a keen awareness of contemporary trends.

    His work also reveals an appreciation for earlier masters like Pieter Aertsen and Joachim Beuckelaer, whose large-scale market scenes had established conventions that Van Schooten skillfully adapted. He simplified the complex arrangements of these predecessors, creating a greater sense of order and stability within his compositions. This careful assimilation of influences is a hallmark of his style – he wasn’t an innovator himself, but rather a diligent recorder and interpreter of artistic developments.

    Subject Matter and Recurring Motifs

    Van Schooten's oeuvre is characterized by its diverse range of still life subjects. He excelled in depicting breakfast pieces, showcasing the sumptuousness of morning meals with carefully arranged ham, cheese, bread, and fruit. Equally adept was he at capturing kitchen scenes – elaborate displays of culinary provisions, reflecting the domestic rhythms of 17th-century Dutch households. Market scenes also featured prominently, offering glimpses into the bustling commerce of Haarlem’s streets.

    Recurring motifs punctuated his work, most notably the pairing of ham and cheese. These seemingly simple combinations became a signature element, imbued with symbolic weight – representing abundance, prosperity, and perhaps even mortality (a common theme in vanitas paintings). His meticulous attention to detail—the sheen of polished silver, the texture of ripe fruit, the folds of linen—elevated these everyday objects into captivating works of art.

    Legacy and Historical Significance

    Despite his relatively modest profile, Floris van Schooten played a crucial role in documenting the evolution of still life painting during the Dutch Golden Age. His works provide invaluable insights into the artistic practices and aesthetic sensibilities of Haarlem’s guild system. Abraham Bredius, a prominent Dutch art historian, recognized the significance of the monogram “F.v.S” or “FVS” as identifying the artist, solidifying his place within the historical record.

    His oeuvre serves as a testament to the dynamic artistic landscape of 17th-century Netherlands – a reflection of both established traditions and emerging trends. Through his skillful rendering of everyday objects, Van Schooten offered viewers a poignant meditation on wealth, mortality, and the beauty found in the ordinary.

    Muuseum

    Kröller-Müller Müüjum

    Näitustel asuvas koht Otterlo, Netherlands

    A Sanctuary of Color: The Kröller-Müller Museum’s Enduring Legacy

    Nestled within the vast expanse of the Hoge Veluwe National Park in Otterlo, Netherlands, the Kröller-Müller Museum stands as a testament to one woman's profound passion and foresight – Helene Kröller-Müller. More than just a museum, it’s an immersive experience, a dialogue between art, nature, and history, all housed within a strikingly modern architectural masterpiece designed by Henry van de Velde. Established in 1938, the museum’s story is inextricably linked to its founder's remarkable vision: to create a space where the brilliance of Vincent van Gogh could be celebrated not just as an artist, but as a deeply human being whose work continues to resonate with profound emotional power.

    The Kröller-Müller’s collection isn’t merely comprised of paintings; it's a carefully curated narrative. The undisputed centerpiece is undoubtedly the second-largest collection of Van Gogh works globally – nearly ninety paintings and over one hundred eighty drawings, offering an unparalleled opportunity to trace the evolution of his distinctive style and explore the raw emotion that fueled his brushstrokes. Stand before Café Terrace at Night, mesmerized by the vibrant hues and the palpable sense of Parisian atmosphere, or contemplate the haunting intensity of Sorrowing Old Man (At Eternity’s Gate), a portrait brimming with vulnerability and existential questioning.

    The Sculpture Garden: A Dialogue with Nature

    Leaving the gallery spaces, visitors are immediately struck by the sheer scale and beauty of the sculpture garden. This expansive outdoor realm, encompassing over seventy acres within the national park, is a deliberate extension of the museum’s artistic vision – a harmonious blend of art and nature. The garden's design, conceived in collaboration with landscape architect Jan van Eyck, creates a series of interconnected pathways that guide visitors through a diverse collection of modern and contemporary sculptures by renowned artists such as Auguste Rodin, Henry Moore, Jean Dubuffet, Mark di Suvero, and Claes Oldenburg. The placement of each sculpture is carefully considered, responding to the surrounding landscape and creating unexpected visual encounters. It’s not simply a display of statues; it's an orchestrated choreography between human creativity and the natural world – a space designed for contemplation, discovery, and a profound appreciation of both art and environment.

    A Building as Art: The Architecture of Henry van de Velde

    The Kröller-Müller Museum building itself is a remarkable achievement of architectural design. Designed by the renowned architect Henry van de Velde, it’s a strikingly modern structure that seamlessly integrates with its natural surroundings. Constructed primarily from concrete and glass, the museum's exterior reflects the stark beauty of the Dutch landscape while simultaneously offering expansive views into the surrounding park. The building’s interior spaces are equally impressive, characterized by soaring ceilings, abundant natural light, and a sense of spaciousness that enhances the viewing experience for the artwork.

    Van de Velde’s design wasn't merely functional; it was an artistic statement in itself – a bold declaration of modernism within the context of a historic estate. It prioritized simplicity and elegance, allowing the artwork to dominate the visual space and fostering a connection between visitors and the masterpieces housed within.

    Echoes of War and Resilience

    The museum's history is inextricably linked to the tumultuous events of World War II. Helene Kröller-Müller’s estate, including the museum building, served as a vital hub for the Dutch resistance during the occupation. The secret telephone line installed by an electrician in Otterlo – still standing today – represents a remarkable act of defiance and collaboration. This poignant history adds another layer of depth to the museum’s experience, reminding visitors of the sacrifices made during that era and the importance of preserving cultural heritage.

    The Kröller-Müller Museum continues to evolve, offering a dynamic program of temporary exhibitions that explore diverse themes and artistic movements. From retrospectives dedicated to individual artists to thematic explorations of specific periods or styles, the museum consistently seeks to engage audiences with new perspectives on its permanent collection.

    Notable Collections: Van Gogh’s unparalleled collection – nearly ninety paintings and over one hundred eighty drawings.

    Architectural Style: Henry van de Velde’s modernist design integrating seamlessly with the Hoge Veluwe National Park.

    Historical Significance: Served as a resistance hub during World War II, demonstrating resilience and preserving cultural heritage.

    Additional Research:

    Useful Links:

    Kröller-Müller Museum - Wikipedia:

    https://en.wikipedia.org/wiki/Kr%C3%B6ller-M%C3%BCller_Museum

    Kröller-Müller Museum, Otterlo, Netherlands - Google Arts & Culture:

    https://artsandculture.google.com/partner/the-kroller-muller-museum

    Further Exploration:

    Contemporary Exhibitions:

    Currently hosting “Between Worlds,” exploring the intersection of art and nature.

    Future Exhibitions:

    Upcoming exhibition "Lilian Kreutzberger. Rauhfaser" delving into the work of a contemporary artist.

    Loe lähemalt siit

    Vaata seda oma seinale: Breakfast by Floris Van Schooten kui käsitsi maalitud õli-versioon, tellimusme Moskvat mõõduga

    Leidke seda internetist

    QR-kood, mis viib Breakfast allalaadimislehele

    originaluniqueart.com/et/art/download/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/

    Viige seda teost allintena

    MLA
    Schooten, Floris Van. Breakfast. 1615, Kröller-Müller Müüjum. https://originaluniqueart.com/et/art/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/
    APA
    Schooten, Floris Van (1615). Breakfast [Painting]. Kröller-Müller Müüjum. https://originaluniqueart.com/et/art/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/
    Chicago
    Floris Van Schooten. Breakfast. 1615. Kröller-Müller Müüjum. https://originaluniqueart.com/et/art/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/
    Harvard
    Schooten, Floris Van (1615) Breakfast. Kröller-Müller Müüjum. Available at: https://originaluniqueart.com/et/art/floris-van-schooten-breakfast-wd-aa-tdit5xo7-en/

    Vaata lähedalt

    Breakfast — Floris Van Schooten

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Fruit Basket (1634). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Floris Van Schooten oli seda teost luues umbes 35 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teos "Breakfast" on ilma autoriõigusteta?

    Autoriõiguse teave teose „Breakfast“, autor Floris Van Schooten kohta: teos kuulub luba ala avalikus õiguses – selle autoriõigud onหมดunud. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.

    Kas teose „Breakfast“, autor Floris Van Schooten värvid on kütkestatud või pehmed?

    Teose „Breakfast“, autor Floris Van Schooten värvitoit on Subtle Color kütkusega.

    Kas teos "Breakfast" on saadaval kunstiprentina?

    Teose "Breakfast" trükised on saadaval vormis kunstiprint puuvillalõikel kangas või arhiveeritaval kangaspaberil. Tellimusi saab esitada selle Kvaliteetne kunstutrüki print lehel oma soovitud suuruses.