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17.08.15

Nimi Klass Kuupäev

Andrzej Nowacki, 17.08.15 (2015). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Andrzej Nowacki originaluniqueart.com/et/artists/andrzej-nowacki/
Kunstniku eluaastad
1953 –
Maalatud
2015
Originaalmõõtud
100 x 100 cm
Liikumine
Abstract Art Abstraction built strictly from squares, circles and straight edges rather than free gesture.

Kontekstis

17.08.15 — Andrzej Nowacki

Mis on selle suurus?

Originaali mõõdud on 100 × 100 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

Maalatud siis, kui kunstnik oli 62 aastane. 7 meie kataloogis olevatest selle kunstniku 26 dateeritud teosest on loodud varem.

▲ see teos, 2015 iga dateeritud maal, aastakümne kaupa

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: originaluniqueart.com/et/art/similar/andrzej-nowacki-17-08-15-D2M6MR-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Phthalo Green #292b2d

    Salvestatud palett

    • #292B2D
    • #E2E2E2
    • #636566
    • #9B9794

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Andrzej Nowacki teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 100,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Andrzej Nowacki kõige vaadatavamad teosed (kokku 6)

    1. 1 26.01.2004-6, 2004 33,3%
    2. 2 30.11.15, 2015 16,7%
    3. 3 16.08.2004-41, 2004 16,7%
    4. 4 20.09.16, 2016 16,7%
    5. 5 21.09.07, 2007 16,7%
    6. — 17.08.15, 2015 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 27 seda kunstnikku kuuluvat teost, millest 5 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Andrzej Nowacki

    Sündinud koht: Raków, Poland

    A Life Shaped by Geometry: The World of Andrzej Nowacki

    Andrzej Nowacki, born in 1953 in the tranquil spa town of Raków-Zdrój, Poland, is an artist whose life has been a dedicated exploration of geometric abstraction. His journey began not within the hallowed halls of art school, but through practical experience – a formative period spent immersed in interior design and the delicate craft of art restoration in Kraków. This early exposure instilled in him a profound understanding of form, structure, and the subtle interplay between space and object, laying the groundwork for his future artistic endeavors. A restless spirit led him to pursue higher education abroad, initially studying Scandinavian languages at the University of Gothenburg before shifting his focus to Art History at the University of Innsbruck, Austria. This intellectual curiosity, coupled with a growing fascination with visual language, would prove pivotal in shaping his unique artistic vision.

    The Polish Constructivist Spark and European Dialogue

    The 1980s marked a turning point for Nowacki, as he discovered the powerful aesthetic of Polish Constructivism. The work of Henryk Stazewski resonated deeply, offering a compelling framework for his own explorations into pure abstraction. Stazewski’s commitment to geometric form and harmonious composition became a guiding principle, influencing Nowacki's early works and instilling in him a belief in the power of reduction and clarity. This period wasn’t one of isolated study, however. A crucial collaboration with Heinz Teufel, a prominent collector and owner of a leading concrete art gallery in Cologne and Berlin, broadened Nowacki’s horizons immeasurably. Teufel provided not only invaluable mentorship but also vital exposure within the European art scene, connecting him to a network of artists and thinkers who shared his passion for geometric abstraction. This dialogue with the wider artistic community helped refine Nowacki's vision and solidify his place within the evolving landscape of contemporary art.

    Op Art Principles and the Expansion of Scale

    Nowacki’s mature work is characterized by a steadfast dedication to the principles of Op Art and Concrete Art. He primarily creates dynamic geometric reliefs that delve into the complexities of optical perception and color theory. These are not merely static compositions; they are carefully orchestrated arrangements of shapes and colors designed to create visual vibrations, illusions of movement, and a heightened awareness of spatial relationships. A defining aspect of his style is the exploration of multi-part and large-format works, pushing the boundaries of scale and challenging viewers to engage with the artwork on a physical as well as intellectual level. He meticulously crafts each element, understanding that even subtle shifts in color or form can dramatically alter the overall impact of the piece. The artist himself describes colour as being more than just an addition to light; it is a language unto itself, capable of evoking profound emotional responses and sparking imaginative thought.

    Recognition and Continued Evolution

    Throughout his career, Andrzej Nowacki has received significant recognition for his contributions to abstract art. He was awarded a private scholarship in West Orange, New Jersey, in 1994, providing him with the opportunity to further develop his artistic practice. Participation in workshops “Under the Sign of Geometry” organized by Bozena Kowalska in Okuninka, Poland between 1997 and 2001, fostered a collaborative spirit and deepened his understanding of geometric principles. In 2001, he received a prestigious scholarship from the New York Pollock-Krasner Foundation, affirming his standing within the international art community. His work has been exhibited globally, including a significant showing in Osaka, Japan, in 2005, and a period of focused creation at Anna Maria Island, Florida, USA, leading to exhibitions with Seth Jason Beitler Gallery in Miami. In 2015, he established a large-scale studio in the former industrial area of Ostrava Lower Vítkovice, Czech Republic, providing him with the space and resources to pursue increasingly ambitious projects. Currently residing and working in Berlin, Germany, Nowacki continues to push the boundaries of his artistic practice, creating compelling and visually stimulating artworks that challenge perceptions and invite contemplation. His dedication to geometric abstraction ensures his continued relevance as a significant figure in the ongoing dialogue surrounding abstract art.

    A Legacy of Order and Vibration

    Andrzej Nowacki’s work represents not merely a continuation but an evolution of Constructivist principles within a contemporary context. He stands as a testament to the enduring power of geometric abstraction, demonstrating its capacity to evoke emotion, stimulate intellect, and challenge our understanding of visual space. His dedication to exploring optical effects and his masterful manipulation of color and form position him as a vital voice in the world of abstract art – an artist who invites us to look beyond the surface and discover the hidden harmonies within seemingly simple shapes. His reliefs are not just objects to be seen, but experiences to be felt. They whisper of order amidst chaos, of stillness within movement, and of the profound beauty that can be found in the fundamental elements of form and color.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib 17.08.15 allalaadimislehele

    originaluniqueart.com/et/art/download/andrzej-nowacki-17-08-15-D2M6MR-en/

    Viige seda teost allintena

    MLA
    Nowacki, Andrzej. 17.08.15. 2015, https://originaluniqueart.com/et/art/andrzej-nowacki-17-08-15-D2M6MR-en/
    APA
    Nowacki, Andrzej (2015). 17.08.15 [Painting]. https://originaluniqueart.com/et/art/andrzej-nowacki-17-08-15-D2M6MR-en/
    Chicago
    Andrzej Nowacki. 17.08.15. 2015. https://originaluniqueart.com/et/art/andrzej-nowacki-17-08-15-D2M6MR-en/
    Harvard
    Nowacki, Andrzej (2015) 17.08.15. Available at: https://originaluniqueart.com/et/art/andrzej-nowacki-17-08-15-D2M6MR-en/

    Vaata lähedalt

    17.08.15 — Andrzej Nowacki

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele 04.03.13 (2013). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Abstract Art: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Kus seda teoses näha saab?
    5. Andrzej Nowacki oli selle teose valvimisel umbes 62 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Kuidas kunstiliikumine ja ajastu tegemist on teoses „17.08.15“, autor Andrzej Nowacki?

    Teos „17.08.15“, autor Andrzej Nowacki kuulub Abstract Art suunasse ning on loodud autori Contemporary ajastul.

    Millist väripaletti teoses „17.08.15“, autor Andrzej Nowacki on kasutatud?

    Teoses „17.08.15“, autor Andrzej Nowacki on kasutatud Neutrals väripaletti. See palett kokkuvõtab teose üldist värilist olemust.

    Milline toon on teose „17.08.15“, autor Andrzej Nowacki domineeriv?

    "17.08.15" on kallutunud Green to Violet Spectrum toonile.