Work, Work, Work (Thérèse Lessore)
Thérèse Lessore (1884–1945) on loonud teose Work, Work, Work. Mõõdud on 66 × 40 cm.
- 66 × 40 cm
Work, Work, Work: põhitooded
- Pealkiri
- Work, Work, Work
- Kunstnik
- Thérèse Lessore (1884–1945)
- Kunstnik on sündinud
- Southwick, United Kingdom
- Mõõtmed
- 66 × 40 cm
Work, Work, Work kõrgel resolutsioonil
Avalik omanik: kunstnik suri aastal 1945.
Thérèse Lessore, Work, Work, Work. Avalik omaniklik õigus
Digitaalne ekspert kontrollib värve vastavust originaalteosele ja retusseerib faili, püsides truulena kunstniku pintlapidele.
Osta kõrge resolutsiooniga piltKüsimused teemal Work, Work, Work
Mis on originaalteose "Work, Work, Work" mõõdud?
Teose „Work, Work, Work“, autor Thérèse Lessore mõõdud on 66 x 40 cm. Reproduktsioone saab tellida muutes mõõtust, säilitades samal ajal samad proportsioonid.
Kas teos „Work, Work, Work“, autor Thérèse Lessore kuulub avalikku omandisse?
Tegijateõiguse osas on teos "Work, Work, Work" kuuluv klassifikatsiooni alla: avalikus õiguses – selle autoriõigud onหมดunud.
Millisele kunstnikule on teos "Work, Work, Work" atribuutseeritud?
Teose "Work, Work, Work" autoriks on mõeldud Thérèse Lessore.
Miks on teose "Work, Work, Work" autoriõiguste staatus selline, nagu see on?
Teose "Work, Work, Work" autoriõiguste staatus - avalikus õiguses – selle autoriõigud onหมดunud - tuleneb kunstniku surma aastast 1945.
Kunstnikust, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.
Teel Thérèse Lessore kohta Thérèse Lessore silmapaistvad teosed