Õpilaste kunstiteoste juhend
Autoriõigused See teos on avalik. Ernst Barlach surmas aastal 1938; autoriõigused kestavad 70 aastat pärast kunstniku surma, mistõttu need lõppesid aastal 2008.
Kontekstis
The Singing Man — Ernst Barlach
Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 68 surumisel.
Maalatud siis, kui kunstnik oli 58 aastane. Kunstnik elas 68 aastani. 4 meie kataloogis olevatest selle kunstniku 6 dateeritud teosest on loodud varem.
Varjatud: Ernst Barlach eluajal (1870–1938) ▲ see teos, 1928 iga dateeritud maal, aastakümne kaupa
Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.
Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/ernst-barlach-the-singing-man-D4QE8E-en/
Pildist mõõdetud
Peavärv
Phthalo Green #2b2222
Katalogistatud palett
Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi
Kolm kümmet juhtivat riiki
Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.
Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 12 seda kunstnikku kuuluvat teost, millest 7 on vähemalt üks kord vaadatud. See maaldi on nende seas 5 kohal, selle tähelepanu osaga 10,0%. Sama arv, kuu-kuu põhjal
Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.
Teose info
The Singing Man — Ernst Barlach
Ernst Barlach ist einer der bedeutendsten Bildhauer des deutschen Expressionismus. Geprägt durch die erschütternden Erfahrungen des Ersten Weltkriegs und später in radikaler Opposition zur rassistisch definierten nationalsozialistischen Propaganda einer Volksgemeinschaft befasste er sich mit dem Individuum, häufig in dessen existenzieller Einsamkeit und Not, aber auch in Momenten des unmittelbaren und als glücklich erlebten Daseins. Der singende Mann wirkt in seiner zurückgelehnten Haltung gelöst und lauscht mit Freude und ein wenig eitel der eigenen Melodie. Er erlebt einen vergänglichen Moment des Glücks, scheint aber gleichzeitig die Grenze zu einer jenseitigen Welt zu überschreiten. Die Figur verkörpert in ihrer Formensprache und Vitalität somit beides, das vergängliche Glück des Einzelnen und das zeitlose glücklich Sein an sich. Der singende Mann zählt zu den beliebtesten Werken Ernst Barlachs. Bei der Skulptur aus der Schweriner Sammlung handelt es sich um einen Abguss aus dem Jahr 1928, der zwischen 1930 und 1940 als Vorlage zahlreicher Bronze und Zinkgüsse diente. Ab 1910 lebte Barlach zurückgezogen in Güstrow. Seine Kunst wurde von den Nationalsozialisten als entartet verfemt.
Kunstnik ja muuseum
Born in Wedel, Holstein (Germany) on January 2nd, 1870, Ernst Heinrich Barlach was the eldest of four sons.
His father, Dr. Georg Barlach, was a physician who died when Ernst was fourteen, leading to a move with his family.
He received his early education in Ratzeburg and Schönberg, growing up in a devout Lutheran household.
Barlach began his artistic training at the Gewerbeschule Hamburg (Hamburg School of Applied Arts) from 1888 to 1891.
He continued his studies at the Königliche Akademie der bildenden Künste zu Dresden (Royal Academy of Fine Arts in Dresden) between 1891 and 1895, creating his first major sculpture, Die Krautpflückerin (The Herb Plucker).
He briefly studied at the Académie Julian in Paris from 1895 to 1897 but remained critical of simply copying French styles.
Initially, Barlach worked in an Art Nouveau style, creating illustrations for the magazine Jugend and ceramic sculptures.
A pivotal trip to Russia in 1906 profoundly influenced his artistic direction, exposing him to new perspectives and a more expressive aesthetic.
Financial support from art dealer Paul Cassirer allowed Barlach to develop his unique style, focusing on the emotional intensity of human figures.
He drew inspiration from early Gothic art, particularly its dramatic drapery and spiritual yearning.
Barlach’s work also reflects influences from Russian folk art and a growing interest in portraying the lives of ordinary people.
Barlach's sculptures, prints, and writings often explored themes of human suffering, spiritual longing, and social injustice.
His figures are characterized by their elongated forms, expressive gestures, and a sense of inner turmoil.
He frequently used wood carving and bronze as his primary mediums, emphasizing the tactile qualities of these materials.
The Singing Man, Frenzy (Der Berserker), and Shepherd in a Storm are examples of his emotionally charged and symbolic works.
Initially, Barlach was a patriotic supporter of World War I, anticipating artistic renewal through conflict.
His experience as an infantry soldier from 1915 to 1916 profoundly changed his views, transforming him into a staunch pacifist.
The horrors of war became a central theme in his subsequent work, leading to powerful anti-war sculptures like Der Rächer (The Avenger).
Barlach gained significant recognition after the war, becoming a member of prestigious art academies in Prussia and Munich.
However, his anti-war stance and expressive style drew criticism during the rise of Nazism.
His works were labeled as “degenerate art” by the Nazi regime and confiscated from museums.
The Magdeburg Cenotaph, a WWI memorial depicting the pain and futility of war, sparked intense controversy and was temporarily removed.
Ernst Barlach died in Güstrow, Mecklenburg, on October 24th, 1938, but his artistic legacy endures.
He is considered one of the most important German Expressionist sculptors of the 20th century.
His work continues to resonate with audiences today, offering a powerful commentary on the human condition and the devastating consequences of war.
Barlach’s commitment to artistic integrity in the face of political oppression makes him an important figure in art history.
originaluniqueart.com/et/art/download/ernst-barlach-the-singing-man-D4QE8E-en/
Vaata lähedalt
The Singing Man — Ernst Barlach
Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.
Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.
Teose „The Singing Man“, autor Ernst Barlach domineeriv värv on Phthalo Green (#2b2222).
Teose „The Singing Man“, autor Ernst Barlach röntgenvaade on saadaval selle Röntgenuuring lehel: see on interaktiivne pildi uurimine läbi üheksateist optilise kihti.
Teose "The Singing Man" üldine ere on brilliant ning selle luminants on Luminous.