Paber
Edward Lear, Corfu (1863). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Corfu teose infoleht

Kunstnik
Edward Lear originaluniqueart.com/et/artists/edward-lear_et/
Kunstniku eluaastad
1812 – 1888
Maalatud
1863
Materjal
Watercolor
Originaalmõõtmed
25 x 35 cm
Liikumine
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Aeglkond
19th Century
Artistic style
Impressionism or post-impressionism
Notable elements or techniques
Loose brushstrokes, warm earth tones
Subject or theme
Tranquil coastal landscape with buildings

Kontekstis

Corfu — Edward Lear

Mis on selle mõõt?

Originaali mõõdud on 25 × 35 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 76 surumisel.

Maalatud siis, kui kunstnik oli 51 aastane. Kunstnik elas 76 aastani. 31 meie kataloogis olevatest selle kunstniku 51 dateeritud teosest on loodud varem.

Varjatud: Edward Lear eluajal (1812–1888) ▲ see teos, 1863 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1852 Peamised töötusaastad: 1852–1867 Hilisemad teosed: alates aastast 1867

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

  • Cogoleto, Italy originaluniqueart.com/et/art/edward-lear-cogoleto-italy-8LHSGU-en/
  • Crescenza originaluniqueart.com/et/art/edward-lear-crescenza-8LHSH7-en/
  • Blue And Yellow Macaw originaluniqueart.com/et/art/edward-lear-blue-and-yellow-macaw-8LHSG7-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/edward-lear-corfu-AQS7CY-en/

Värvid

Pildist mõõdetud

    Peavärv

    Walnut #844f1a

    Katalogistatud palett

    • #844F1A
    • #BE842D
    • #4E2509
    • #DCD2BB

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Dark Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Walnut
    Intensiivsus
    Vivid Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Clear Color Presence Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Edward Lear teosed viimase zwölf kuuga — kokku 15 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 56,9%9900 külastust
    2. 2 Ameerika Ühendriigid 18,4%3200 külastust
    3. 3 Hong Kong 4,0%700 külastust
    4. 4 Singapur 4,0%700 külastust
    5. 5 Ühendusriik 2,9%500 külastust
    6. 6 Rumeenia 2,9%500 külastust
    7. 7 Itaalia 2,3%400 külastust
    8. 8 Sri Lanka 2,3%400 külastust
    9. 9 Prantsusmaa 1,7%300 külastust
    10. 10 Austraalia 1,1%200 külastust
    11. · 5 teist riiki 3,5%600 külastust

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Edward Lear kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Road near Galle, Ceylon, 1879 3,2%600 külastust
    2. 2 Sheikh Abadeh On The Nile 2,7%500 külastust
    3. 3 The Temple of Apollo at Bassae, 1855 2,2%400 külastust
    4. 4 Attrani Near Amalfi, Italy 2,2%400 külastust
    5. 5 Cattaro, Yugoslavia, 1866 1,6%300 külastust
    6. 6 Bethlehem, 1861 1,6%300 külastust
    7. 7 The Mountains of Thermopylae, 1852 1,6%300 külastust
    8. 8 Study Of Palm Trees 1,6%300 külastust
    9. 9 The Pyramids of Ghizeh, 1873 1,6%300 külastust
    10. 10 The nile at kaasr-es-saiyyad 1,6%300 külastust
    11. 11 Esneh On The Nile, Near Luxor, Egypt 2 1,6%300 külastust
    12. 12 Certosa Di Pesio Con Le Missioni Della Consolata 1,6%300 külastust
    13. 13 View Over The Lake, Kandy, Ceylon 1,6%300 külastust
    14. 14 Damascus 3 1,6%300 külastust
    15. 15 Quarries of Syracuse, 1847 1,1%200 külastust
    16. 16 View of Florence from Villa San Firenze, 1862 1,1%200 külastust
    17. 17 Launce and His Dog 1,1%200 külastust
    18. 18 Ceylon Scenery 1,1%200 külastust
    19. 19 Blue And Yellow Macaw 1,1%200 külastust
    20. 43 Corfu, 1863 see maalaus 0,5%100 külastust

    Koos kattavad need teosed 32,3% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 417 seda kunstnikku kuuluvat teost, millest 123 on vähemalt üks kord vaadatud. See teos on nende seas 43 kohal, pälva esitledes 0,5% sellest tähelepanust (100 külastust). Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Corfu — Edward Lear

    Identification of Corfu by Edward Lear

    The artwork titled Corfu is a landscape scene created by the artist Edward Lear. This specific piece dates to 1863. The composition focuses on a coastal environment, capturing a moment of quietude within a natural setting.

    Edward Lear rendered this landscape through a series of deliberate visual choices. The scene is dominated by a palette of earth tones and warm colors. In the foreground, several trees with gnarled, twisted trunks and branches are positioned, their forms defined by loose brushstrokes. Beyond these botanical elements, a body of water extends toward the horizon, reflecting the colors of the sky and the surrounding terrain. On the opposite shore, a collection of buildings, resembling a small village or a group of houses, sits nestled among additional trees.

    The background of the work features rolling hills situated under a pale blue sky containing soft clouds. The horizon line lacks a sharp definition, instead blending into the colors of the landscape to create a sense of continuity between the earth and the sky. The painting captures the interaction between man-made structures and the natural environment in a tranquil coastal setting.

    Composition and Visual Elements

    The composition is organized into distinct planes that establish a sense of depth. In the foreground, several trees with twisted trunks and gnarled branches occupy the immediate space. These botanical forms are rendered with loose brushstrokes that define their shapes without relying on fine detail. Beyond these trees, a body of water extends across the middle ground, reflecting the colors of the sky and the surrounding landscape. On the opposite shore, a collection of buildings, resembling a small village, is nestled among a cluster of trees.

    The background is composed of rolling hills situated under a pale blue sky containing soft clouds. The horizon line is not sharply defined; instead, it blends into the colors of the landscape, creating a continuity between the earth and the sky. The color palette is dominated by warm earth tones, which establish the overall tone of the scene. These colors are applied in a way that emphasizes the light and atmosphere of the coastal environment.

    Artistic Style and Technique

    The painting is rendered in a style reminiscent of impressionism or post-impressionism. The artist employs a palette dominated by warm earth tones, which establishes a serene atmosphere across the landscape. In the foreground, the trees feature twisted, gnarled trunks and branches. These botanical forms are executed with loose brushstrokes that prioritize the suggestion of shape over precise anatomical detail. This approach allows the textures of the wood and the surrounding foliage to merge into a cohesive visual field.

    The brushwork extends to the water and the sky, where the application of paint creates a sense of continuity. The water reflects the colors of the sky and the landscape, using soft transitions to suggest depth. On the opposite shore, the buildings are integrated into the greenery through similar painterly movements. The horizon line lacks a sharp definition, blending the colors of the earth and the pale blue sky. Through this specific use of color and brushwork, the work captures a moment of quietude in the natural environment.

    Related Works by Edward Lear

    The artist's exploration of Mediterranean landscapes includes several pieces focused on the same geographic region. One such work is Figure On A Balcony Overlooking The Citadel, Corfu, which depicts a figure seated on a balcony with architectural details like pillars and vines. Another piece inspired by his time in the area is View From The Orange Gardens Of Viro-Corfu, a scene that captures a view from within an orange grove.

    Beyond his depictions of Corfu, Lear produced various other landscape studies. These include Diano, South Of France, and A Distant View of Nice from the Hills, about 1864. These works reflect his practice of documenting topographical views and the specific light of the regions he visited during his travels.

    Kunstnik ja muuseum

    Kunstnik

    Edward Lear

    Sündinud koht: London, Suurbritannia

    Edward Lear (1812–1888): The Poet of Nonsense

    Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, Middlesex, England, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

    Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. His dedication to scientific illustration instilled in him a disciplined approach to observation and representation, shaping his artistic sensibilities for decades to come. He meticulously rendered specimens of birds, reptiles, and mammals, capturing their textures and contours with remarkable accuracy—a testament to his technical prowess.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic development took a significant turn when he embarked on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork. His landscapes are imbued with a palpable sense of emotion—a reflection of his own contemplative spirit—and demonstrate a masterful command of watercolor technique. Unlike many artists of his time who sought to depict nature in idealized form, Lear embraced its imperfections, capturing the subtle nuances of light and shadow with sensitivity and nuance. He wasn’t merely recording what he saw; he was conveying an inner vision—a communion with the beauty and mystery of the natural world.

    The Poet of Nonsense: A World Unbound

    Lear's literary contributions cemented his place in artistic history, establishing him as a pioneer of “nonsense” poetry – particularly limericks. A Book of Nonsense, published in 1846 under the pseudonym "Derry down Derry," revolutionized children’s literature and captivated audiences of all ages. This collection introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren't merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear’s limericks explored themes of loneliness, longing, and the absurdity of existence—cloaked within a veneer of whimsicality—challenging readers to question assumptions about reality and embrace imaginative freedom. He didn’t simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting audiences to suspend disbelief and revel in the joy of playful experimentation. The Owl and the Pussy-Cat, arguably his most famous poem, remains a beloved classic—its enduring appeal stemming from its lyrical rhythm and evocative imagery.

    A Legacy of Innovation and Enduring Charm

    Lear’s influence extends far beyond the realm of children's literature. He championed a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique—a skill honed through years of observation and practice. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. His work continues to inspire artists, writers, and dreamers alike, reminding us that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He achieved considerable renown as an illustrator, notably contributing to publications by John Ruskin and Tennyson, showcasing his versatility and artistic vision. Lear’s paintings can be found in esteemed collections like The Ashmolean Museum, Oxford—a testament to his skill as a landscape artist and his enduring contribution to Victorian art.

    Edward Lear õppimatool: jätka avastamist

    Leidke seda internetist

    QR-kood, mis viib Corfu allalaadimislehele

    originaluniqueart.com/et/art/download/edward-lear-corfu-AQS7CY-en/

    See kunstiteos: Corfu

    MLA
    Lear, Edward. Corfu. 1863, https://originaluniqueart.com/et/art/edward-lear-corfu-AQS7CY-en/
    APA
    Lear, Edward (1863). Corfu [Painting]. https://originaluniqueart.com/et/art/edward-lear-corfu-AQS7CY-en/
    Chicago
    Edward Lear. Corfu. 1863. https://originaluniqueart.com/et/art/edward-lear-corfu-AQS7CY-en/
    Harvard
    Lear, Edward (1863) Corfu. Available at: https://originaluniqueart.com/et/art/edward-lear-corfu-AQS7CY-en/

    Kunstiküüpme

    Corfu — Edward Lear

    Kui hästi tunned seda teost?

    Märkige üks vastus iga 5 allpool esitatud küsimuse kohta. Igal on täpselt üks õige vastus.

    1. 1. What is the primary subject matter of the painting 'Corfu'?

      • A A bustling city street
      • B A tranquil landscape scene
      • C A portrait of a famous poet
    2. 2. In which year was the artwork 'Corfu' created?

      • A 1846
      • B 1863
      • C 1888
    3. 3. What is the size of the painting?

      • A 25 x 35 cm
      • B 35 x 45 cm
      • C 50 x 60 cm
    4. 4. According to the description, what is visible on the opposite shore of the water?

      • A A large mountain range
      • B Buildings resembling a small village
      • C A dense forest of pine trees
    5. 5. What artistic style is the painting described as being reminiscent of?

      • A Cubism
      • B Surrealism
      • C Impressionism

    Minu tulemus: ____ 5 kohta

    Vastuste võti — õpetajale

    See algab uue trükitud lehe, mistするため saab koopiidist lihtsalt eesmislõiguga eemaldada.

    1B · 2B · 3A · 4B · 5C

    Kontrollige vastust selle maali kataloogiameti andmetega võrreldes

    Kunstitududendajatele ja uurijatele

    Corfu — Edward Lear

    Kunstianalüüsi tööleht teemal Corfu, õpilastele ja uurijatele

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria trees, water, buildings alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi juhendi alguses esitatud teosele Cogoleto, Italy. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kust seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Millal teos "Corfu" loodi ja millesse kunstisuuna see kuulub?

    Teos „Corfu“, autor Edward Lear on pärinev aastast 1863 ning kuulub suunale Impressionism.

    Mis selgitab teose „Corfu“, autor Edward Lear autoriõiguste olukorda?

    „Corfu“, autor Edward Lear on avalikus õiguses – selle autoriõigud onหมดunud. Tegijakeskuse kaitse kestus arvatakse kunstniku surmaajaest, mis toimus aastal 1888.

    Kui palju oli Edward Lear aastane, kui teos "Corfu" loodi?

    Kui teos "Corfu" loodi aastal 1863, oli Edward Lear (sündinud aastal 1812) 51 aastane.

    Millist meeleolu ja emotsiooni „Corfu“, autor Edward Lear väljendab?

    „Corfu“, autor Edward Lear edastab Tranquil tunnet, mis on ümbritsetud üldise Serene meeleolu.

    Kas teos „Corfu“, autor Edward Lear on portree-, maastiku- või ruudukompositsioon?

    Teose „Corfu“, autor Edward Lear vorm on Landscape. See vorm kirjeldab kompositsiooni proportsioone.

    Kõik küsimused ja vastused teema Corfu kohta