23 kulubumatamatumat Sarah Goodridge maalist, millist on vaid üks

Ilu palastatud

Selle teose kätes hoidmine on kui kohtamine privaatse hetkega, mis on jäänud kinni 1828. aastal. See on Sarah Goodridgei eneseportreet, mis on valminud nii suure unustavuse ja delicate detailidega, et see eirab oma väikest mõõtust. Teema on naine, kunstnik ise, pildistatud sügava haavatavuse seisundis. Ta on kujutatud käed rinnale suruga, žestiga, mis on korraga nii kaitsev kui ka paljastav. Kuigi ta näib alast, jääb kompositsioon peeneks, vältides vulgaarsust eelistades vaikset…

Beauty Revealed

Beauty Revealed is a self-portrait by Sarah Goodridge. Painted in 1828, the work captures a private moment of exposure. It is a miniature portrait of the artist's own bared breasts. The image focuses on the skin and the curve of the body, stripped of a face or a name.

Mrs. George Ingersoll (Martha Goldthwaite)

The woman gazes out from a small, intimate space, her presence felt through a delicate three-quarter turn that suggests a moment of private reflection. She wears an ornate lace bonnet, its ruffles cascading in soft, voluminous textures that frame a face of quiet dignity. A dark garment clings to her shoulders, accented by a small piece of jewelry that catches the light, providing a sharp point of focus against the…

Portrait of a Lady

Sarah Goodridge’s “Portrait of a Lady,” executed circa 1820, stands as a testament to the burgeoning artistic spirit of early 19th-century America—specifically within the realm of miniature portraiture. More than just an image captured on ivory, this artwork embodies the refined sensibilities and meticulous craftsmanship characteristic of its time, offering viewers a glimpse into the social landscape of New England.

Georgina Gardner Lee

This 1820 portrait miniature depicts a young girl positioned in a medium close-up. She is centered within the composition, framed on the left by a heavy, deep crimson velvet curtain. The subject wears a cream-colored gown and holds a doll dressed in red fabric. Beside her, a cat is visible, its fur rendered with fine, individual strokes. The background consists of a solid teal or blue field. The lighting originates…

Grenville Mellen (1799-1841)

A young man gazes slightly away from the viewer, his expression caught in a moment of quiet contemplation. He is rendered in three-quarter view, his features defined by the soft, diffused light of an unseen window. The skin possesses a pale, luminous quality, achieved through the delicate application of translucent layers of pigment. Dark, wavy hair frames a face marked by a calm, steady poise. A light blue neckcloth and…

Elizabeth Greenleaf Parsons (1758-1829)

Portrait of a Gentleman

This 1821 oil on canvas presents a gentleman from the chest up, captured in a moment of quiet contemplation. He is positioned in a three-quarter view, facing slightly to the left, with a gaze that suggests a serious temperament. The subject is dressed in the formal attire of the early nineteenth century, consisting of a dark coat layered over a crisp white shirt and a pale yellow cravat. His hair…

Portrait of a Lady

The lady faces forward, her eyes meeting the viewer with a quiet, steady weight. She is a study in stillness, captured on a small, smooth wafer of ivory. A fur stole rests upon her shoulders, its texture suggested by fine, delicate lines that mimic the softness of hair. Her dress drapes low, pinned by a single brooch that catches the light. The background remains neutral, a void that pushes her…

Portrait of a Gentleman

This bust-length portrait captures a gentleman from the early nineteenth century, rendered with the meticulous precision characteristic of the period. The subject is presented in formal attire, wearing a dark suit paired with a high-collared shirt and tie. His hair is styled short and neat, and a mustache defines his upper lip. He gazes directly at the viewer, establishing a sense of immediate, personal engagement. The composition is tight, focusing…